Category: Pulp Media

Photo by Joe WilcoxAug 2, 202610:45 pm

San Diego Comic-Con 2026 Day Four, Part Three

The greatest pop culture event concluded one week ago today—and I was there for the second time in four days and for the first Sunday since 2017. I had been perennially unlucky gaining access to buy passes during one of two public registration sessions. After long hiatus, I purchased passes for Thursday and Sunday.

Quick recap: Day One (July 23, 2026); Day Four (July 26) Part One and Part Two. I primarily used Nikon Zf and NIKKOR Z 40mm f/2 lens, supported by Samsung Galaxy S26 Ultra for my first SDCC expedition. For the other day, I used the camera exclusively with NIKKOR Z 28mm f/2.8 (SE) lens, which proved to be exceptional choice.

Photo by Joe WilcoxJul 30, 202610:08 pm

San Diego Comic-Con 2026 Day Four, Part Two

This is the second of three installments from SDCC 2026. The first is dated yesterday. I used Nikon Zf and NIKKOR Z 28mm f/2.8 (SE) lens to capture the entire set of photos, and I am overall quite satisfied with them.

I strayed from the more commonplace approach of stopping cosplayers and taking portraits, choosing instead a more documentary style that is more like being there. The Zf produced more contrasty auto-results than I am unaccustomed to—and I like it, so much so that most of the photos are presented straight from the camera (well, after RAW to JPEG conversion).

Photo by Joe WilcoxJul 29, 202610:52 pm

San Diego Comic-Con 2026 Day Four, Part One

Sunday, July 26, 2026, may be my last Comic-Con sojourn. I suffered a nine-year gap in attendance for inability to secure passes. Even then, the one-day, ah, golden ticket for 2017 was acquired indirectly. Twenty-sixteen marks my last participation from passes purchased through one of the official registration days. People enter the online purchase queue randomly, and I had been unquestionably unlucky. That is until November 2025 Open Registration, when I luckily secured Thursday and Sunday passes for this year’s SDCC. I can’t be sure to get any again.

San Diego Comic-Con 2026 was a last chance to brandish a camera during the, arguably, greatest pop culture event on Earth. I did okay shooting Day One, using Nikon Zf and NIKKOR Z 40mm f/2 lens. However, overall, I was dissatisfied with the photos. For Day 4, I attached the NIKKOR Z 28mm f/2.8 (SE) lens, which I had never before used. The simple, and affordable (currently $309.95 direct from Nikon USA), lens delivered. Take that, pricey Leica Summilux!

Photo by Joe WilcoxJul 24, 202610:33 pm

San Diego Comic-Con 2026 Day One

For my sojourn to the country’s premiere pop-culture event, I returned following a nine-year hiatus—and not by choice. Every attempt to secure passes failed until finally I had opportunity to buy two—for Thursday and Sunday—during Open Registration, November 2025. SDCC runs for four full days plus the Preview Night. As I write, Day Two wraps up at San Diego Convention Center.

I had considered several options for documenting the event, including video interviews. That was a strategy more workable for full event attendance. I chose instead to keep things simple and shoot photos. My SDCC EDC: Nikon Zf and NIKKOR Z 40mm f/2 lens; Samsung Galaxy S26 Ultra.

Photo by Joe WilcoxJul 20, 20269:40 pm

A Shot in the Dark

San Diego Comic-Con 2016, I was functionally blind—and the realization how much came during Preview Night 10 years ago this evening. My daughter accompanied me to the Convention Center, where she received a complimentary companion full-event pass as the helper for a disabled attendee—a status I never imagined myself as being.

Crippling cataracts clouded my eyesight, and I saw how severely when scanning the show floor and realizing I couldn’t read any of the large numerical signs hanging from the ceiling. Disheartened, I walked into the crowd, blindly pointed iPhone 6s, and shot the Featured Image, which essentially is the only photographic record I have of the event. Vitals: f/2.2, ISO 80, 1/15 sec, 29mm; 6:41 p.m. PDT.

