Tag: pulp media

Living by Joe WilcoxMay 3, 202210:34 pm

‘Soylent Green’ Warned Us About Twenty-Twenty-Two

My preview of this year came during summer 1973 when one of mom’s drive-in movie adventures ended with showing of “Soylent Green”, starring Charlton Heston and Edward G. Robinson—both pictured, respectively, in the first screenshot. Mama would have been 32 years old, with four kids piled into an overly spacious, blue Chrysler Plymouth that by today’s gas-guzzling standards was more akin to a boat on four wheels.

I got to thinking about the film a few months back, seeing as how its dystopian future is 2022, when there is supposed to be environmental devastation, famine, overpopulation, riots, war, and wide gulf of wealth and poverty separating the elite class from everyone else. Hold on, does that not describe the year to date?

Photo by Joe WilcoxDec 12, 20218:27 pm

Hang On, Woody!

In what could be a real-life scene from film Toy Story, Sheriff Woody precariously hangs from the back of a Toyota Tacoma spotted along Mission Avenue in San Diego’s University Heights neighborhood. Where is Buzz Lightyear to the rescue? Take a closer look at either the Featured Image or companion and you will see that the cowboy doll is pad-a-locked in.

Both photos come from iPhone 13 Pro, yesterday. Vitals: f/1.5, ISO 50, 1/1698 sec, 26mm; 1:07 p.m. PST. The other: f/2.8, ISO 32, 1/319 sec, 77mm; 1:06 p.m. When I showed my wife the second shot, taken first, she observed that it’s not absolutely apparent that Woody hangs off the ground. So I took another.

Living by Joe WilcoxSep 11, 20218:06 pm

You Will Remember the Day in a New Way

On this solemn Saturday, commemorating the tragic Tuesday 20 years ago, I can’t add much more than past recollections in 2005, 2006, 2015, and 2020. I can strongly, strongly, strongly recommend that you watch National […]

Pulp Media by Joe WilcoxMar 22, 202110:38 pm

Make More Movies Like This

Superhero movies don’t really appeal to me, which is major reason I haven’t bothered watching “Justice League” (2017) or any other films in the genre. The so-called “Snyder Cut” debuted on HBO Max, March 18, 2021. Two days ago, the Twitterverse—heck, the universe—learned that a black-and-white “Justice is Gray” version is “coming soon” to the streaming service. I love it!

During the early 1990s, I was an editor working for a general-interest magazine based in Washington, DC. I conceived, commissioned, and edited stories for print. Observed trend among successful freelancers: They would take one body of reporting/research and repackage it as different stories for several publications and their respective audiences. It’s a thrifty approach to news gathering that maximizes potential revenue for the writer, improves relationships with print (in this decade online) editors, and expands audience reach. Why shouldn’t filmmaking be something similar?

Photo by Joe WilcoxMar 5, 202110:40 pm

Why is Hollywood Obsessed with Viral Armageddon?

I really want to know. That sentence, the title, and a short list of TV Shows about viral epidemics is as far as this post proceeded when I started it on April 26, 2016. I meant to come back many times over the nearly five years since and really regret the failure following the World Health Organization’s declaration of SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 as a pandemic on March 11, 2020.

Still contemplating writing this essay, but not getting to it, I shot and edited the Featured Image on June 11, 2017. San Diego’s Museum of Man (since then renamed to “Us”) featured exhibit “Cannibals: Myth & Reality”. With so many of the virus movies or TV series focused on Zombie apocalypses, the exhibit artwork seemed so perfect illustration. Vitals, aperture manually set: f/5.6, ISO 100, 1/1000 sec, 28mm; 2:07 p.m. PDT, Leica Q.

Half a decade later, I wonder: How much did pandemic feature films and TV shows create soil for COVID-19 to grow into a state of global fear—and, as I will opine in six days, far exceeds the real risk posed to the majority of people; whether or not they are infected? Surely, you can guess my answer.

Music by Joe WilcoxNov 16, 201911:19 pm

Jesus Christ Superstar in San Diego

This afternoon, my wife and I attended one of two matinee showings for “Jesus Christ Superstar”, which is making a 50th-anniversary U.S. tour. The new stage play started in Syracuse, New York, on Oct. 1, 2019 and is scheduled to end in Fort Worth on Aug. 30, 2020. As I write, two local shows, at San Diego Civic Center, remain: Tomorrow at 1 p.m. and 6 p.m. PST. I enjoyed the performance enough to want to see it again, but that’s not happening.

Anne and I sat in the last row of the Orchestra section; seats 44 and 46. The location was close enough to fully see the performers and enjoy the music (the arrangement was fantabulous). Having not been to this theatre before, I chose to purchase presale tix that put us aways back but not too far. After attending, and seeing the musicians high over the back of the stage rather than in a pit before it, I might move forward. That said, because the cast performed across the stage, and above it, ORCHR3 V44 and 46 gave great vantage point. Closer seats are lower to the platform, perhaps too much so.

Photo by Joe WilcoxSep 20, 201911:08 pm

San Diego River, Mission Valley

While walking home from UltraStar Cinema in Mission Valley, after watching “Ad Astra” on opening day, I crossed over San Diego River along Mission Center Road. Ripples upon the water delighted my eyes, which demanded capturing the moment, and I did using iPhone XS.

