Category: Sports

Read More

Not My Masi

My walk to the pet store on Sept. 25, 2021 was an unexpected trip down memory lane. On the corner of Adams and Ohio, at the leading edge of San Diego’s Normal Heights neighborhood, someone had locked up their Masi Speciale Fixed. What a great roadster. I used to own the exact same color and configuration.

I bought my Masi in November 2008 and treasured her (my site, my pronoun choice)—the more after thieves tried to steal her (February 2010) out of a locked garage (they got bicycles belonging to my wife and daughter—bastards). The Speciale Fixed is what the name implies: single-gear. However, the bike sports a flip-flop hub that allows freewheel conversion. In fixed-configuration, pedals always move when the wheels are in motion. Freewheel is what most riders are accustomed to: Coasting when not actively pedaling.

Read More

‘Run for Your Life!’

I don’t often get a chance to shoot the sign in Hillcrest—dangers of standing in traffic being one reason, when trying to get good vantage point. But coincidental opportunity presented on July 18, 2021 during the San Diego Half Marathon. We needed something from the pet store located on Washington Street; my wife dropped me there, and I walked over to University Ave. for a lively jaunt home. Timing with the event was happenstance.

On the other side of Fifth, I used Leica Q2 to capture four shots in fairly rapid succession. I chose and cropped the Featured Image for the juxtaposition of bicycle pusher, runners, and walkers—and to remind that the camera can produce super-sharp photos. Vitals, aperture manually set: f/5.6, ISO 100, 1/400 sec, 28mm; 9:51 a.m. PDT.

Read More

Hoops, Anyone?

The Featured Image exists because I wanted to provide context for the companion shot—both of which come from Leica Q2, today. I walked along Panorama Drive in San Diego’s University Heights neighborhood, trying to recover from a night robbed of some hours sleep. My daughter got herself into a mess, and I stayed up late securing her a motel room after other plans unexpectedly collapsed.

Something about the hoop seems so idyllic, pulled to the side of the street, sitting before lush greenery and palms and the homes behind. I cropped to remove two license plates, unfortunately. Vitals, aperture manually set for both: f/5.6, ISO 100, 1/500 sec, 28mm; 10:16 a.m. PDT.

Read More

Now There are Two

Last September, my path crossed what I called the “Sidewalk Gym“, along Meade Ave. near Utah Street in San Diego’s North Park neighborhood. The padding wrapped around a tree evoked make-shift, outdoor Mixed Martial Arts arena—and space to workout whenever Governor Gavin “Gruesome” Newsom issued a new lockdown order meant to slow the SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—also known as COVID-19pandemic.

The space remained a fixture since, with the appropriately-toned motorcycle and SUV typically parked beside the MMA studio. But, today, moseying past, I saw something new: A second motorcycle, which is change enough to assault you with a new Featured Image captured using Leica Q2. Vitals, aperture manually set: f/5.6, ISO 100, 1/400 sec, 28mm; 3:39 p.m. PST.

Read More

Bicycle Brigade

I am ambivalent about the Featured Image and companion, both taken using Google Pixel 3 XL on Dec.8, 2018. Neither means any more than capturing an unexpected moment. I don’t know why the bicycles barreled down University Ave. past Mississippi Street towards Alabama and Florida in San Diego’s North Park neighborhood on that Saturday afternoon. I do recall being miffed at myself for not shooting video and for being disappointed with the seven shots taken.

The best of the lot has the bicyclists approaching with a billboard behind them advertising the local dispensary, which I won’t promote and can’t crop out adequately enough. So that’s awash. The first of the two pics that you see was previously discarded because of the biker partially shown to the right. But on reconsideration, the contrast is worthy-enough, subtle storytelling—the brigade of cyclists easily riding down the hill set against the loner peddling up and out of view (granted, you don’t see the banana bike, but his posture is seated sure enough). He is dressed in street clothes and backpack; they don fancy road jerseys and shorts or pants.

Read More

Schwinn Time

This afternoon, I walked home through the San Diego neighborhood of Hillcrest, where waits one of the many artifacts of the SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 lockdowns. Schwinn stationary bikes are available for those locals looking to exercise outdoors, which is a periodic requirement depending on which way the stay-at-home order blows; sometimes indoor gyms are allowed to open, oftentimes not.

I have seen souls pedaling together during tandem instruction. But nobody rode the road to nowhere when I happened to pass by. Unfortunately, I carried along Leica Q2 Monochrom, which was supposed to effuse magnificent ambience in my nibble hands. But the scene was overly cluttered; in black and white the compositions are too busy, with little comfortable place for the eyes to naturally go.

Read More

Flickr a Week 30: ‘Bengal Cricketers’

The week goes to a street shot not for what it is but for what it isn’t: The choice selection from the Photostream of Pietro Tranchida. While week-worthy, self-titled “Bengal Cricketers” isn’t the best example of his art; the eye-poppers are designated All Rights Reserved, and this series only uses images that are released under a Creative Commons copyright.

That said, there is much to like about the sporty pic—for bokeh, clarity, composition, sense of motion, and the camera used: Leica Q, which is not typically an action-associated shooter. But, hey, capable hands work wonders. Vitals: f/2.8, ISO 100, 1/1000 sec, 28mm; Sept. 20, 2017.

Read More

Thin Crust Topped with Thick Irony

For days I’ve wondered about making one last Pizza Hut order—a final reach for what was before embarking on what is. Should I take away, like usual, or choose delivery? Last night, on my wife’s advice, I chanced pickup and nearly dropped the pies on the way to the car. Marketing messaging on the box caused me to laugh uncontrollably. Oh, and I desperately needed the chuckle, as do many more of us. “March Madness”: How ironically appropriate for circumstances.

The SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—better known as COVID-19pandemic is upon us. As I started warning family more than a month ago, the contagion is a transformative event unlike anything experienced by human society for many generations. Everyone’s lifestyle will change. The world we knew is gone. Poof!

Read More

Surfers in Black and White

The Fujifilm X100F is, conceptually, little different from the original that released in early 2011. Refinements are plenty, reaching the fourth generation (hence the F): focusing is way faster; sensor packs more megapixels (24 vs 12); and controls are more sensibly placed and functional, for example. But largely the same: overall retro-rangefinder styling; shape and size; emphasis on manual dial controls; leaf shutter; ND filter; dual optical and electronic viewfinders; and fixed f/2 lens, among others. Why change what is classic, and clever, from the start?

The Prime lens, matched with the 24.3-megapixel X-Trans CMOS III sensor, delivers fantastic IQ (e.g., image quality). Surprisingly, the X100F is more an action-cam that conceptually is in league with interchangeable siblings X-Pro2 and X-T2. Focus finally is fast enough. I got a good taste of both qualities while shooting surfers from Pacific Beach pier. Some of the best captures are black and white, applying Acros film simulation in camera. The Featured Image and two crops following below the fold demonstrate.