Grandparent with a camera can be any child’s worst embarrassment. “OMG! He tagged me on Facebook”. Blame the family, which reignited the photographic passions of Jimmy Brown with his “first digital SLR, a Canon Rebel as […]
The series winds down with a dramatic change in curation. From the first day forward, I prepared posts in advance—sometimes as many as 10. But with six selections remaining, I prep the next to follow the current one; for emphasis and care choosing.
First up, street photographer Tuncay Coşkun, who shot self-titled “The Leaving” on June 6, 2014, using Canon EOS 60D. Vitals: f/13, ISO 200, 1/125 sec, 50mm. I picked the pic for clever composition and character. Need I even explain why?
Our last selfie of the series goes to Dustin Gaffke, who shot self-titled “Merry Christmas!”, which I wish to you, on Dec. 7, 2014, using Nikon D3S and 14-24mm f/2.8 lens. Whoa, now there’s a vintage dSLR. […]
Go figure, I had planned to feature something more traditional for Christmas Eve but couldn’t resist self-titled “PopCorn Culture”, which J Mark Dodds captured eight years ago today using Fujifilm FinePix E900. Vitals: f/2.8, ISO 800, 1/4 sec, 7.2mm. The pic is a reminder about what matters — people, particularly those whom we are closely bounded, and major reason this series focuses (no pun, honestly!) more on them than the things.
“I’m a photographer with a lot of food and drink experience in restaurants, bars, clubs and pubs. The distractions of a life full of inescapable things gets in the way of taking and processing photographs—and I spend a lot of time with my boys who are becoming men”, he says.
As the series’ end approaches, picking pics grows ever-more difficult. I would like the last ones to be special, but finding them also takes more time than easily invested—got a new project coming, and there […]
Action and sports shots often require prep and finesse, as Paul Scott demonstrates with our Day taker. He shot self-titled “Adam Keys—Ollie Over Rail” using Canon EOS 60D, one year ago today. Vitals: f/3.5, ISO 250, […]
What’s missing makes the photographic art of John Meadows so commanding. Color for one. Digital for another. The modern is absent, too. If you look at portraits from one-hundred years ago and earlier, the subjects often don’t smile; typically there’s a seriousness to their facial expressions and bodily postures. The look, feel, and mood is similar; most any of his captures could easily be mistaken for a picture from the 1910s.
But John is a modern shooter blending past and present techniques. “As time goes on, I find myself moving more and more drawn back to film-based photography and historic processes such as Cyanotype and Van Dyke Brown”, he says. “However, I will take advantage of certain digital technology, so even when stating with a film negative my workflow tends to be hybrid”.
We wrap three days focused on the Foveon sensor with Sigma’s original professional compact—the DP1. I owned the camera, which requires finesse for its clunky controls, slow response, and noisy low-light photos. But color, contrast, […]
Sigma compacts are lean on extras, including video capture, and they demand patience—taking time to thoughtfully compose each shot. They can be point-and-shoots, but they aren’t meant to be. Rather, in competent hands, they produce spectacular IQ (e.g. image quality).
Ben Keough is spot on in his review of the Sigma DP3 Merrill, which Aikawa Ke used to capture our selection: “The software deficiencies are all variations on a single theme: If a feature doesn’t help you take an unadulterated still image, the DP3 doesn’t have it. No picture effects, no scene modes, no panoramas, no collages, no dynamic range compensation, and no HDR capture”. The camera is no frills and slow to focus. Oh, but the IQ!
The worst of the worst of the worst of the best—picking a single pic from the photostream of Heather Buckley is more challenging than all the other tough cases combined. I could choose any and […]
My father-in-law turned 94 this week. He still lives independently, and we help by being close-by (in an apartment on the next block). He doesn’t get around as easily as he used to; cane is […]
Whoa, here’s a composite that you don’t want to experience in this life or the next. Sam Breach shot self-titled “The Death of Me” on March 23, 2013, using Canon EOS 5D Mark III and EF […]