I may have been unlucky scoring a San Diego Comic-Con 2018 pass during Early Registration, but the previous day Verizon Wireless processed my iPhone X order for delivery on launch day—November 3rd. Now that was […]
Next week, iPhone is 10 years old; sales started on June 29, 2007. Please see my post about that day—”The iPhone Moment“—and another on the tenth anniversary of the device’s unveiling, “The iPhone Metaphor“, from January of this year. Strangely, I celebrate by abandonment. Twelve days ago, my family switched to Verizon from T-Mobile, and in process I gave up iPhone 7 Plus.
Appropriately perhaps, as I write this sentence, Talk Talk’s “Living in Another World” streams from Tidal. Yeah, that’s me, with respect to iPhone 7 Minus—what I started calling the thing after learning that Apple makes two models, one of which in part is incompatible with Verizon and other CDMA carriers. You want model A1661 and not A1784. Rather than get another Minus, I chose to try something else: Google Pixel XL, which overall user experience is as good and in many respects so much superior.
If you asked why the Moto Z Force Droid Edition appeals to me, I couldn’t identify one thing, which arguably is odd considering this is a review. Benefits and features feel finely balanced, which is a hallmark of good product design. Oh, and that satisfaction is for the pure smartphone experience, which is premium by nearly every measure that matters; I didn’t test Moto Mods that expand capabilities.
Lenovo/Motorola and Verizon released the smartphone in July 2016, so this exploration is belated—and then some. Apologies, the delay was necessary. In mid-December 2016, Verizon sent a holiday review package unexpectedly. At the time, my father-in-law’s health rapidly declined—and he passed away about 30 days later. In the months following, as we settled his estate and finalized other matters, I occasionally recharged the battery and picked up the Droid but had no real time to test it. Still, something about how well the Moto Z Force feels and fits in the hand compelled me to handle it. Often. To caress the ridged bezel. To read blog posts and news stories on the beautiful display.
During the camera film era, Fujifilm battled kingpin Kodak with brighter, more vibrant colors that either photographers loved or hated—perhaps both. That was last century. In the 21st, Kodak is a shadow cast against aged Kodachrome, while its rival has successfully transitioned from print to digital—and with amazing bravado. Fuji’s transformation started six years ago with the cleverly-engineered, retro-designed X100, which I reviewed in May 2011.
The compact digital camera’s success led Fuji to develop a series of additional bodies and lenses; all are designed with professional shooters in mind. The X series family features compact, mirrorless designs that incorporate digital SLR-size sensors and manual controls—meaning dials and buttons to directly manipulate settings rather than rely on software menus. The X100 line—from the original to the S, T, and now F—remains the most distinctive for how well features and benefits balance set against truly innovative design concepts.
After Grado Labs shipped to me the GS1000e headphones, but before they arrived, I realized my mistake. Big sound comes in matching size. So used to the Brooklyn-based company’s signature on-ear designs, I somehow overlooked that the pricey Statement Series audiophile cans are over-ear and overly large. It’s all about the earcups and pads. The RS1e, which I previously owned and sold, measure 17 x 8 x 19 cm (6.69 x 3.15 x 7.48 inches). The GS1000e: 23.11 x 8.89 x 23.88 cm (9.1 x 3.5 x 9.4 inches). As I feared, the Grados look enormous on my head, unbecoming. But, Hell, I accept the indignity of a big slab of iPhone against my face—why fuss?
Size isn’t the only difference from other Grados. I don’t hear the classic audio signature, but something else. Something better. Out of the box, with no burn-in, sound is smooth, expansive, and detailed. Well-rounded. Finely balanced. The open-air, over-ear styling truly is circumaural, spreading soundstage in placement you can close your eyes and see. Feel. There is an audio authenticity unlike any other headphones ever to touch (or cover) my ears—and that’s with less than 10 hours use. Cans like these improve with age; burn-in is everything.
BTW, I used the Fujifilm X-T1 with Fujinon XF35mmF2 R WR lens to shoot the Featured Image, which I considerably edited to remove some of the yellowish tint from the Jan. 25, 2017 evening capture (8:26 p.m. PST). Vitals: f/4, ISO 5000, 1/60 sec, 35mm.
Headphone manufacturers must make deliberate audio signature decisions when crafting cans. Some shops, like GradoLabs, adopt a house sound. Relative newcomer Master & Dynamic‘s design ethic seeks to equally please eyes and ears. As such, its flagship wired headphones (MH40) and wireless (MW60) share similar industrial design. Aluminum, lambskin, leather, and stainless steel combine in rugged style that evokes aviators of a bygone era. The newer MW50 Bluetooth headphones strongly resemble the other two, but they’re tuned for younger listeners on the move.
M&D’s earlier cans are over-ear—meaning they cover the lobes, while the MW50 rest on them. The headphones are smaller and lighter than either the MH40 or MW60, but with most of the overall benefits of the latter, including excellent wireless reception. On-ear headphones can be uncomfortable to wear and leak in too much ambient noise. The MW50 push past both typical limitations, which, honestly, surprises me. I personally don’t find the design to be as attractive as the over-the-ear cans. It’s about the earcups, which function matters more, however. The lambskin-covered ear pads are immensely comfortable, and the MW50 arguably are better all-around-wear than their siblings. I would take them outdoors on a walk, for example.
For Christmas 2015, I bought myself a new pair of Bluetooth headphones. After trying several sets, I settled on Master & Dynamic MW60, which were a fantastic choice then and are still my top recommendation nearly a year later. The wireless cans replaced my beloved Grado RS1e—no small feat.
Read no further and buy the M&D cans, if wireless listening is priority—and should be if using iPhone 7 or 7 Plus, which lack 3.5 mm jack. Authentic audio, spacious soundstage, and full fidelity (without over-punchy bass) make the MW60 the gold standard for Bluetooth cans.
Yesterday I sold my beloved Grado RS1e headphones, which get my highest recommendation. Parting ways, time is long overdue for a review, even if post-mortem. I let go the cans mainly because my lifestyle changed. Being tethered by wires is too confining; I listen to music more on the move now. As such, fine-fidelity Bluetooth cans—Master & Dynamic MW60—give great sound with more flexibility and mobility.
I purchased the RS1e direct from manufacturer Grado Labs in late July 2014, soon after release. Grado is a family-owned/run Brooklyn, New York-based business that opened in 1953 offering turntable cartridges. In 1990, the company starting selling headphones, which are hand-crafted and tested for the distinctive, sound signature that defines them. Founder Joseph Grado passed away in February 2015 at age 90.
The more I use Apple’s smaller Pro tablet, the less likely I am to reach for the larger one. I have tested the 9.7-inch and 12.9-inch tabs side-by-side since March 31st—and the bigger one is my primary PC (most days). Unquestionably, the behemoth is capable of replacing a laptop, as Apple CEO Tim Cook asserts. The smaller-size model is a fine notebook companion, and certainly can substitute sometimes. But more than two weeks using this surprisingly satisfying kit, I can’t yet (and may never) recommend it as your next PC.
The 9.7-inch iPad Pro, which screen measures like all its forebears, falls into a category I griped about in September 2015: Apple products without purpose—or none that’s easily obvious to majority of shoppers. Don’t misunderstand. The technology under the hood is quite innovative, and I really, really, really enjoy using this tablet. But I’m not most people, and looking at the broader consumer marketplace, I see the device as being more for the few than appealing to the many; that is until the next release cycle, when current prices decrease. Now, putting aside these caveats, 9.7-inch iPad Pro is the device I most often grab first. Many of the benefits have purpose that is subtle. The question: Are they good enough for you?
Newcomer is the only way to describe Master & Dynamic, which on Dec. 31, 2015 completed its first full year of revenue. Young or not, its audio gear is vintage and refined. Wanna see? You can find the MH40 headphones, which look like something World War II bomber pilots would wear, inside any Apple Store. Distribution partnership of that caliber from a near start-up says much about M&D earphones and headphones—design, price, and sound.
The signature sound is full, which is atypical in a market where booming bass ranks among headphone buyers’ top priorities. But for those listeners who delight in the faintest tap of the symbol, warmest treble, and deep lows that reveal details rather than thump, thump, Master & Dynamic delivers. For Christmas I bought the company’s MW60 wireless headphones, which I will review soon. Today’s topic is the MH40, which are wired.
If you’re thinking about buying Pixel C, Google gives two good reasons to do so now: Android N beta program and developer discount on the hardware. The tablet normally sells for $499 (32GB) or $599 (64GB) but you could instead pay $375 or $449, respectively. Keyboard is another $149. The discount and beta OS are meant for developers, but anyone can get them.
Pixel C is the best Android tablet I have ever tested, but that’s acknowledging prejudice against Samsung tabs, which are worthy contenders, but I dislike TouchWiz UI. Sammy’s hardware hums, particularly the stunning screens. But only Google serves up a Marshmallow feast in Android 6.0, and the hardware design and construction are preemo to the max. For less than $400, Pixel C might as well be free, there is so much value here.
My previous post in this series begins: “I cannot presently recommend Apple’s big-ass tablet as a laptop replacement—using the official-issue Smart Keyboard”. The statement is retracted.
Apple PR contacted me after the story published, asserting that the short battery life I experienced was abnormal behavior. Seeing as it was the last day to return iPad Pro under T-Mobile’s buyer’s remorse policy, I took the assertion at face value and returned the rig. The exchange interrupted my plans to use the tablet as my primary PC for a month. From today, the clock resets to zero, and I start over.