Continuing the walk down nostalgia lane, in my San Diego neighborhood, we go out of season—back before SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 lockdowns tempered some holiday decorating. I used Leica Q to capture […]
The final Wednesday of the year brings us to the second-to-the-last post in the series, should it conclude as previously planned. I am undecided. For now, our selection captures some of 2020’s most important themes—triple-P: pandemic, politics, and protests; for sure one overlaps another in some manner or another. My first choice, self-titled “Respirator Life“, by David Geitgey Sierralupe, is unfortunately All Rights Reserved. So I had to pick another selection, one Creative Commons-licensed, from the carpenter who lives in Eugene, Ore.
“Rally for Democracy“—with a nurse wearing KN95 mask and typifying fallout from the Presidential Election and SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2), better known as COVID-19—was a contender. But the choice came down to a coin-toss between two street shots with the same self-title: “Blue Lives Matter meets ACAB“. The acronym stands for “all cops are bastards”. The second choice (blame the quarter for landing tails).
We celebrate America’s day of family, friends, and gratitude with self-titled “President Trump Pardons the National Thanksgiving Turkey“, which Shealah Craighead captured on Nov. 24, 2020. Camera and photo vitals are not available. Shooting location, for the fowl named Corn, is the White House Rose Garden.
I had wanted to feature something about the Pilgrims, whose pilgrimage to this continent would be a 400-year-anniversary celebration in Plymouth, Mass., if not for the SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—also known as COVID-19—pandemic. Failing to find an appropriate Creative Commons-licensed image and seeing that the President likely gives amnesty to his last bird—following the General Services Administration declaring Joe Biden “apparent President-elect“—plans changed.
Across the country this Thanksgiving holiday, the dire circumstance is businesses closing forever because of SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—also known as COVID-19—local lockdown and stay-at-home orders that keep away customers and choke revenue. In this County, SanDiegoVille keeps a running list of restaurants and pubs permanently shuttered during 2020—the majority since the pandemic’s start. I count 109 entities, but more when accounting for establishments with multiple locations.
Many businesses that had reopened during the summer are closing again as states seek to combat rising Novel Coronavirus cases. For the record, the use of cases is grossly misleading; the numbers actually refer to positive tests, which doesn’t mean that someone is sick—and most likely not. Eighty percent (or more) of people contracting COVID-19 are asymptomatic or mildly ill. Regardless, restrictions are everywhere, placed by (hopefully) well-meaning governors.
The dog days of August demand something cooler, and we’ve got the thing with the first of two consecutive snow scenes: self-titled “A Yukon Quest Team” by Arthur T. LaBar. The 1,000-mile (1,600 km) sled […]
The last of three consecutive entries discovered searching for “spectator” demonstrates how to get close in from far away. Michael Tapp captured self-titled “Celebrate Brooklyn in Prospect Park | Deltron 3030 Concert Spectator” on July 19, 2014, using an unidentified Sony Alpha camera (presumably) and Pentacon 135mm f/2.8 lens (certainly). If I owned an interchangeable lens camera, rather than fixed Leica Q2, 135mm would be my go-to focal length on Prime glass—as it was during the mid-Noughties when shooting Canon EOS 20D.
With “social distancing” the norm for the foreseeable post-pandemic future, time is right for street shooters to rediscover the mighty telephoto. A good one-thirty-five closes the distance—more so on APS-C cameras when applying the crop-factor—while delivering sharp detail and beautiful bokeh. Michael’s portrait is a keeper for both and excellent use of natural light. Unfortunately, EXIF isn’t available, which is typical of his photos; some photographers choose to expunge the metadata.
I am so embarrassed. My ancestors on both sides of the family emigrated from New Brunswick and Nova Scotia, respectively—and, being a border baby, my attitudes are much more Canadian than American. So how then […]
Today, SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—aka COVID-19—claimed an expected victim and long holdout being one. For the first time since its humble 1970 inception, San Diego Comic-Con will not happen as planned (July 23-26). The event joins the County Fair and a multitude of vertically-oriented industry conventions as Novel Coronavirus casualties.
For me, SDCC 2020 already was a non-event: Like the previous two Cons, I failed to secure a pass during Open Registration. For San Diego, which economy depends on tourism, the non-event pandemic is catastrophic. According to the San Diego Tourism Authority, tourism is the “second largest segment of [the local] economy”, employing approximately 200,000 people—or about 13 percent of the jobs across SD County. “It is vitally important to the economic health of the region”.
Self-titled “Happy Easter“, which Tobias Nordhausen made on April 18, 2015, is serene and simple—making something small seem so much bigger, and more important, before the bokeh building background. Vitals: f/8, ISO 100, 1/125 sec, […]
For one of the most celebrated Jewish holidays, we present a small family gathering that is sadly evocative for 2020. The COVID-19—aka SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—pandemic compels people to socially isolate (e.g. […]
The annual scourge is upon us, as tens of thousands of attention seekers descend on Las Vegas for the Consumer Electronics Show. Nowhere else can you watch bloggers and journalists in a constant chase of their public relations foibles, who desperately hunt for all the attention they can get their clients. Think a thousand kids in a small room, calling for mommy and groping her dress. Then multiple ten times.
My last CES pilgrimage was 2008. That’s right, I haven’t gone in 10 years. No-o-o-o regrets. Nothing important ever comes out of the show, even though each year the hype suggests otherwise. Most new unveiled products won’t ship until second half of the year. If ever. There’s more vaporware at CES than hot air—and that’s no easy feat. Surely the Las Vegas Convention Center installs extra carbon dioxide scrubbers so that participants don’t asphyxiate. If there was an alarm for toxic babble, it would sound incessantly.
On any other morning, with tree cutters trimming palms right outside my office window, I would dash about the apartment complex parking lot with camera in hand shooting photos and videos. It’s an event! One well-worth documenting. Trimmers arrived at (cough, cough) 7 a.m. to do the whack job. But my focus was shaving and bathing, preparing for San Diego Comic-Con 2018 Open Registration and perhaps my last chance to snag a pass for next year’s gathering.
Comic-Con emails eligible participants a registration code, which must be activated on the website between 8 and 9 a.m. The process of randomly choosing people starts promptly at nine o’clock. My luck ran out during early reg, as it did vying both opportunities for this year’s Con. I attended Sunday, on a last-minute chance, and felt humbly fortunate for that. As you can guess from the title, I couldn’t purchase a pass.