Category: Journalism

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Good God, Gawker, You Had Me at ‘Hi, There’

Nick Denton’s little publishing empire often doesn’t get the credit deserved. Among the new media ops, click-whores like Business Insider, BuzzFeed, and Huffington Post grab the spotlight. But their granddaddy, Gawker Media, knows better 13 years since its founding—literally three lifetimes as measured in online publishing. Forget dog years. Denton’s shop is ancient, and it thrives by reincarnating in place. The Gawker in 2015 bears little resemblance to the circa 2002—Hell, even 2013. That’s a good thing.

What I always liked about the new media property: Application of newspaper-like editorial ethics for getting scopes, sourcing stories, and producing original content to online news gathering. All the while writing is current and cantankerous, and editors experiment with different design, content production, and stylistic strategies. Stated differently: Gawker is the best of print tabloid journalism applied to online publishing. Bottom-feeding aggregators that imitate the tabloid headline style, and dong so grope pageviews, are piss-poor imitations. 

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Should I Kickstarter?

Warning: One word repeatedly used in this post will offend some people. I’m not one of them, and presumably neither is the main audience for what I propose.

Since August 2014, after acquiring domain journalism.wtf, I have pondered but not acted on launching a site that spotlights the worst—and occasionally the best—online news gathering. The question: Is there really a market for such a thing, and one that would assure financial sustainability? You can help me decide whether to proceed, and I anticipate most responses will come via social networks rather than comments on my personal site. 

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Headline and Location Matter More Than You Think

Today I conducted an unexpected experiment when posting the same news analysis (except for outward links) to two different sites. My story responded to a lawsuit against Apple, alleging consumer harm from there being less available capacity to users than stated storage. Meaning: 16GB isn’t, because iOS 8 and preinstalled apps consume space. Funny thing: Day before seeing news about the legal filing, I nearly posted an analysis praising the company for offering double to four-times more storage than competitors give.

So I combined my response to the lawsuit with the concept; they fit. I wrote the story here but published it first to BetaNews. Difference in response to the same story posted two different places is startling. 

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Writers, Own Your Content!

We all regret something—right? As a writer, my biggest is the loss of content, and lots of it. Don’t make my mistake! Thousands of my online posts are gone, representing the largest chunk, from May 2003 through April 2009. Six fraking years! Some of it I recovered in early 2007 and archived. The posts aren’t online but they aren’t lost either. But what I consider to be the most valuable, posted to the Apple Watch and Microsoft Watch blogs between 2006-09, is gone forever. Who says the Internet never forgets?

If you produce online content—particularly the kind of evergreen stuff with long shelf life—you cannot trust publishers to keep it or for them to simply stay in business. Related, if audience rather than search-engine optimization is your primary objective, your content should post across contextual online venues. You maximize its value through ownership rather than ceding rights to a third party. 

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You Could Study Journalism, or Learn as Much Watching These Five Films

If you gather and report news and would like a New Year’s resolution, consider this: Put your audience first by building trust. The how depends much on the type of journalism you practice: Advocacy, contextual. conversational, data, immersive, or process, but hopefully not mob, or a combination of them. You could seek the method in a book, like my Responsible Reporting: Field Guide for Bloggers, Journalists, and Other Online News Gatherers. But do you really want to take your work home and read? Movie marathon is better. Grab the popcorn and Bunch-a-Crunch.

Any—and ideally all—of these films are a great way to shake the ethical cage as 2015 starts. Wikipedia lists 188 entries in category “films about journalists“, and I choose just five that combined convey lessons about responsible and irresponsible news reporting. They are textbooks anyone writing news should study; presented alphabetically. 

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I Hear No Evil in Beats Music Exclusives

Someone save me from the nonsense. My BetaNews colleague Brian Fagioli’s “Apple’s rumored iTunes and Beats Music ‘Exclusives’ plan is potentially evil” is top-placed story at the site today. I messaged the day editor (who hasn’t yet replied and may still be off for the holiday): “If it racks up any significant amount of pageviews, I am changing professions. The number of comments is disturbing enough”. Should you want me to stop writing for BN, and some readers do, by all means click, click, click Brian’s commentary.

I have two fundamental problems with the post: Sourcing and its point. Brian refers to New York Post story “Beats Music lining up talent for exclusive releases“. I tell reporters: “Write what you know to be true”, which can’t be when sourcing someone else’s news gathering. For the record: I trust the newspaper’s general reporting accuracy, so Brian stands more solid than if quoting a blog. That said, he and I write for BetaNews not BetaBlog. See my four-and-a-half year-old analysis “The Difference Between Blogging and Journalism” for a primer on why one isn’t the other. 

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‘We Are Web Journalists’

Three days ago I laughed hysterically at Nate Dern’s Funny or Die post “The First Rule Of Web Journalism Is You Don’t Fact Check Web Journalism“. This poke-in-the-gut missive is so close to the truth, I almost couldn’t chuckle. The second rule is the same as the first, by the way.

