Society by Joe Wilcox
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Uh-oh! Red Shirts!

What an Uglydoll way to go. I wonder how long these will last? Star Trek Uglies are this year’s San Diego Comic-Con exclusives. Just beam me up some, would you? But Preview Night wasn’t their time for big sales. Long lines queued elsewhere.

Each day of SDCC has its own distinct character. Preview Night is the big geekfest. It is not the pretty people gathering. The group fulfills a wide range of stereotypes that says nerd. The fewest cosplayers are seen of any day, also. You would think Star Trek would appeal to these types, and perhaps it does. I observed more of a Dr. Who, Orphan Black, and The Walking Dead crowd. 

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Photo by Joe Wilcox
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Flickr a Day 189: ‘Comic-Con’

San Diego Comic-Con officially begins at 6 p.m. with Preview Night. I will be there. and at the Convention Center for the next four days. Two-thousand Fifteen marks my seventh attendance and first as paying participant. For reasons unknown to me, my press pass wasn’t renewed this year. The circumstance is in some respects a relief, as I will be there more for me and less the task of reporting.

Today, and the next four, this series will feature cosplayers and Conners, along with some information and history about SDCC. We begin with the appropriately self-titled “Comic-Con”, which Eric Neitzel shot on July 23, 2011, using Nikon D200 and the fantastic 50mm f/1.8 prime. Vitals: f/2.5, ISO 100, 1/320 sec. You can see more in his Comic-Con 2011 album/set. The dispatcher by profession is a local—from Rancho Penasquitos but lives in Escondido. He joined Flickr in August 2009. 

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Society by Joe Wilcox
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Comic-Con Heroes Enters the Public Domain

Timing is deliberate. As the big pop-culture convention starts here in San Diego, I release my ebook Comic-Con Heroes: The Fans Who Make the Greatest Show on Earth into the public domain. You can grab the PDF here, or click on to Smashwords for more formats, including epub. I relinquish rights, believing the content remains evergreen valuable even if dated. The book published in September 2013.

During SDCC two years ago, I interviewed attendees, choosing one-dozen to profile. My contention about the convention: The fans are the stars, not hollywood, which gets the glory. The concept started from a recollection posted during Comic-Con 2010: “The Roles We Play“. Yesterday, I published a followup that I planned to title “The Roles They Play” but last-minute changed to “The Heroes Are Us“. 

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Society by Joe Wilcox
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The Heroes Are Us

Tomorrow night begins my seventh sojourn to the greatest geekfest and pop-culture event on the planet. Imitator shows are everywhere this Century, but none commands character and class like the original. San Diego Comic-Con is an amazing amalgamation of hopes and aspirations—and the grandest storytelling—where, for four days and a Preview Night, tens of thousands of people can be themselves—fit in, rather than feel oddball—or be whom they would want to be by dressing up as beloved superheroes or villains and by adoring the storytellers and actors behind them.

The first, full three-day event took place from Aug. 1-3, 1970, at the U.S. Grand Hotel, with about 300 attendees and sci-fi luminaries, including Ray Bradbury and A.E. van Vogt. This week, 130,000 attendees will storm San Diego Convention Center to enter an alternate reality, where the social rules binding them everyday no longer apply. 

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Photo by Joe Wilcox
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Flickr a Day 186: ‘Sitting on a Bench’

As an American, even one who is unusually informed, my understanding of the crisis in Greece is shallow at best. But I grasp enough to know that today’s historic referendum could fundamentally change the country’s role in the Euro zone or even topple the government. Yesterday, I spent several hours looking for the right image to represent the vote, finally giving up.

The Day goes to self-titled “Sitting on a Bench”, which Spyros Papaspyropoulos shot in Crete on March 4, 2013, using the Sony NEX-6 and E 35mm F1.8 OSS lens. Vitals: f/1.8, ISO 100, 1/1250 sec, 35mm. In 2015, he shoots with the Ricoh GR and Fujifilm X-Pro1. 

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Apple by Joe Wilcox
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13-inch MacBook Pro with Retina Display (Early 2015) Review

Reviewing most any MacBook Pro is a pointless exercise, because this year’s model isn’t much different from the previous—or the one before. That’s why I typically buy refurbished rather than new. But I broke with that practice last month, after a sudden electrical calamity laid my wife’s laptop to rest. Fried and died it is. With Apple releasing new versions of iOS and OS X and launching a streaming music service, a summer sojourn seemed opportune. I lent my beloved the Chromebook Pixel LS and purchased a new MBP. She will never give up the Google laptop, BTW.

I wouldn’t call myself super satisfied with MacBook Pro, which feels slower than the last one used, which packed 2.6GHz Core i5 processor, 8GB RAM, and 512GB SSD. Current: 2.7GHz Core i5, 8GB RAM, 256GB SSD. The 2015 model has newer-gen Intel chip compared to the 2013 refurb. Could the difference be speedier storage? Perhaps it’s subjective recall, coming from the Pixel, which feels fast, with its 2.4GHz i7 microprocessor and 16GB memory. I have long asserted that Google’s target market is the MacBook Pro buyer, and that’s a recurrent theme you’ll find if reading further. 

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