Category: Pulp Media

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Are You a Doll?

In 1978, new wave band Devo asked “Are we not men?” The name Devo comes from de-evolution, the idea that humans perhaps are going backwards, not forwards. I’ve been thinking more about this concept with respect to entertainment and marketing after watching a Fox Network TV show.

I won’t chart any new philosophical ground in this post. But, hey, it’s end of summer, online traffic lulls and I’m feeling philosophical.

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The Battle of Jericho

Okay, I’m hooked. Few days back, I downloaded the full season of “Jericho“, the end of America saga, where terrorists nuke 23 cities, which include Atlanta, Baltimore, Boston, Chicago, Denver, Detroit, Kansas City, Lawrence, Los Angeles, San Diego, San Francisco, Seattle, Tucson, and Washington, D.C. I had heard rumors about the apocalyptic drama, but I watch little network TV and no CBS programing. I think of CBS as the old folks network.

“Jericho” is unusually good TV drama, similar caliber and mystery-driven format as “Battlestar Galactica” or “Lost”. The show deserves much more viewership than in its dismal ratings. 

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License, Stupidity, or Politics?

It is nitpicking time for the bone pickers. Last night, the DVR recorded the pilot episode of “Bones,” which was telecast for no reason I can guess; it’s an old episode. I hadn’t seen the first, which shocked from the opening sequence. Anyone from Washington should know that the airport above couldn’t possibly be Dulles. The identified airport isn’t in Washington but Virginia—in, duh, Dulles—and absolutely nowhere close to the U.S. Capitol. About 30 miles distance separates runways and the domed government building.

The view above would fit for Reagan National Airport. No doubt it is that airport. So, why does “Bones” kick off with such a glaring mistake? I make a big deal out of this for two reasons: The show is all about brainiac forensic anthropologists who live and breathe minute details; the setting is Washington, D.C. For either or both reasons, “Bones” should get the airport right. 

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The Corporation

End of last week, I watched a startling documentary, which resonated well with some suspicions I already had. Staunch capitalists probably wouldn’t be moved by “The Corporation“, although hard-core liberals or even communists might delight in the documentary.

My response is neither political nor economic, but rooted in my sense of right, which in part defines good as putting the wellbeing of others above oneself. People or organizations that prosper by harming others do wrong. Many societies recognize cannibalism as wrong, yet those same peoples often do not recognize as wrong another kind of cannibalism: The consumption (or sacrifice) of one person’s livelihood or well being to support another person, group or organization. 

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An Inconvenient Theory

Earlier today, my daughter and I watched “An Inconvenient Truth” at the AFI Silver Theatre, which likely is the best movie house in the Washington area. A harsh critic of the science behind global warming, I hoped that maybe the film would live up to its hype. No way. For people predisposed to the idea of global warming, the film probably would be moving. The movie did affect my thinking, nevertheless (I’ll explain how in a few paragraphs).

Here’s what I most liked: Former Vice President Al Gore relied more on historical data to make his point than use forward-looking forecasts. Oh, I hate computer modeling for proving climate change. The major reason I’m so critical of global warming theory is bad science. There are too many assumptions and too little reliable data to develop reliable forecast models. In best-case scenario, the computer models are only as good as the data put into them. 

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Superman’s Story

Well, Roger Ebert didn’t like it. New York Times found plenty to fault. EW was much kinder, as was Rolling Stone.

I liked “Superman Returns“.

Whenever a movie follows a successful franchise—whether on screen, on stage, or in print—the hurdle is raised high. And sometimes, reviewers can’t let go of how things were done in the past. They compare against expectations, such as in the case of “Superman Returns” the performance of Christopher Reeve as the Man of Steel. 

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Movie Time

About a month ago, we switched out the Windows Media Center PC for a TiVo. Of course, what good is a TiVo without a TV to connect to? Quite good, it turns out. Rather than go back to a PC, we returned to a projector.

I shopped around before buying the projector, for which the sale of the Dell Media Center PC paid. Choice—and not the best, but appropriate for the family’s budget: Optoma MovieTime DV10. The picture quality isn’t nearly as wow as I expected, but the overall big-screen experience is more than good enough. No means is it perfect, but perfection we demand spending heaps more money. MovieTime sells for $999. 

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Starry Eyes

Maybe one reason we can’t elect a reasonable president is because so many people would rather vote for an American Idol. According to an Associated Press story over on CNN, Americans cast 63 million votes—”more than any president in the history of our country has received”—to pick Taylor Hicks as the new American Idol.

I chuckle at the absurdity of the show’s concept. Talent isn’t good singing. Real talent is songwriting and musical ability. Even a bad singer can have a pretty big hit with a really good song. But even the best singer will fail if the material is no good. Some American Idol failures, like, uh, William Hung, went on to success because of bad singing. 

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Nworb Nad

The new issue of The New Yorker arrived today. We started subscribing last month after getting a full-year offer for 25 bucks. I do read the copy and not just peruse the cartoons.

In the current, May 29, issue, Anthony Lane makes mush of ridiculous book, the Da Vinci Code—and his objective was to review the movie! I consider the Dan Brown novel to be the worst fiction book I’ve read or likely will ever read. The writing has no style, the plot follows (yawn, yawn) obvious paths and the history is nonsense (and I say that with no gripe about Jesus marrying Mary M.). Anthony does better ripping the book than I did. 

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J-a-a-a-ck!

I couldn’t not watch “24” this season, because the plot got so ridiculous there was need to see what would happen next. Each episode I hoped for better. Now, after 24 disappointing hours, I’m starting to feel like a drug addict hoping the next fix will finally satisfy.

Bad as things were, the show’s writers ended the season with the worst kind of cliffhanger. Good `ol Jack Bauer got captured by the Chinese. I guess the American president and Russian terrorists weren’t tough enough. Now, “24” addicts must wait until January 2007—eight freaking months—to see what happens to beaten and kidnapped Jack on Day 6. Geez. 

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The Da Vinci Decoded

Well, the first reviews of movie “The Da Vinci Code” are in, and they aren’t encouraging. One of today’s best comes from TimeOut London. It’s good, because reviewer Dave Calhoun is perhaps harder on the book than the movie.

The Da Vinci Code is a dreadful novel. I would be ashamed as a writer to have something so bad be so popular. And I say that with no gripes about a married Jesus, as presented by author Dan Brown.