Tag: Pulp Media

Photo by Joe WilcoxJan 8, 202212:11 am

The Grillers

From the same Greenbelt, Md. church picnic as yesterday’s “Pooh Party“, we present another moment. I used Canon EOS 20D and EF 24-70mm f/2.8L USM lens to capture the Featured Image on Sept. 18, 2005. Vitals: f/6.3, ISO 400, 1/400 sec, 70mm; 12:22 p.m. In Capture One 22 post-production I applied style “Oslo 1”, working from an original JPEG. The portrait is composed as shot.

If the prognosticators of climate doom get their way, grilling events like this will someday soon be but a memory. We will all consume protein-infused plant matter made to look like meat because—so they say—cows and chickens produce deadly global warming gases. Eh, and people don’t?

Leica by Joe WilcoxJul 13, 201810:08 pm

It’s About Time

To celebrate my fifty-ninth birthday earlier this week, I acquired on this fine Friday the 13th the same (but slightly newer) model watch worn by both Cassie and Cole on 12 Monkeys, which wrapped its final season one week ago. Coherency and consistency makes for compelling character-driven, superb storytelling. The actors were well-chosen for their roles; the dynamic among them is believable and compelling.

Too many series shift suddenly to reboot the narrative, between seasons. Common tactic: Jumping months or years ahead, and in process changing characters’ circumstances while leaving viewers feeling like they missed something—as previous plots are tossed aside. Not 12 Monkeys, which fourth season was in almost all ways the most entertaining of all. Jennifer Goines performing P!NK for Der Furher is sure to achieve cult-meme status, when the program reaches the right threshold of fans.

Living by Joe WilcoxOct 28, 201711:32 am

SDCC 2018 Returning Registration Failure!

Until San Diego Comic-Con 2017, I took attendance for granted. From 2009-14, I obtained a (deserved) press pass, and when later it wasn’t reverified, I luckily bought full-event passes for 2015 and 2016. But this year my luck ran out during early and open registrations—as it did this morning for next summer’s Con. One other opportunity will come next Spring.

Unexpectedly, Saturday of SDCC 2017, I was able to obtain a legit pass for Day Four—not to explain how. I knew one benefit could be opportunity to participate in 2018 advance registration, as I did this morning. Last year, the session ended with my disappointment. Today, I feel grateful to have participated at all.

Stupidity by Joe WilcoxOct 18, 20179:14 pm

Celebrating My AT&T U-verse Death with MTV Live

As I write, Glastonbury 2017 airs on MTV Live—the channel once called Paladia. It’s like AT&T U-verse is sending a goodbye gift ahead of my impending service cancellation. Yeah, I will miss you, too.

The Wilcox household subscribed to the IPTV and Internet service soon as it was available, in February 2008. Despite a couple interruptions along the way, as I tried Cox and cord-cutting, we have enjoyed U-verse—why we returned after foolishly cancelling. Was that twice? Or three times? We get too much value and that despite relatively modest Net throughput, 50Mbps, compared to competitors. But we’re moving households, about five blocks away, and U-verse isn’t available. WTF? It’s the same neighborhood!

Photo by Joe WilcoxJul 23, 201711:35 pm

SDCC 2017 Day Four

The greatest geekfest and pop-culture event on the planet wrapped up this afternoon in San Diego, as the original Comic-Con closed its doors on the Convention Center. Imitator shows are everywhere this Century, but none commands character and class like the original. The first, full, three-day event took place from Aug. 1-3, 1970, at the U.S. Grand Hotel, with about 300 attendees and sci-fi luminaries, including Ray Bradbury and A.E. van Vogt. This week, 140,000 people attended, but the number doesn’t include the tens of thousands descending on the Gaslamp Quarter and other areas of the city. SDCC is too big to be contained by the formality of a single glass-and-steel structure or the fire marshal’s mandates.

I had given up on participating until unexpected opportunity occurred yesterday morning to purchase a legitimate Day 4 badge with my name—not one assigned to someone else and sold for exorbitant price, despite firm policy against such scalping. I picked up the badge in the afternoon, spending several hours afterwards in the Quarter.

Like yesterday, I captured moments using Leica Q, but far fewer than my typical day. Those that follow aren’t all, or necessarily the best, but they tell a story about shooting them.

Society by Joe WilcoxApr 30, 20174:00 pm

Regarding ‘The Handmaid’s Tale’

Before my wife started watching the new series streaming from Hulu, I warned her: “I can’t imagine how I would feel if a woman”. I had already finished first hour “Offred” from the production based on 1985 tome The Handmaid’s Tale by Margaret Atwood. Three episodes are online now—and their tone and timeliness are visceral and all too familiar, like was the Battlestar Galactica miniseries that followed the 9-11 terrorist attacks by two years. There is something that is too real, too possible—and, unlike the so-called Trump “Resistance”, I don’t refer to the current government in Washington, D.C. No imminent right-wing coup is on the horizon, as so many Liberals want to believe. That’s as fictional as The Handmaid’s Tale.

