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A Tidal Wave Approaches

Fraking fantastic is my reaction to Tidal’s high-def audio.. I spent much of April Fools’ Day testing, and quite enjoying, the music service, although I am skeptical that most streaming subsctibers will care—not for $19.95 per month. Still, I see hope for the 10-buck standard quality other option if Tidal delivers enough artist exclusives and superior curation. The iTunes hegemony, and Apple’s rapidly evolving Beats Music acquisition, is all about content, much of it available nowhere else, better presented, and more easily discovered. With musicians” support, and unique content with it, maybe, just maybe, a Tidal wave approaches.

The service essentially relaunched on March 31, 2015, with a gala event hosted by Jay Z and other music superstars. He acquired Tidal, for $56 million two months earlier, but the lossless streaming service launched in October 2014. Architecture, audio quality, two-tier pricing, and streaming are essentially unchanged. New owners’ commitment, that of other artists, big marketing push, and 30-day trial distinguish Tidal today. 

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‘The Last Link You Will Ever Click’

Google got me. Not because I didn’t get the joke but for how far it actually goes. Perhaps you saw the April 1st post, “Re-rethinking computing“, which introduces the project from a “rogue team of engineers…Today, we’re excited to announce a way to make your Chromebook self-browsing”. Of course, it’s an April Fools gag.

I first saw the post on my Nexus 9 tablet while exercising on the stationary bike. Later, thinking to post a quickie to Google+, I pulled up the URL from synced History on Chromebook Pixel LS. On the N9, I had clicked the post’s last link, which did nothing special but when opened on the Pixel took me to the Chrome Web Store with option to install the self-browsing extension. Now that was unexpected. What to do, what to do? 

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It’s No Joke: $149 Chromebook

If Google made its big Chromebook announcement today instead of March 31st, I would think it’s an April Fools prank. Seriously? One-hundred-and-forty-nine dollar models, from Haier and Hisense, with one available from Walmart? I know some of these laptops sell for $199. But this is a new low.

Meanwhile, ASUS will, in summer, start selling something for even less: Chromebit, a $100 candy-bar size carry-all computer. Plug it into a HDMI display (say, the TV), and your Chromie lifestyle is even-more mobile. The company also will release Chromebook Flip, a tablet-convertible wannabe, sooner. Someone tell me: This isn’t a Foolie prank? 

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Google, Love You, Love You Not, Love…

As a working journalist, I am conflicted about Google. In my ebook Responsible Reporting: Field Guide for Bloggers, Journalists, and Other Online News Gatherers, I call the company a “leech that feeds off the intellectual property of legitimate content producers” and rail on the Google free economy’s negative impact on the Fourth Estate. That said, I am a huge consumer of the company’s products and services, which enable me to better do my job and that empower my life.

Something else: A decade ago (yes, 2005), I identified “Search as the New User Interface“—and it has proved to be for a generation of computer users. The UI, particularly from Google, helps to democratize content, and so doing empowers (there’s that “e” word again) everyone. But search also encourages content piracy. Philosophically, I strongly believe in information for all. Economically, I want to earn a living from writing, which is much more difficult in 2015 than 2005.

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Flickr a Day 89: Dreamy

What Gabriela Camerotti chooses not to post on Flickr is more interesting than what she does. She treats her photostream like a literal pond or stream across which pics skip like stones. Today’s selection is good example. She presents more photos from the model shoot on her Tumblr. That one, and others, deserves your attention. Her work is best appreciated seeing each image in context of the others.

There is a youthful vivaciousness to her fashion photographs—dreamy, sensual, and surreal are all appropriate adjectives. Colors typically are soft, and she shies from heavy contrast and strong saturation except when deliberately producing specific mood, such as retro-look. 

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Luna Moths

On the afternoon of June 14, 2004, something quite remarkable happened in my Kensington, Md. backyard, about which I briefly posted on that day. My wife urgently called me from my basement office. Beautiful butterflies had taken up residence on my daughter’s snow sled, which she had dragged out and left for some inexplicable reason. I immediately recognized them as something better: Luna moths.

I was an amateur bug collector in my youth and teens (someday I should tell you about raising praying mantids). So interested, I came a hair’s width from majoring in entomology (e.g. study of insects) in college. I dissected a good number of animals during anatomy and physiology classes, but nothing grossed me out more than cutting open a cockroach. But I digress. 

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Flickr a Day 88: ‘High Hats & Goggles’

While compiling this series for the past 88 days, my appreciation for black-and-white photography increased immensely—particularly people. Belgian Fouquier shoots little else. “I am a firm believer”, he says, “in the Ted Grant quote: ‘When you photograph people in color you photograph their clothes. But when you photograph people in black and white, you photograph their souls!'” Mr. Grant is a renown Canadian photojournalist, living in Victoria, British Columbia.

Fouquier’s photostream is filled with screaming B&W street photography that demands close attention. Today’s selection, self-titled “High Hats & Goggles”, shot on July 27, 2012, is fine example.

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Say, Hello, Sammy

Happy Caturday! For months, I have wanted to introduce you to the kitty who resides at local Mac dealer DC Computers. But Saturday comes, I forget, and is gone. Finally, I remember, while the sun still shines brightly overhead and Modest Mouse blasts form Chromebook Pixel LS. Mmmm, cat and Mouse (song “The Ground Walks, with Time in a Box“, BTW).

Sammy is about four years old, and she amazes me for her territorial confinement. During hot summer days, DC Computers cracks wide the doors and circulates the breeze blowing from the ocean, just 9 kilometers away. Sammy may sit inside, nose held up sniffing the air, but she doesn’t cross the threshold into the bustling parking lot. She never ventures outside.

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Comic-Con Heroes: The Millennial

Today’s excerpt from my 2013 ebook Comic-Con Heroes: The Fans Who Make the Greatest Show on Earth is the last of the dozen profiles, which I started serializing Saturdays more than two months ago. One more installment remains, posting in a week, after which, on July 8, 2015, when my current commitment with Amazon KDP Select ends, the book releases into the public domain.

To recap: “Comic-Con Heroes” is a collection of profiles. Twelve attendees. The people whom I believe are the real stars of the show. Not Hollywood, which presence feels larger every year. As I write in the book’s opening section: “While many Conners role-play fictional characters or superheroes, fans of every ilk play the most important role of all. They are Comic-Con. But no one tells their stories. I want to change that”.