Tag: urban photography

Photo by Joe WilcoxJun 2, 20239:00 pm

Light Traffic

Lots of people are overly, ah, proud during June every year, around San Diego neighborhoods Hillcrest, North Park, and (here) University Heights. Stepping back from the parade of flags—and distracting colors galore—I will use Leica Q2 Monochrom to primarily shoot black and white. When need for color arises, Samsung Galaxy S23 Ultra will fill in.

The Featured Image is first photo of many other monochromes to follow between now and last day of the month. Vitals, aperture manually set: f/11, ISO 200, 1/250 sec, 28mm.

Photo by Joe WilcoxMay 30, 202310:20 pm

You Fill Up My Senses

For a seeming paradise environment, San Diego air fills with bad smells: chemical (mostly from pesticides); exhaust (mostly from construction machinery and vehicles); rotting food (from compost and garbage containers); skunky stink (from pot smokers); and urine (from the homeless), among many others. (Got an hour to read? I can give a fuller list.)

So it was a surprise, and relief, when my wife and I hit a sweet smelling zone while walking on May 26, 2023. The Featured Image shows why: Hedge of Honeysuckle. Thank you, neighbor, whomever you are! At a time when more residences erect fortress fences around their properties, someone else chooses a natural barrier that delights the senses—eyes along with the nose.

Photo by Joe WilcoxMay 28, 20239:48 pm

The Devil’s Doors

Well, the Featured Image is sure to offend somebody. Others might cheer the implications. The doors stand outside one of the churches in San Diego neighborhood Hillcrest. By no coincidence, the institution flies rainbow flag.

I can’t resist. In Matt. 7:13, Jesus said: “Enter through the narrow gate; for the gate is wide and the way is broad that leads to destruction, and there are many who enter through it” (NASB). My question for you: Are six doors of inclusion a “narrow gate?”

Photo by Joe WilcoxMay 27, 202310:07 pm

‘Feed Me! Please?’

The fine family that owns ginger cat Daniel Tiger also keeps three chickens. Typically, a jar of feed is placed in a caddy on the fence so that neighbors can greet and treat the birds. But, today, when my wife and I walked by, the glass wasn’t half full, so to speak, but empty. We had nothing to share, and, oh, did the hens want some.

When we slipped out of the apartment between loads of washed and drying laundry, I left behind Leica Q2. To capture the moment, I relied on Samsung Galaxy S23 Ultra, choosing the Portrait mode that creates bokeh—or the illusion of blurred background.

Photo by Joe WilcoxMay 26, 20238:43 pm

Urban Husky Revisited

The “Urban Husky” residence is no longer a construction site. I had wondered if the mural would be a casualty of the renovation, although the artwork might be because of it. During an impulsive change of direction while walking today, my wife and I passed by the property.

I couldn’t go on without grabbing a fresh capture. The Featured Image comes from Leica Q2. Vitals, aperture manually set: f/4, ISO 100, 1/1250 sec,, 28mm; 2:01 p.m. PDT.

Photo by Joe WilcoxMay 24, 20239:13 pm

For the Love of Ducks

I don’t know San Diego’s Balboa Park well enough to identify the Featured Image‘s exact location. Metadata and Google Maps indicate the Lily Pond, so let’s assume that to be correct.

The ducks made quite the splash when I came upon them on April 20, 2023. I used Samsung Galaxy S23 Ultra to shoot the quackers. Vitals: f/2.4, ISO 50, 1/2000 sec, 70mm (film equivalent); 4:08 p.m. PDT.

Photo by Joe WilcoxMay 23, 20239:09 pm

Ramblin’ Rose

I may regret the Featured Image tomorrow, but it looks pretty good tonight. Admission: My judgement cannot be trusted. Today’s routine eye exam included the dreaded dilation, which blurs my vision. My ability to appropriately assess composition or image quality is unreliable.

