Tag: Canon EOS 20D

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One Day in April

On this date 17 years ago, I visited the Capitol Mall for the second-to-last time before our relocation to San Diego about six months later. Nearly six years after the 9-11 terrorist attacks, against the Pentagon and World Trade Center, Washington, D.C. had returned to some semblance of normalcy.

Fast-forward to today, and what’s not different? The craft of politics is a toxic enterprise. Congress is a case-study in paralysis. If only Elon Musk had developed a Neuralink that could get government moving again. I can’t imagine going back, even while regretting having left.

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This New Nostalgic Photography Trend is Scary

When is really bad good? Let the Featured Image and companion answer. I never imagined that Millennial-generation nostalgia would make blurry photography a thing. Newfound fondness for pics produced by naught-decade point-and-shoot digital cameras focuses (honestly, no pun intended) on imperfections they produce.

Well, hell, I am a master photographer now. Sign me up for the big bonus payout from the Instagram gallery of art and artifacts, because I got a boatload (figuratively) of blurry, grainy, flawed photos languishing to be seen and cooed over.

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Recalling Old Glory

What on Oct. 3, 2004 prompted flags flown at half-mast? I sure don’t recall, nor could I immediately discover a reason from searching the InterWebs. I will further explain.

This evening, while rummaging through old photos, I came across a shot of the U.S. Capitol. The building, set back behind trees, took my attention; initially. On closer inspection, I could see that for all my poor photography habits of 19 years ago, the flagpole frames the shot. Then I looked at lowered Old Glory and wondered why?

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From a Seed Grows…

On a quiet Tuesday evening, with the car in the shop and my finger healing (hopefully) from a second-degree grease-splatter burn, I share something simple and soothing.

I used Canon EOS 20D to capture the Featured Image, which is composed as shot and presented without alteration. This one is a JPG straight from the camera. Vitals, aperture and shutter speed manually set: f/7.1, ISO 400, 1/500 sec, 100mm; 3:19 p.m. EDT, June 24, 2007. Lens: Canon EF100mm f/2.8 Macro USM.

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Admiring God’s Paintbrush

As autumn colors lavish landscapes across the Northeastern United States, but eternal summer simmers in Southern California, I must go back to the past to find something appropriate to share—from our family’s time living a few miles outside the Washington, DC Beltway. On Nov. 2, 2005, I lugged outside Canon EOS 20D, mounted with the EF 70-200mm f/4L USM lens obtained a few days earlier.

The Featured Image and companion, both composed as captured, are picks from a series for each. Looking over the set reveals similar shots at different apertures. Interestingly, for the first, I prefer the renders where the house is less blurred. Vitals: f/18, ISO 800, 1/125 sec, 200mm; 12:51 p.m. EST.

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Bumble Bee Delights

Yesterday we returned to 2007 with a backyard portrait of bunny Daisy. A few months earlier, June 24, I shot bug and flowers on a mini-medium that separates Decatur and University avenues where Newport Mill Road intersects both, in Kensington, Md. According to Google Maps street view, from June 2022, the place remains—even fuller and lusher than I recall.

I used Canon EOS 20D and EF100mm f/2.8 Macro USM lens to shoot the Featured Image and companion. How strange is it that I clearly remember this outing when others aren’t recollected. I can’t guess why are the quirks of memory, being such an otherwise meaningless moment.

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Gone But for Memories

Call me shocked. On several occasions during the two years leading up to the SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 lockdowns—and at least once after they started—I contacted the woman who managed our rental in Kensington, Md. We lived there just shy of a decade, and I felt sentimental about the place. Should the house become available to rent, or to buy, could she let me know? Absolutely. Promises. Promises.

Opportunity passed unbeknownst to me, and I am baffled about missing it. The house, previously purchased for $56,000 in 1965, sold for $475,000 a few months ago. I had checked on the property’s disposition from time to time and never saw a listing, nor is there any indication that there ever was one. Perhaps the tenants bought the place. I’ll never know.

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Praising the 135mm

In a post dateline eight days ago, Phoblographer publisher Chris Gampat explains “What You Should Know Before Buying a 135mm Lens“. He describes my favorite Prime focal length: “a magical wonder for many photographers”; “optically speaking, no one looks bad on the other end of this lens”; “notoriously hard to get in focus”; and “render[s] super tight if you don’t have a lot of room”. Also calling 135mm a “pain”, he acknowledges: “I’ll admit they can create beautiful photos”.

If shooting an interchangeable lens camera, rather than fixed-28mm Leica Q2, I absolutely would favor 135mm. Honestly, I might go 85mm for close spaces but otherwise mainly use the longer focal length. I love 135mm.

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He Knows No Limit

I can’t explain why the Featured Image appeals to me. Maybe the gent’s mouth caught in speaking motion is reason combined with tilt of head, necklaces hung around neck, and one presented in hand. Is he selling the beaded strings? Seeking donations? I want to know.

The moment is from the Labor Day Parade on Sept. 5, 2005 in Kensington, Md. I used Canon EOS 20D for the portrait, which is composed as shot. Vitals: f/10, ISO 400, 1/500 sec, 40mm; 10:26 a.m. EDT.

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For Free Speech and Democracy

Fifteen years ago—April 14, 2007—the Wilcox family rode the DC Metro into downtown for the annual Cherry Blossom Festival Parade. The Featured Image is one of many street shots from Canon 20D and EF 135mm f/2 USM lens. This one, composed as captured, is previously unpublished. Vitals: f/5.6, ISO 200, 1/500 sec, 135mm; 9:32 a.m. EDT.

I choose the photo for the strangest of reasons: The riders and their American flags as symbols of democracy and freedom. Why today? Elon Musk bought Twitter, which he plans to take private and supposedly will reestablish as a platform for free speech.

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It’s a Cultural Cold War

The United States continues to seek new punishments against Russia for its invasion of Ukraine, which started on Feb. 24, 2022. Americans rally to the cause with good intentions that may not mean much and that may do more harm than good. For example, pouring out Vodka and evoking spirit (no pun intended) of the Boston Tea Party accomplishes what?

As Dan Kois writes for Slate: “Stop Boycotting Random Russian Things. You are not stopping the war in Ukraine”. Nutgraph: “It is dumb to boycott things that have no actual connection to Vladimir Putin or even, in some cases, to Russia. But it’s also foolish to demonize every vestige of Russian culture, and ordinary Russian citizens, and Russians abroad, as a result of a catastrophic war launched by a despot”.