I do wish that Anne Marthe Widvey was still active on Flickr, which she joined in May 2010. Her last contribution was 5 years ago. The self-described “freelance photographer and social media influencer living in […]
On May 22, 2015, as Flickr a Day 142, I posted a self-portrait taken by my wife, sometime in 1980—likely at age 21. The photo was a screen-shot enlargement from a 2006 scan of a print. Image quality lacks, to say the least.
Quite unexpectedly, last month, Annie found the original negative for this selfie, and for several others. San Diego-based Nelson Photo made new prints and digital copies, and I present a fresh Featured Image, with IQ worthy of the original.
The last photo in my “Flickr a Day” series was “Cat Scratch Fever” by Stan Aron. He returns for an encore moment with self-titled “Unexpected Nap“, captured on May 23, 2014, using Panasonic DMC-GH3 and […]
We treat you to a bonus photo, complimenting yesterday’s “Aspiration“, which caption concludes about the boy watching fishing boats: “Maybe one day he’ll captain one himself”. For this series, the future is now, as expressed […]
Some of the work featured in this series is from photographers who are no longer active on Flickr—as is the case of Walker Carpenter, a boarding school student living in New Hampshire at the time […]
Choosing from the Photostream of Ivan Rigamonti is challenging. I eventually reduced to three the contenders—disheartened that not all could make the cut. Hence, the honorable mentions for “Station” and for “Rosengasse“, which is my […]
Strange story the stump tells. Gone is the magnificent palm tree that dominated the corner of Monroe and Cleveland, nearby the Wilcox’s old apartment, in our San Diego neighborhood. This morning, while driving by, on my way to North County, I saw a tree cutter toss down the last frond before lopping off the top. Late afternoon, walking back, the devastation confronted me.
I haven’t written much about this tree over the years, but fleeting mentions are significant enough: “Fallen Fronds” (December 2017) and “Bell” (November 2016) from my “Cats of University Heights” series, where the kitty sits by the palm trunk that is now a stump.
A few weeks ago, an accident occurred while my wife reorganized photo albums. She cut up an older black-color storage sheet, to which a portrait stubbornly and stealthily clung. Seeing and liking the image, I […]
In reviewing recent photos, I have reconsidered some for preservation and publication, like this portrait of the Barber of Seville taken outside his shop on February 12, 2019. I initially discarded the image because eyeglasses […]
This afternoon, a real estate agent trapped Lupe, who was featured—along with companion Laramie—in my “Cats of University Heights” series (December 2017). Two weeks ago today, the animals’ owner left the pair behind, when he moved out of state. The gent rented the property that the three shared, along with two dogs, for 17 years. To her credit, the agent selling the place stepped up to assure the outdoor kitties would find a new home. (The guy also left behind goldfish, which a fourth grade school teacher adopted for her class.)
My feelings are deeply mixed about trapping and removing Laramie and Lupe. While walking down Alabama Street this morning, I spoke with neighbors worried about the abandons. One asked about adopting them. Another and I discussed the realistic possibility about caring for the pair as community cats—fed and kept in familiar territory. That would be my preference, although it is likely unrealistic. In my conversations with the realtor, who has been in contact with rescue groups, the animals’ future is tenuous if deemed to be unadoptable. They might not be put down, so to speak, but they could be put away in a feral colony. Neither belongs there, and I don’t believe Lupe would fare well.
Since starting the “Cats in University Heights” series in October 2016, no one has objected to my photographing their animals—until today. In fact, some neighbors have asked me to include their pets. The story: As I approached the multi-family dwelling where Blue and Valentine—both nicknames—reside, a skinny and frisky shorthair walked down the sidewalk alongside a nearby open-fenced yard. As I approached, the putty-tat retreated to the grass. From there, another feline moved my way, and I started clicking the shutter of Fujifilm GFX 50R, with attached Fujinon GF63mmF2.8 R WR lens.
“Why are you taking pictures of my cats?” a woman calmly, but firmly, asked from behind a home’s security door. She didn’t step out onto the porch, and I couldn’t see her even while looking straight on from the sidewalk. I explained about my photographic project that started two-and-a-half years ago. My demeanour was friendly then, and when asking the name of the kitty whose portraits I had just taken. Gaping silence followed. “It’s okay, you don’t have to tell me”, I interjected, trying to diffuse any tension.
The Fujifilm GFX 50R is meant to replace Leica M10, with which I parted ways four months ago. The camera arrived yesterday afternoon, and I unboxed it last night—in disbelief. The thing is ginormous! Perhaps had I read PetaPixel story “How the Fujifilm GFX 50R Compares in Size to Popular Cameras“, my choice would have been different. The medium format shooter appealed for image quality, rangefinder-styling, and straightforward ergonomics—and all three attributes satisfy straight out of the box. I am pleased. But I don’t know about the size, though. I chose the GF63mmF2.8 R WR as my one—and so far only—lens for the GFX 50R. Applying the crop factor, the Fujinon glass is about 50mm, full-frame equivalent.
This morning, I grabbed the 50R, which is surprisingly comfortable to handle (rather than being cumbersome, as the bulk might suggest), for a photo walk. I arrived at Park Blvd and Monroe Avenue, in San Diego’s University Heights neighborhood, just as my barber opened shop. Explaining about the new camera, I asked to take his portrait, and he kindly obliged.