Tag: DRM

Apple by Joe WilcoxDec 29, 201410:22 am

I Hear No Evil in Beats Music Exclusives

Someone save me from the nonsense. My BetaNews colleague Brian Fagioli’s “Apple’s rumored iTunes and Beats Music ‘Exclusives’ plan is potentially evil” is top-placed story at the site today. I messaged the day editor (who hasn’t yet replied and may still be off for the holiday): “If it racks up any significant amount of pageviews, I am changing professions. The number of comments is disturbing enough”. Should you want me to stop writing for BN, and some readers do, by all means click, click, click Brian’s commentary.

I have two fundamental problems with the post: Sourcing and its point. Brian refers to New York Post story “Beats Music lining up talent for exclusive releases“. I tell reporters: “Write what you know to be true”, which can’t be when sourcing someone else’s news gathering. For the record: I trust the newspaper’s general reporting accuracy, so Brian stands more solid than if quoting a blog. That said, he and I write for BetaNews not BetaBlog. See my four-and-a-half year-old analysis “The Difference Between Blogging and Journalism” for a primer on why one isn’t the other.

Apple by Joe WilcoxOct 10, 200712:00 am

I’m DRM-free, Baby

Last week I achieved my goal of becoming DRM-free before the end of the year. I have purged all the DRM tracks from my music library and replaced what I could—thanks to the Amazon MP3 […]

Apple by Joe WilcoxJul 5, 200712:00 am

Kiss My DRM

I have been laughing at Universal Music’s refusal to sign another long-term contract with Apple. Universal demonstrates the same thick-as-a-brick mentally that has made music labels perhaps the most loathed organizations on the planet. It’s one hell of a contradiction: The folks selling beloved music are hated by their tune-loving customers.

Apple by Joe WilcoxJun 17, 20079:48 pm

iTunes Music Madness

On May 29, Apple opened up iTunes Plus as a subset of its broader music store, offering DRM-free songs and albums encoded at 256kbps. Apple also offers to upgrade lower-bit-rate, DRM songs for 30 cents a piece. It’s a good deal. But the licensing is downright confusing. While browsing iTunes Plus, yesterday, I saw “Pat Benatar’s Greatest Hits” available DRM-free. I thought, “Huh? I’ve got other Pat Benatar music, and I don’t remember getting an offer DRM-free replacements”. I upgraded 25 other songs from other artists.

Sure enough, my iTunes library contains three Pat Benatar songs, from three different albums. My version of “Hit Me With Your Best Shot” from album “Pat Benatar: Best Shots” is available DRM-free from iTunes Plus. But Apple offered me no 30-cent replacement option. Is it a glitch? I don’t think so. The song in my library lists publisher as Chrysalis, while the DRM-free version is Capitol Records.

Music by Joe WilcoxApr 10, 20074:15 pm

I Want to Go Unprotected

Last week’s announcement—that Apple would offer DRM-free music from EMI—jump-started my motivation to dump DRM. Last autumn, I expressed concern about my growing library of copy-protected content, particularly music. The iTunes music store had always […]

Society by Joe WilcoxFeb 25, 20064:19 pm

The Weatherman

Today, my daughter and I hauled off to the University of Maryland, College Park, for a Storm Watchers presentation. The NOAA meteorologist making the presentation grew up in Southern Maine—Biddeford, to be exact.

Mmmm, I wonder how many meteorologists are from Maine. It’s hard to grow up there and not be interested in weather. With no exaggeration, weather changes about every 15 minutes in the summer, from clear skies to breezy and cloudy skies to tree-ripping thunderstorms. Upways in Northern Maine, rapid winter temperature shifts are common. I’ve seen 45-degree Celsius shifts (that’s 80 degrees Fahrenheit) from plus five to minus 40 in less than 12 hours. That’s no exaggeration.

Apple by Joe WilcoxSep 27, 20053:53 pm

Greed Killed the Trojan Horse

Seems like Apple and music labels are on collision course as iTunes contract renewals approach. Steve Jobs called record labels “greedy“, over alleged plans to move digital downloads to a tiered pricing model. Right now, iTunes buyers pay a 99-cent flat rate for singles, while most albums sell for $9.99. Apple does bundle some singles with music videos for $1.99.

So, I had thought Steve Jobs was being just a wee bit over the top, until a few days later when Warner Music Group CEO Edgar Bronfman Jr. said during an investors conference: “We are selling our songs through iPod, but we don’t have a share of iPod’s revenue. We want to share in those revenue streams” [source Red Herring]. Ah, yeah.

Music by Joe WilcoxAug 24, 20053:40 pm

The Wrong Lesson

My wife is prepping my daughter for home school. She was surprised that my daughter couldn’t identify one U.S. state. “We were supposed to learn last year in social studies,” my daughter said. Apparently, the teacher couldn’t get to it. While I am largely satisfied with what the public school teachers taught my daughter, the incident reminded me of something that happened late in the school year.

One Friday, my daughter asked about Napster. She knows that I have gotten songs from Napster and wanted to know about stealing music. Problem: Her confusion over the original Napster filing-sharing site and Napster 2.0, which sells music or offers it on subscription basis. Her fifth grade teacher was source of the confusion.

Music by Joe WilcoxJan 30, 20043:11 pm

Let’s Eat at the Audio Lunchbox

I discovered a cool, new music site today. I was looking around MusicMatch, which had profiled The Distillers album “Coral Fang.” I listened to the songs first on MusicMatch MX radio; some rad punk. So I checked out the band’s homepage where there was a post about The Distillers going digital, with songs for sale over at Audio Lunchbox.

Audo Lunchbox is a legal download site hawking indie music. Lots of it, and stuff you’d buy from Apple’s iTunes Music Store (that means rights protection) or one of those Windows Media Audio outfits like MusicMatch (that also means rights protection). The problem with the rights-protected (a.k.a. digital rights management) stuff isn’t the restriction on playback (three PC cap for most music) but the compatibility. Apple’s music format and WMA aren’t compatible. The songs usually won’t play in the same media player or portable music player.