Snippet:  “The eighth rule of web journalism is that if it’s too good to be true, you have to post it. The story goes up. It goes viral. It’s revealed to be fake. The apology goes up. The apology goes viral. You forget about it in a day and we’ll do it again in a week”. Funny because it’s true! 

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Defending Rolling Stone

Editor’s Note: Dateline April 5, 2015, Rolling Stone retracted story “A Rape on Campus” when publishing a forensic analysis prepared by Columbia School of Journalism. Please see my follow-up post.

I subscribe to five magazines: Entertainment Weekly and Vanity Fair (print and digital) and Economist, New Yorker, and Rolling Stone (digital only). EW is cheap (as little as $10 a year), while the business weekly offers news analysis I mostly trust. New Yorker is for culture and the occasionally exceptional long-form feature. The other two deliver some of the best investigative journalism available anywhere. Today, I defend one of them, but also criticize its archaic news reporting methods.

Over the past few weeks, Washington Post leads blasting criticism against RS for story “A Rape on Campus: A Brutal Assault and Struggle for Justice at UVA“, which appears in issue 1223, Dec. 4, 2014. Online the dateline is November 19. The furor over the investigative report’s credibility is, ironically given the headline, a rape on Rolling Stone‘s credibility—and makes me just want to puke for the outrageous, holier-than-thou repudiation that should be pointed elsewhere. Mountains of irresponsibly-reported online news stories overshadow the amount of trustworthy content, yet the Post and other media outlets choose to gang-bang a magazine with standards for accuracy and accountability but also advocacy. The misdirected, and sometimes self-serving, attacks are shameful for their shamelessness.

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Like I Said About the New Republic…

In an opinion piece published by the Washington Post last evening, New Republic owner Chris Hughes confirms what I asserted two days ago: The publication seeks to remain relevant, which won’t happen staying the current course, and that massive staff and contributor resignations are not a clash of journalistic values. My followup published yesterday, explains how I came to see the wisdom behind the magazine’s move to become a “vertically integrated digital media company”, as stated by CEO Guy Vidra.

You could sum up my original post in sentence: “Hughes and Vidra seek profitability and visibility for the New Republic“. The magazine’s owner confirms in the Post opinion: “I didn’t buy the New Republic to be the conservator of a small print magazine whose long-term influence and survival were at risk. I came to protect the future of the New Republic by creating a sustainable business so that our journalism, values and voice—the things that make us singular—could survive”. 

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News Gatherers, Follow the Reporting!

When starting to write last night’s commentary on the upheaval at the New Republic, I sided firmly with the resigning staff. After all, they apparently stand firm for journalistic integrity and preserving an institution that reached a century’s publication in September. But the more I researched, the more obvious the wisdom changing the magazine’s editorial distribution approach and relocating to New York. I followed the reporting rather than personal preconceptions, or biases.

I started with headline: “Say Goodbye to the Old Republic”, choosing the above photo of stormtroopers snapped during Comic-Con 2014. I assumed that anyone who ever watched Star Wars—and who hasn’t—would get the hed and art combo. But midway through writing and research, which I often do simultaneously in one draft, the story shifted somewhere else. When finished writing, I changed headline to “Say Hello to the New Republic” and photo to Manhattan’s Soho district. After some deliberation about burying the lede, I tacked on an addition to the first paragraph: “which, by the way, is totally sensible”, referring to the “magazine’s massive makeover”. The top half remains as written, which I hope doesn’t confuse the reader or misshape the storytelling. 

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Say Hello to the New Republic

The New Republic boggles the mind for what its changes represent: Large number of staff resignations as the publication relocates and transforms into something else. I can’t but think the defections make way for a new blood transfusion and clear out editorial cholesterol that could slow down the transition from the old New Republic to the new New Republic. How ironic that by quitting, the exiting editors enable the iconic magazine’s massive makeover, which, by the way, is totally sensible.

The story goes like this: Facebook cofounder Chris Hughes, whose social media magic ignited Barack Obama’s 2008 Presidential campaign, purchased the New Republic in March 2012. Following foreshadowings, on Dec. 4, 2014, recently appointed CEO Guy Vidra announced the departures of editor-in-chief Frank Foer and long-time literary editor Leon Wieseltier. (Three decades!) Gabriel Snyder takes over the top editorial spot. 

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I Started Tech Reporting 20 Years Ago

Sometimes I joke about working my way down from editor to reporter. In autumn 1993, I was employed by a now defunct general interest magazine, commissioning, editing, and processing stories—the whole gamut right through design and pagination. For five years a note hung over the light switch to my workspace: “What’s the point?” It’s the question I asked when reading every story, many of them from academics who never seemed capable of making a point or just getting to one.

My career path changed after reading “The Future is Now” by Kate McKenna in what was then called Washington Journalism Review. The lede cajoled: “The last time newspapers were this interested in new technology, they were looking for ways to keep the ink from rubbing off on their readers’ hands. Now they’re exploring how a newspaper can survive, even thrive, without ink—and maybe without paper”. She convinced me the Internet would irrevocably change publishing.