What’s disturbing is another kind of currency, which is largely lost in the torrent of “it could happen here” commentary: The plight of women portrayed in the series isn’t far removed from what many of them experience elsewhere in 2017. Not in some alternate-reality United States, but across swaths of Africa, Asia, and the Middle East—if not both American continents and Europe. Severity may vary by degrees, but where on this planet isn’t there, at the least, some vestige of the subservient, objectified woman? Liberals, who as a class supposedly champion for the human rights of all people, shouldn’t ignore what is while obsessing about what might be for fear it could happen to them.

Living by Joe WilcoxApr 8, 201710:24 pm

SDCC 2017 Open Registration Failure!

I would like to congratulate all the future San Diego Comic-Con attendees scoring passes today. You are worthy. My luck ran out during Preregistration last month and continued this morning. I had attended the geekfest every year since 2009, and with passes for the full four days and Preview Night.

Feeble chance remains. The deadline for press verification is April 28th, and I will apply. But for reasons unknown to me, without explanation, SDCC stopped validating my media credentials in 2015. Luckily—and gladly—I paid that year and the next. While I now hope to attend in 2017, legitimately, as working press professional, my optimism is faint.

Living by Joe WilcoxMar 11, 201711:35 am

My Comic-Con Luck Runs Out

I dreaded this day but mentally prepared—or so it seemed. San Diego Comic-Con 2017 Early Registration commenced this morning. Passes sold out in about an hour, and I got none for any of the four days or Preview Night. I attended continuously, starting in 2009—the first six years as registered press. For reasons unknown to me, SDCC did not “verify” my media status for 2015 or 2016, but I was able to register and pay for the entire event.

Open Registration is still to come, and the convention changed the press submission schedule for the July 19 (Preview Night) – 23 event. Past years: December. Now it’s end of April. Before the new week starts, I will resubmit legitimate materials that, if my luck isn’t exhausted, might lead to press certification and attendance.

Photo by Joe WilcoxSep 5, 20167:58 pm

Where No Artifact Has Gone Before

What a difference 12 years and an anniversary makes. Here is the Starship Enterprise on display in the Air and Space Museum, October 2004. In celebration of the TV show’s 50th airdate—Sept. 8, 1966—celebration. the […]

Living by Joe WilcoxJul 23, 201611:47 pm

Look Who I Met at Comic-Con

I spent today, with my daughter, at San Diego Comic-Con 2016. Finally. My praise to the organization for providing shockingly accessible accessibility services for the temporarily or permanently disabled. Because of corrective eye surgery two days ago, I fit the category for this Con, and hopefully none other. SDCC graciously gave Molly an onsite pass to be my attendant. In introduction, my impaired vision frames an unexpected encounter with Christopher Gorham.

When the surgical procedures are complete, I expect to have as good eyesight as my youth, but without the need for glasses. I wore a pair of dummy ones today, to protect the operated-on right eye (e.g. plastic with no prescription applied to them). Thus, the left eye is a complete blur without a corrective lens. On the right, my vision for things far away is exceptional. But my personal space, out to about a meter, is blurred out; my visual range will normalize sometime after the dilated pupil normalizes. So, yeah, Molly’s assistance is helpful.

Society by Joe WilcoxJun 23, 20166:40 am

SDCC 2016 Badge Changes

Well, this is a development. My San Diego Comic-Con 2016 badge arrived this afternoon—and much is changed from previous years. I attend for the eighth consecutive time, and the second as paying attendee rather than press. Previously, badges were given onsite. Now, beforehand, they are mailed out, with built-in RFID that is scanned on event entry. Presumably, the electronically-read tags will reduce fakes and increase movement in, out, and around the venue.

Like last year, I plan to attend all four days and the Preview Night, which is July 20. I count myself lucky to, on Nov. 14, 2015, plow through the random-selection queue and buy a pass. Entire event is a coup. Many people who want to attend get fewer days, if any. I paid $245 for the privilege, and I will work the show as if a press-pass holder.

Journalism by Joe WilcoxDec 27, 20158:32 pm

Responsible Reporting Section 3 ‘What You Must Do’: Chapter IX

I owe you an apology. Months ago I promised to finish serializing my ebook Responsible Reporting: Field Guide for Bloggers, Journalists, and Other Online News Gatherers, before releasing it into the public domain. The last installment was in mid-October, with one chapter and the Afterword remaining. As I prepare for the New Year, not leaving loose ends is top of mind. Thus, with a huge sorry, this evening I present the closing chapter (but exclude the outdated March 2014 Afterward), The book will release into the public domain to start 2016.

I have posted from Chapter IX before, on Dec. 30, 2014: “You Could Study Journalism, or Learn as Much Watching These Five Films“. Each movie teaches lessons about responsible reporting—some by illuminating irresponsible and/or unethical behavior. The last in the list expresses in an exchange between characters something that should be embedded into the synapses of every 21st Century news gatherer: