Category: Leica

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The Sweeper

Two days ago, outside the same pharmacy where on March 18, 2021 lay a man death-like, another seemingly street-living gent swept debris and refuse. If only I had context but do not. As my wife and I entered the building, he cleaned up nearby his presumed belongings partially visible in the foreground of the Featured Image. He used a fairly good-condition broom, and there was nearby one of those jumbo, yellow, industrial dustpans—similar to this Quickie model, if not the same one. The well-weathered gentleman moved slowly about his task but deliberately.

When exiting, we could see that the sweeper had moved closer to the street. As we passed, I snapped three quick hip shots, using Leica Q2. This wild portrait is best of the trio. Vitals, aperture manually set: f/5.6, ISO 100, 1/400 sec, 28mm; 2:32 p.m. PDT.

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Day of the Dead Rabbits

Rushing out the door, on April 18, 2021, lugging Leica Q2 Monochrom, I stopped: suddenly seemed that our resin rabbits would look quite good in black and white. Hence the Featured Image. Vitals, aperture manually set: f/4, ISO 640, 1/125 sec, 28mm; 6:49 p.m. PDT.

On Halloween 2019, my wife repainted them in her version of a Day of the Dead motif. The cobwebs collected about them add ambience to the photo. Don’t you think? They are supposed to be creatures of the, ah, nice netherworld. Our bunnies were good and would never go to Hell. But they might stand guard.

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What’s Your Definition of Temporary?

I captured the Featured Image on March 18, 2021, presuming to never need to publish. How mistaken. As of today, more than 13 months after California Governor Gavin Newsom issued his first lockdown order and nearly a week after San Diego County moved into the (supposedly) less-restrictive Orange Tier, the Wells Fargo in Hillcrest is still closed.

You got to love that “branch temporarily closed” sign and wonder why it all seems so permanent. For anyone banking there or thinking that the state really is opening up, don’t be a fool: the SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 misery is far from over—and I don’t mean you ever becoming sick.

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Her Heart Soars

As explained nearly three weeks ago, I tend towards thrifty shooting with a digital camera—in this instance Leica Q2. The Featured Image is only one of three captures—the other two at f/5.6 and f/8, with the latter greatly expanding the field of focus. But in the end, wisely or not, I chose the photo made wider open, because of how the painted bricks lead the eyes to the graphic. Vitals, aperture manually set: f/2.8, ISO 100, 1/2500 sec, 28mm; 10:28 a.m. PDT, April 12, 2021. In post-production, I used DxO Perspective Efex to tweak the geometry.

The evening before, I encountered two of my neighbors walking their dog. The husband said that I would want to stop by his house “and bring your camera”. You can see why. The couple live on Meade below Georgia, and they are long-time University Heights residents—about 22 years, if I recall rightly.

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The Bearded Tree is Gone!

And that’s not the worst of the devastation. Nearly three months ago, I wondered about the fate of the mighty palm after high winds ripped fronds from the trunk. Then, unexpectedly, on the First Day of Spring, under the direction of cute cottages’ new owners, men with chainsaws started clearcutting a lush landscape of shrubs, succulents, and trees around the buildings. The bearded tree is the last to go.

Every nearby neighbor to whom I have spoken about the destruction of the urban jungle is shocked. No one can fathom why the massive deforestation. Late this afternoon, one homeowner, who has lived in University Heights for more than two decades, told me that water can’t be the reason. He and his wife maintain a lovely backyard of flowers, plants, and trees, without wasteful watering.

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If You Work (or Live) Here, I’m Jealous

On the same day, April 11, 2021, that my wife and I walked across the Spruce Street Suspension Bridge, we footed down 1st Avenue towards downtown. We wanted to reminisce about our delightful after-theater walk—planes flying low overhead to land—after watching Jesus Christ Superstar on stage at the San Diego Civic Center. That was Nov. 16, 2019, near the start of the 50th anniversary tour, which SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 lockdowns would end earlier than the planned Aug. 30, 2020 final performance.

At the corner of First and Kalmia, we came across the magnificent structure that is the Featured Image (warning: 30MB file), captured using Leica Q2. Vitals, aperture manually set: f/5.6, ISO 100, 1/320 sec, 28mm; 12:44 p.m. PDT. I reduced exposure in post-production, should you feel that the photo is too dark; that’s deliberately done.

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This Building…

Is gone—and two others with it, a residence and auto-repair shop. The owner waged a war with graffiti artists, which he (or she) eventually won. The place was repainted several times, despite appearing to be derelict, before being leveled by (presumably) new owners. By all appearances, another fine cathedral of unaffordable housing will rise in the San Diego neighborhood of University Heights, at the corner of El Cajon and Mississippi across the street from BLVD North Park (located in UH, not NP).

I shot the Featured Image on Feb. 25, 2018, using Leica Q; many times since then, I planned to update with something showing more of the corner. Vitals, aperture manually set: f/5.6, ISO 100, 1/200 sec, 28mm; 1:19 p.m. PST. Best I can offer for now is the first of two companion captures—a stuffed bear, sitting on the diagonal corner. Photo comes from Leica M (Typ 262) on March 31, 2018. Vitals, aperture manually set: f/9.5, ISO 200, 1/350 sec, 50mm; 11:47 a.m. PDT.

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One Woman’s Treasure

A few days ago, an overstuffed beanbag—suitable for someone of great heft—appeared in the alley between Alabama and Mississippi at Monroe in University Heights. San Diego residents frequently leave unwanted things for foragers to take. What’s that saying about one person’s trash being another’s treasure?

Today, my wife and I happened to pass by, seeing a new addition: The Vitamaster Slendercycle prominently placed in the Featured Image and companions. Vitals, aperture manually set: f/5.6, ISO 100, 1/400 sec, 28mm; 9:50 a.m. PDT. The second, composed as shot, is 1/200 sec, 9:51 a.m. I used Leica Q2 for both. The last, added after posting, is a closer crop of the first.

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A Bridge Apart

After my father-in-law passed away at age 95 in January 2017, my wife and I had more free time to spend together; we started taking local excursions about San Diego. Among our jaunts: Several to the Spruce Street Suspension Bridge, which is the Featured Image captured using Leica Q on May 27, 2017. Vitals, aperture manually set: f/2.2, ISO 100, 1/1000 sec, 28mm; 10:12 a.m. PDT; composed as shot.

Now that San Diego has entered the Orange Tier for loosening restrictions imposed by Governor Gavin Newsom in response to SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19, Anne and I will get out more—perhaps to the bridge and there capturing some vertigo-inducing photos.

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The Cats of University Heights: Leery

I continue to review older, unpublished photos and reconsider some of them for the series. The Featured Image, captured on June 28, 2017 using Leica Q, earns a place after I played around with several cropped compositions. Vitals, aperture manually set: f/5.6, ISO 100, 1/125 sec, 28mm; 4:45 p.m. PDT. Nickname: Leery.

I don’t even recall taking this one but see why the rejection. Nearly four years later, subtle improvements in my craft and adapted attitudes about what makes an acceptable portrait lead me to look differently at the grey being partially obscured. The foliage, grass, and shadows are emotional elements—immediately transportive for anyone whose house and yard looked anything similar. Something else appealing: The scene doesn’t look, or feel, anything like San Diego—no cactus, palm trees, or succulents.