Tag: Battlestar Galactica

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Regarding ‘The Handmaid’s Tale’

Before my wife started watching the new series streaming from Hulu, I warned her: “I can’t imagine how I would feel if a woman”. I had already finished first hour “Offred” from the production based on 1985 tome The Handmaid’s Tale by Margaret Atwood. Three episodes are online now—and their tone and timeliness are visceral and all too familiar, like was the Battlestar Galactica miniseries that followed the 9-11 terrorist attacks by two years. There is something that is too real, too possible—and, unlike the so-called Trump “Resistance”, I don’t refer to the current government in Washington, D.C. No imminent right-wing coup is on the horizon, as so many Liberals want to believe. That’s as fictional as The Handmaid’s Tale.

What’s disturbing is another kind of currency, which is largely lost in the torrent of “it could happen here” commentary: The plight of women portrayed in the series isn’t far removed from what many of them experience elsewhere in 2017. Not in some alternate-reality United States, but across swaths of Africa, Asia, and the Middle East—if not both American continents and Europe. Severity may vary by degrees, but where on this planet isn’t there, at the least, some vestige of the subservient, objectified woman? Liberals, who as a class supposedly champion for the human rights of all people, shouldn’t ignore what is while obsessing about what might be for fear it could happen to them. 

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Comic-Con Heroes: The Writer

Among the 12 profiles that are the core of my book Comic-Con Heroes: The Fans Who Make the Greatest Show on Earth, the one that follows offers the most interesting content for science fiction fans. The convention isn’t just about superheroes. Sci-fi is part of the core culture dating back to the very start during the 1970s, and it’s even stronger in the 2010s. Because what was niche more than 40 years ago is mainstream, and more, today.

This profile also introduces some valuable historical insight—if 10 years can be considered old, and measured by Internet time it most certainly is. Fans’response to a new sci-fi television show, and their torrenting it, kicked the pebbles eventually unleashing an avalanche of legitimately-available streamed TV programming. So-called video pirates of 2005 are indirectly responsible for there being Hulu, Netflix streaming, and Google’s purchase of newbie service YouTube. 

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Syfy ‘Ascension’ Review

Not since (what was then) SciFi Channel televised the Battlestar Galactica miniseries in 2003 has science fiction storytelling been so good as Ascension, which aired last week. BSG changed the tone and tenure of speculative drama, that felt altogether more real in the aftermath of the 9-11 terrorist attacks on U.S. soil. Later watchers won’t feel the same about the miniseries or full seasons that followed. They’re beret of the shared context that amplified the emotional content.

Ascension’s showrunners smartly seek something similar, but playing reminiscent emotions rather than anger or fear. For aging Baby Boomers, and even their descendants, Ascension is a time tunnel to the early 1960s, perfectly preserved 51 years later. Pop! Let’s look inside the time capsule! i09 calls Ascension “Mad Men in Space”, and there’s something to that allusion. But unlike later Mad Men seasons, which carried the characters forward into the decade’s crises and conflicts, Ascension harkens a golden era of innocence before Civil Rights, Vietnam, war protests, hippies, political assassinations, or even the Beatles. 

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More Battles Than Stars

From the critics corner: “Battlestar Galactica.” To recap, the last half-season concluded with some wicked female violence and an attempted rape (all in the name of killing the evil Cylons). Two weeks ago, the show opened with more violence against women and the young male fantasy catfight, where one woman (OK, robot) shoots the other woman (and evil authority figure) in the head. Maybe the presumably young-male audience appreciates the the show’s assault on women.

This week’s episode, “Epiphanies,” took position on some of the most fiercely-debated philosophical and moral issues dividing U.S. liberals and conservatives. 

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Frak That

The second season of “Battlestar Galactica” closed with a major letdown on Friday. I suppose it’s really the end of the first season, cut in two. Series typically air about 24 shows per season, which is almost Battlestar Galactica’s count after two, uh, seasons.

The miniseries launching the series is a marvel. The show captures a quality, a flow of good storytelling that transcended anything else on television. The first season (OK, half season) delivers excellent entertainment and, again, some smart storytelling. Acting, direction, sets, special effects, the drama all are exceptional.