The Featured Image is one of my outtakes from San Diego Comic-Con 2026. On the first full day, I left the convention center and strolled over to the adjacent Hyatt Hotel in search of coffee. Back at the main venue, lines snaked seemingly forever at any Starbucks. I found something more manageable next door.
A surprising number of attendees carried portable fans to cool themselves. How odd. Inside temperature sure seemed comfortable enough to me. The young woman waited in line behind me.
This photo of Mom, Linda Devoe, is my favorite of her. The finger, the smile, the wink truly capture her joyful spirit. What was the occasion? Her youngest daughter’s wedding, of course.
I previously shared the portrait about two weeks after she passed away on this date (August 5) in 2017. I used iPhone 7 Plus to make that digital copy of the print. Today: Samsung Galaxy S26 Ultra. I cropped and edited the Featured Image on the smartphone, too.
The greatest pop culture event concluded one week ago today—and I was there for the second time in four days and for the first Sunday since 2017. I had been perennially unlucky gaining access to buy passes during one of two public registration sessions. After long hiatus, I purchased passes for Thursday and Sunday.
Quick recap: Day One (July 23, 2026); Day Four (July 26) Part One and Part Two. I primarily used Nikon Zf and NIKKOR Z 40mm f/2 lens, supported by Samsung Galaxy S26 Ultra for my first SDCC expedition. For the other day, I used the camera exclusively with NIKKOR Z 28mm f/2.8 (SE) lens, which proved to be exceptional choice.
My sister who summers in Vermont is visiting with our sister who lives in Connecticut. The older brought her daughter and granddaughter along, for a festive, gal weekend of antique shopping and other activities.
Last night (their time), they rang me, loosened up by after-dinner wine. I am pretty quick with humorous barbs that their comradery and inebriation magnify to states of roaring pandemonium. Honestly, once the laughter starts, anything I say is suddenly comedy club hilarious. “The world is flat!” Explosive laughter. “The cat puked on the rug!” Even loader laughter.
What surprises me about San Diego Comic-Con is how little—and yet how much—has changed since my last attendance for a single day in 2017. Virtually every venue was where I remember: Disability services in area A. Major celebrity panels in Ballroom 20 and Hall H. Layout of the exhibitor floor, with artists at the end nearest Hall H and smaller seller booths and gameplay nearer to area A. Everything in the middle, from big Hollywood studios to booksellers, all where they have been previously.
The same can be said for the upstairs pavilion and meeting rooms. In the Mezzanine, nothing really changed. Board games are in the same meeting rooms, and the Medieval fighters gather and joust where they always have, for example.
San Diego Comic-Con 2016, I was functionally blind—and the realization how much came during Preview Night 10 years ago this evening. My daughter accompanied me to the Convention Center, where she received a complimentary companion full-event pass as the helper for a disabled attendee—a status I never imagined myself as being.
Crippling cataracts clouded my eyesight, and I saw how severely when scanning the show floor and realizing I couldn’t read any of the large numerical signs hanging from the ceiling. Disheartened, I walked into the crowd, blindly pointed iPhone 6s, and shot the Featured Image, which essentially is the only photographic record I have of the event. Vitals: f/2.2, ISO 80, 1/15 sec, 29mm; 6:41 p.m. PDT.
This morning, my wife drove me to Pop Pie in South Park, where a Too Good to Go order waited. The haul? Two pies, one traditional chicken, the other Hog (e.g. pulled pork). I walked most of the way the home, proceeding to North Park and to University Heights—30th all the way to Meade.
Wow, were the streets packed with people. I have never seen Sunday like this. The majority of folks was destination bound, with local bars and eateries the primary destinations—basically anywhere with big screen TVs. Argentina and Spain squared off for the FIFA World Cup final match, at MetLife Stadium in East Rutherford, NJ.
Fourteen years ago today, San Diego Comic-Con wrapped up for another annual gathering. Sunday is my favorite day of the entire event. Locals, particularly families, dominate attendance. Most of the Hollywood crowd has left the building, so to speak.
But pulp media presence is full-force present by way of brands. Star Trek is one of the biggest, considerably more so currently than 2012. One booth used to sell authentic sci-fi uniforms from several prominent TV series—I’m partial to those from Battlestar Galactica, thank-you. Star Trek was among them, but Anovos, the company producing the uniforms, no longer exists.
Saturday at San Diego Comic-Con is by far the busiest day and most jam-packed, whether measured by attendance size or number of panels featuring actors, content creators, showrunners, and more.
Fourteen years ago today, a throng of people pushed past the G4 booth—as you can see from the Featured Image. Vitals: f/2.8, ISO 125, 1/17 sec, 3.4mm; 1:43 p.m. PDT.
Ho-ho, the on-this-date review from San Diego Comic-Con continues—reaching back to July 13, 2012. My attendance started in 2009, although I had a press pass for 2008—about nine months after the Wilcox family moved to Southern California. My return for two days next week will be my first appearance since 2017.
The Featured Image is intriguing for a couple of reasons. The kilt is obvious. You can see that. You have to wonder what impression a brigade of like-adorned stormtroopers would make. Would rebel forces laugh and not take their adversaries seriously enough, ending up even more dead?
Over four days and Preview Night, San Diego Comic-Con presents people opportunity to cosplay as someone whom they aspire to be. Cosplayers are popular with any camera-carrying attendees, which could be anyone and everyone because of ubiquity and versatility of smartphones.
But the event is demanding, especially when costumes and accompanying gear are bulky or heavy. People tire, as you can see from the Featured Image, which hardly shows two people in character.
Don’t bother asking. Joe has no idea what are Link Monks–—if he ever knew. I used Fujifilm X-T1 and XF18-55mmF2.8-4 R LM OIS lens to shoot the Featured Image, eleven years ago today during San Diego Comic-Con 2015.
Vitals: f/3.2, ISO 200, 1/2500 sec, 18.8mm; 10:44 a.m. PDT. The portrait is a horizontal crop from a vertical original. See how sharp the shot still is? I loved the X-T1, BTW.