The wicked, but temporary, enlargement of my pupils obliterated any meaningful outdoor routine until early evening under a Marine Layer that never lifted. By 7:32 p.m. PDT, with sunset officially 14 minutes away, deep dusk had already set in when, finally walking, I passed the white rose bushes.

Photo by Joe WilcoxMay 19, 20237:50 pm

Audacious Advertising

While driving our car to the auto shop for routine maintenance, today, I passed an intriguing billboard along Adams Avenue in San Diego neighborhood Normal Heights. Sentiment “People Matter” makes perfect sense. But not too long ago, and perhaps still, “all lives matter” was taboo response to the “black lives matter” crowd. Does this advert push boundaries? Is “people matter” all that different from “all lives matter”—regardless the different context? You tell me.

I am a big fan of offending people, of pushing their buttons, so to speak. We all need to feel uncomfortable from time to time, so that we think. So if “people matter” offends you, good! And because everyone matters, why should inclusivity of all colors be bothersome? Now, let’s get to the context, which is nothing about race relations.

Photo by Joe WilcoxMay 17, 20239:10 pm

Parrot Love

I want you to click “Birds on a Wire” and compare to the Featured Image. See the differences between what a camera can produce versus that of a smartphone. The 2018 close crop comes from Leica M (Typ 262) and Summarit-M 1:2.4/50 lens. The newer shot, taken yesterday, is a product of Samsung Galaxy S23 Ultra‘s 10x zoom. Vitals: f/4.9, ISO 50, 1/1250 sec, 230mm (film equivalent); 12:04 p.m. PDT; composed as captured.

If I had to choose, no brainer: 50mm cropped from the rangefinder versus 230mm from the mobile. The S23 Ultra’s tiny sensor, for all the software computational magic, can’t compete with the full-frame shooter—at least in a situation where I expected telephoto reach to be meaningful asset.

Photo by Joe WilcoxMay 15, 20233:29 pm

Not a Good Sign

I picked poor time to go to Trader Joe’s for organic whole milk—as you can see from the Featured Image, which comes from Samsung Galaxy S23 Ultra. Vitals: f/1.7, ISO 16, 1/160 sec, 23mm (film equivalent); 4:54 p.m. PDT, yesterday.

Meanwhile, I prepare for a different outage calamity. Today, my webhost sent the dreaded, but expected, email that this site will, ah, migrate with 24 hours. I have no choice about the matter, and no amount of assurances about safe, seamless, and sure migration instills me with confidence that catastrophe isn’t imminent.

Photo by Joe WilcoxMay 14, 20239:29 pm

The Flower Lady

Let’s start with a Happy Mother’s Day to the moms. Some of you work the holiday, as does this woman at her gift stand set up in my San Diego neighborhood of University Heights. She and her husband greeted me yesterday, and I had every intention of returning to buy flowers for my wife. But I waited too long. The lady sold out, and they were packing up when I arrived this afternoon.

I used Leica Q2 to take the Featured Image, which (sigh) is presented as composed, because I could create no crop that wouldn’t take too much context from the photo. Maybe you see something that I don’t. Vitals, aperture manually set: f/5.6, ISO 100, 1/500 sec, 28mm; 12:36 p.m. PDT.

Photo by Joe WilcoxMay 13, 20239:00 pm

Bon Appétit!

In April 2016, I started to write “Why is Hollywood Obsessed with Viral Armageddon?” In June 2017, I shot a photo to illustrate the post, which wasn’t finally finished until March 2021—nearly a year after the World Health Organization declared SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 to be a pandemic.

San Diego’s Museum of Us exhibit “Cannibals: Myth & Reality” must be ongoing because I came upon the same sign still in place six years later—as you can see from the Featured Image, captured using Leica Q2 Monochrom, on April 20, 2023. Vitals, aperture manually set: f/5.6, ISO 200, 1/160 sec, 28mm; 3:23 p.m. PDT.