The film, starring Brad Pitt and directed by James Gray, is in essence about the consequences of solitary living—astronaut Roy McBride, his hero father Clifford McBride (Tommy Lee Jones), or all the living creatures (including humans) of Planet Earth. Somehow, looking down the river—even with the roar of Friday afternoon rush hour behind me—I experienced a moment of welcome solitude, ennobled by having just seen “Ad Astra”. Hence, the Featured Image and its companion.

Web by Joe WilcoxDec 21, 20187:53 pm

AMC and I argue the Semantics of A-List Membership

Earlier this week, movie theater chain AMC dumped coal in my Christmas stocking when I attempted to cancel the $19.95-a-month, watch-three-movies-a-week Stubs A-List subscription. One, and then another, customer representative informed me that at signup, the terms of service explicitly states that commitment is for three months. He, then she, warned that cancellation would trigger immediate charge for the remaining two months. But the ToS restriction shouldn’t apply to me, being a returning customer.

Everything comes down to the meaning of one word: Initial. When A-List launched, on June 26, 2018, my wife and I joined. We ended our membership about 90 days later. The ToS states: “A-List has an initial non-cancelable term of three (3) monthly membership periods (the ‘Initial Commitment’)”. We were good with accepting that requirement, which we met. But on November 18, with a few holiday movies of interest, I resubscribed, presuming that by making a second commitment I could cancel whenever. However, AMC service reps claim that my 3-month obligation reset and initial is the applicable word. Oh, did I futilely argue the semantics of that. C`mon? Doesn’t initial mean first time?

Web by Joe WilcoxDec 10, 20187:36 pm

There’s Philo Coal in My Christmas Stocking

I didn’t last long with streaming startup Philo. At 3:37 p.m. PST today, I purchased a gift subscription for six-months of discounted service. By 4:43 p.m., Philo acknowledged my cancellation (without refund, incidentally). I deserve some blame for not choosing the 7-day trial first. But the features are so modern and channel selection so perfect, I didn’t want to miss out the Holiday sale available since at least Black Friday. Besides, I had pondered Philo for nearly two weeks, all while brain-vacuuming professional reviews that offered little less than praise. Nowhere did I read, and perhaps carelessly missed, the dealbreaker: Cough. Cough. Streaming caps at 720p. Say what?

We live in the early era of 4K, which video quality I didn’t expect from Philo. But I fully anticipated watching 1080p on my Pixelbook or days-old Roku Ultra. As expressed, with flaming antagonism, in a requested cancellation reason emailed back to Philo: “I never imagined that streaming quality would be limited to 720p, which is jarring on my 43-inch TV…I hugely regret spending $99 for six months. Ho. Ho. Ho. Bah Humbug. There’s Philo coal in my Christmas stocking”.

Web by Joe WilcoxNov 29, 20189:57 pm

AT&T sinks FilmStruck

For two years, I have been an annual subscriber to FilmStruck. Tonight the relationship ends, as AT&T shutters the service. Go back a few months, when making promises about consumer benefits, AT&T merged with Time Warner. Since, services like Direct TV Now cost more, while others are going or have gone. There is, or was, nothing like FilmStruck on the Internet—well, for content obtainable legally. Not that AT&T brass care.

The service was a cinephile’s dream. Where else do you see movies cataloged by director, or are there fascinating extras available almost nowhere else? I chose “Night to Remember” as Featured Image because it is one of my favorite classic films and for the accompanying interview with the last living Titanic survivor (before she died). Her recollection is rare footage that punctuates the movie’s storytelling.

News Media by Joe WilcoxFeb 29, 201610:53 am

Six Films Every Journalist Should See

Yesterday afternoon, I started watching movie “Spotlight”, which later won Best Picure during the 88th Academy Awards. Following the Oscars, I finished the film, which warrants inclusion in my list of movies that every news gatherer should watch. If there are others worthy, please prompt me. I previously posted, on Dec. 30, 2014: “You Could Study Journalism, or Learn as Much Watching These Five Films“.

All six movies offer valuable lessons about responsible news reporting and ethical boundaries that matter in the real world—beyond the ideals that J Schools teach, regardless the kind of journalism you practice. My ebook Responsible Reporting: Field Guide for Bloggers, Journalists, and Other Online News Gatherers identifies five types (and really should count seven): Advocacy, contextual. conversational, mob, and process.

Living by Joe WilcoxJun 28, 20138:23 pm

I Cut the Cord

The apartment was strangely silent last night and darker than usual. Gone was the flickering light filling the center room as one of us scanned the program guide. A year later than planned, we dismantled the TV shrine and took back the living room from the false idol. Henceforth, we will worship at a different altar. Finally, I cut cable’s cord—IPTV, really, but we all call it the other, eh?

I feel anxiety and elation at the dramatic change, which allowed us to rearrange the furniture such that the living room is more open, more inviting, and more suited to entertaining real people. The television now resides in the bedroom, more for the benefit of my wife’s sleepless nights (the thing is narcotic). We’ll stream from Amazon Prime, Hulu, and Netflix primarily—haha, maybe even iTunes. I had planned Google Play by way of Nexus Q, but the search giant nixes that option.