Three Man Chairs and reminder what the gals shop for while the dudes wait—shot with iPhone X, today, at Westfield UTC in La Jolla, Calif. Vitals, for the Featured Image: f/1.8, ISO 20, 1/800 sec, […]
Here in University Heights, at the corner of Cleveland and Meade Avenues, is American Market. Next month, the Wilcox family celebrates 10 years living in the neighborhood, and the one-stop shop has been a fixture […]
Two weeks ago, while walking around Hillcrest, my wife and I briefly stopped by the local, massive, used bookstore. To my surprise, the place was three-quarters emptied and going out of business. Yikes! I hadn’t shopped there for nearly a year, when purchasing a paperback for myself later given to my father-in-law. While 5th Avenue Books is gone, online counterpart Schrader’s Books will continue selling used titles through Amazon. As someone who almost exclusively reads ebooks, I occasionally—but, honestly, rarely—shopped out-of-prints not available in digital format, almost always finding the sought-after read.
That last purchase: The Past Through Tomorrow by Robert A. Heinlein, an old-time favorite selling for three bucks. When I first bought the anthology in high school, it came as a set with two other titles: Stranger in a Strange Land and Time Enough for Love. During the last year of my father-in-law’s life, reading became his main recreation. I donated the Heinlein title to that cause. Following the 95 year-old’s death nine weeks ago, I reclaimed the book to read and as remembrance.
My wife’s birthday 2016 marks the 40th year since her high school graduation. The pic is from her yearbook. Photographer is unknown—by Anne or me, I love the composition, which is appropriately arty. Anne, age […]
Sometimes I am shocked to find myself out of touch with popular culture—and that’s a terrible admission living in Southern California, where pronounced body art can be seen everywhere. Yet, not until yesterday’s Flickr Blog post “Belly Paining” and link to small gallery of photos had I ever seen such a thing.
Yeah, my wife and I are middle-aged parents with a daughter in college—removed from immediate contact with expectant-mother lifestyle. Nevertheless, how in the land of tattoos could I miss something so interesting, creative, and personally expressive? What a wonderful way to celebrate the joys (and hardships) of pregnancy.
Tomorrow night begins my seventh sojourn to the greatest geekfest and pop-culture event on the planet. Imitator shows are everywhere this Century, but none commands character and class like the original. San Diego Comic-Con is an amazing amalgamation of hopes and aspirations—and the grandest storytelling—where, for four days and a Preview Night, tens of thousands of people can be themselves—fit in, rather than feel oddball—or be whom they would want to be by dressing up as beloved superheroes or villains and by adoring the storytellers and actors behind them.
The first, full three-day event took place from Aug. 1-3, 1970, at the U.S. Grand Hotel, with about 300 attendees and sci-fi luminaries, including Ray Bradbury and A.E. van Vogt. This week, 130,000 attendees will storm San Diego Convention Center to enter an alternate reality, where the social rules binding them everyday no longer apply.
“This is not about me”, singer Taylor Swift writes in a Tumblr post that is viral news everywhere today. She explains why her newest album, “1989”, will not be available on Apple Music when the service starts on June 30.
“This is about the new artist or band that has just released their first single and will not be paid for its success. This is about the young songwriter who just got his or her first cut and thought that the royalties from that would get them out of debt. This is about the producer who works tirelessly to innovate and create, just like the innovators and creators at Apple are pioneering in their field—but will not get paid for a quarter of a year’s worth of plays on his or her songs”.
They say the end is only the beginning. Today’s installment ends serialization of my ebook Comic-Con Heroes: The Fans Who Make the Greatest Show on Earth. On July 8, 2015, after my current commitment with Amazon KDP Select ends, the tome’s release into the public domain begins—as promised. I plan to make copies available here, from Bunny Bows Press, and most likely Smashwords. I am still working out final logistics. Free also means removing the book from Amazon, which doesn’t permit the option. I am exploring a one-cent alternative.
A week ago, I posted the last of the dozen profiles, in order of appearance: The Dark Knight, The Fighter, The Collectors, The Academic, The Nerd Culturist, The Writer,The Bicyclists, The Heroine, The Time Lord, The Volunteer, The Vendor, and The Millennial.
Serialization of my ebook Comic-Con Heroes: The Fans Who Make The Greatest Show On Earth rapidly winds down. With today’s installment, three remain, before I release the 2013 tome into the public domain, on July 8, 2015, when my current commitment with Amazon KDP Select ends. The other profiles, in order of appearance: The Dark Knight, The Fighter, The Collectors, The Academic, The Nerd Culturist, The Writer,The Bicyclists, The Heroine, The Time Lord, and The Volunteer.
I interviewed the last two Comic-Con 2013 attendees on the final day, for which tickets cost a little less and when San Diegan families flow into the conventions center. You can only really appreciate what the Con represents, as a cultural phenomenon, by mingling with the last-day crowds.
The second month in this series wraps up with an intimate photo from the 1st International Hong Kong China Tattoo Convention, where See-ming Lee shot self-titled “Men of Patience” on Oct. 6, 2013. “Most of the photographs I have taken from this day was made possible mostly because of the excellent low-light high ISO performance of the [Canon EOS] 6D”, he explains, “combined with the super 100-400mm [lens] which allows me to photograph people from afar without alerting their attention”. Vitals: f/5.6, ISO 4000, 1/320 sec, 260mm.
There are different philosophies of photography. Some shooters like to get in close to their subjects, interacting with them. Others like to keep the distance, which is a good approach for an event like this one.
In theory, I will go to San Diego Comic-Con this year—as a paying customer. For that I am most grateful and for the ease of the Open Registration process. From 2009 to 2014, I attended as registered press, but for some reason my status wasn’t re-certified. There was no formal rejection, just no approval during the typical “within 6 weeks” period after verification document submission.
SDCC’s streamlined process is a grabbag of chance. If you have an active ID on the system (before a cut-off date) and attended the previous year, you receive a code to participate in the registration process. That means using the number and last name to enter the waiting room between 8 a.m. to 9 a.m. PST. Anyone in the room when sales commence at 9 o`clock can be randomly chosen to purchase passe(s). Chrome refreshed me to the buying queue about 20 minutes after sales started.
I am quite reflective about San Diego Comic-Con on this fine Saturday. An hour from now, thousands of people will begin the registration process that, from 9 a.m. PST, will let them into the online waiting room where they might be chosen to purchase tickets. I will be among them, for the first time since moving to San Diego in October 2007. My attendance was always guaranteed, for being a news reporter.
But SDCC has yet to re-certify my press status, and as time drags on the likelihood diminishes. Earlier this week, I received email indicating eligibility to participate in Open Registration, for which I am hugely appreciative. I worried about my uncertain status locking me out from purchasing tickets. Press get free admission, which is a benefit I can take or leave; paying is no problem. It is the assured admission that matters to me.