Photo by Joe WilcoxJul 19, 202610:20 pm

World Cup Sunday

This morning, my wife drove me to Pop Pie in South Park, where a Too Good to Go order waited. The haul? Two pies, one traditional chicken, the other Hog (e.g. pulled pork). I walked most of the way the home, proceeding to North Park and to University Heights—30th all the way to Meade.

Wow, were the streets packed with people. I have never seen Sunday like this. The majority of folks was destination bound, with local bars and eateries the primary destinations—basically anywhere with big screen TVs. Argentina and Spain squared off for the FIFA World Cup final match, at MetLife Stadium in East Rutherford, NJ.

Photo by Joe WilcoxJul 15, 20269:27 pm

The Trekkers

Fourteen years ago today, San Diego Comic-Con wrapped up for another annual gathering. Sunday is my favorite day of the entire event. Locals, particularly families, dominate attendance. Most of the Hollywood crowd has left the building, so to speak.

But pulp media presence is full-force present by way of brands. Star Trek is one of the biggest, considerably more so currently than 2012. One booth used to sell authentic sci-fi uniforms from several prominent TV series—I’m partial to those from Battlestar Galactica, thank-you. Star Trek was among them, but Anovos, the company producing the uniforms, no longer exists.

Photo by Joe WilcoxJul 14, 20268:35 pm

Day Three Crowd, Comic-Con 2012

Saturday at San Diego Comic-Con is by far the busiest day and most jam-packed, whether measured by attendance size or number of panels featuring actors, content creators, showrunners, and more.

Fourteen years ago today, a throng of people pushed past the G4 booth—as you can see from the Featured Image. Vitals: f/2.8, ISO 125, 1/17 sec, 3.4mm; 1:43 p.m. PDT.

Photo by Joe WilcoxJul 13, 20269:52 pm

Stormtrooper in a Kilt

Ho-ho, the on-this-date review from San Diego Comic-Con continues—reaching back to July 13, 2012. My attendance started in 2009, although I had a press pass for 2008—about nine months after the Wilcox family moved to Southern California. My return for two days next week will be my first appearance since 2017.

The Featured Image is intriguing for a couple of reasons. The kilt is obvious. You can see that. You have to wonder what impression a brigade of like-adorned stormtroopers would make. Would rebel forces laugh and not take their adversaries seriously enough, ending up even more dead?

Photo by Joe WilcoxJul 12, 202610:57 pm

I Wonder, Woman, Who Is Super, Man?

Like eleven years ago, July 12 is a Sunday. While the dates and days sync up, something else doesn’t: San Diego Comic-Con concluded on this date in 2015. The 2026 gathering won’t start for another 10 days, with Preview Night. I will be there on Thursday and Sunday, my first dalliance since 2017.

The Featured Image is among the last dozen photos taken using Fujifilm X-T1 and XF18-55mmF2.8-4 R LM OIS lens on this date 11 years ago. Vitals: f/3.2, ISO 250, 1/60 sec, 18mm; 1:49 p.m. PDT.

Photo by Joe WilcoxJul 11, 20267:20 pm

Exhaustion

Over four days and Preview Night, San Diego Comic-Con presents people opportunity to cosplay as someone whom they aspire to be. Cosplayers are popular with any camera-carrying attendees, which could be anyone and everyone because of ubiquity and versatility of smartphones.

But the event is demanding, especially when costumes and accompanying gear are bulky or heavy. People tire, as you can see from the Featured Image, which hardly shows two people in character.

Photo by Joe WilcoxJul 10, 20267:58 pm

Line Monks

Don’t bother asking. Joe has no idea what are Link Monks–—if he ever knew. I used Fujifilm X-T1 and XF18-55mmF2.8-4 R LM OIS lens to shoot the Featured Image, eleven years ago today during San Diego Comic-Con 2015.

Vitals: f/3.2, ISO 200, 1/2500 sec, 18.8mm; 10:44 a.m. PDT. The portrait is a horizontal crop from a vertical original. See how sharp the shot still is? I loved the X-T1, BTW.