Category: Society

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Not Hello, But Another Goodbye

The last of my Mac gear is gone. This morning, I packed up and shipped off the 11-inch iPad Pro M1 acquired two years ago—coincidentally, also on May 31. Galaxy Tab S8+ replaces the Apple slate, for which Samsung gives generous trade-in credit.

Among my three computing devices, tablet is by far the most used, easily exceeding both laptop and smartphone. For the longest time, iPad has been the only choice, although over the years several Androids contended for my affections: Nexus 7, Nexus 9, Nexus 10, and Pixel C; also Chrome OS-based Pixel Slate. Switching was no simple decision but was made in a larger Apple abandonment that started in mid-December 2022. I bid goodbye to 16.2-inch MacBook Pro and iPhone 13 Pro during the same month.

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The Devil’s Doors

Well, the Featured Image is sure to offend somebody. Others might cheer the implications. The doors stand outside one of the churches in San Diego neighborhood Hillcrest. By no coincidence, the institution flies rainbow flag.

I can’t resist. In Matt. 7:13, Jesus said: “Enter through the narrow gate; for the gate is wide and the way is broad that leads to destruction, and there are many who enter through it” (NASB). My question for you: Are six doors of inclusion a “narrow gate?”

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Urban Husky Revisited

The “Urban Husky” residence is no longer a construction site. I had wondered if the mural would be a casualty of the renovation, although the artwork might be because of it. During an impulsive change of direction while walking today, my wife and I passed by the property.

I couldn’t go on without grabbing a fresh capture. The Featured Image comes from Leica Q2. Vitals, aperture manually set: f/4, ISO 100, 1/1250 sec,, 28mm; 2:01 p.m. PDT.

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Regarding Leica Q3

German camera company Leica today announced the Q3, which is now available for preorder. While being tempted to trade in Q2 and upgrade, I am overly enamored with my existing equipment, which more than achieves the “good enough” threshold.

I obtained Leica Q2 on the last day of 2019—and wrote a review two years later (do read it). For sure the new thing tempts, but I must resist—and for another reason that will be explained below.

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The Photobomber

Consider the Featured Image as start of a two-parter. The intended subject of the street shot is the big guy hanging on to a lamppost, and I had planned to close-crop on him. But just as I clicked Leica Q2 Monochrom‘s shutter, someone scooted into the frame. The unintentional photobomber instead makes the moment.

Vitals, aperture manually set: f/5.6, ISO 200, 1/1600 sec, 28mm; 3:11 p.m. PDT, April 20, 2023. Location: San Diego’s Balboa Park.

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Audacious Advertising

While driving our car to the auto shop for routine maintenance, today, I passed an intriguing billboard along Adams Avenue in San Diego neighborhood Normal Heights. Sentiment “People Matter” makes perfect sense. But not too long ago, and perhaps still, “all lives matter” was taboo response to the “black lives matter” crowd. Does this advert push boundaries? Is “people matter” all that different from “all lives matter”—regardless the different context? You tell me.

I am a big fan of offending people, of pushing their buttons, so to speak. We all need to feel uncomfortable from time to time, so that we think. So if “people matter” offends you, good! And because everyone matters, why should inclusivity of all colors be bothersome? Now, let’s get to the context, which is nothing about race relations.

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What’s the Lesson Here?

Not for the first time, car horn-honking, chanting, cheering, and clapping beckoned me to the administrative offices for San Diego Unified School District, which is but a few blocks from our University Heights apartment.

I came upon a sizable protest of people dressed in red T-Shirts. The number could have been in the thousands—size the Featured Image and companion don’t capture in part because the crowd spread out some distance. They jam-packed when marching, too. Vitals, aperture manually set for both: f/8, ISO 100, 1/250 sec, 28mm; 4:23 p.m. PDT; Leica Q2.

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Bon Appétit!

In April 2016, I started to write “Why is Hollywood Obsessed with Viral Armageddon?” In June 2017, I shot a photo to illustrate the post, which wasn’t finally finished until March 2021—nearly a year after the World Health Organization declared  SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 to be a pandemic.

San Diego’s Museum of Us exhibit “Cannibals: Myth & Reality” must be ongoing because I came upon the same sign still in place six years later—as you can see from the Featured Image, captured using Leica Q2 Monochrom, on April 20, 2023. Vitals, aperture manually set: f/5.6, ISO 200, 1/160 sec, 28mm; 3:23 p.m. PDT.

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Where the Crane Flies

Remember this: “The Teardown“, from February 2022? Where was a home and a few trendy shops, another multi-unit monument to more unaffordable housing rises along Park Blvd between Howard and Polk. By the strictest map boundaries, the location is in the community of University Heights. But because of zip code, someone will claim San Diego’s Hillcrest.

Vantage for the Featured Image is parallel street Georgia. I count four stories and rising. Vitals: f/2.4, ISO 50, 1/8800 sec, 70mm; 2:22 p.m. PDT, today; Samsung Galaxy S23 Ultra.

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Squatter Villas

The never-ending pattern of eviction, renovation, or teardown and rebuild provides temporary residences for San Diego’s homeless. I had wondered why encampments suddenly vanished along either El Cajon Blvd or Florida Street here in University Heights. The so-called unhoused moved into unoccupied flats.

What a sad, tragic state of affairs across from Kindred Hospital on Georgia Street. Around the beginning of the year, a woman living in a charming Craftsman-like house had to leave, because the property had been sold for redevelopment. I once chatted with her about renovictions and calico Rosie. Renters of the apartments next door were forced out some months later. I had photographed ginger kitty Harvey there in June 2021. Both animals appear in my “Cats of University Heights” series.

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Where Green is Good

East of Park Blvd in my neighborhood of University Heights, San Diego homeowners clearcut backyards to put up  so-called Accessory Dwelling Units (ADUs); developers level stately houses, which are replaced by apartment or condominium buildings; contractors relandscape grass, flowers, and trees with cement, stone, and succulents. The pillaging of property character and green growing spaces is relentless.

But some streets seem almost immune to the obsessive drive to increase population density and thus decrease the amount of earth where no structure sits. Wealth might be a reason—collective consciousness could be another (e.g., where homeowners take cues from what their neighbors do or don’t). Zoning is another consideration, as is geography. Some or all of these apply, methinks, to Panorama Drive.

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Ahoy Mateys

Thermometer touched 20 degrees Celsius (68 Fahrenheit) on this fine Sunday but constant sunlight made for much warmer experience. Unsurprisingly, walkers were everywhere—with dogs or other people—while the occasional biker or runner breezed by.

Naturally, here in University Heights, Old Trolley Barn Park attracted adults and kids of all ages. One gathering specifically caught the attention of my wife and me, too. In what ranks as the largest private event moon bounce that I have seen, a pirate ship inflated for the kiddies.