Author: Joe Wilcox

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Flickr a Day 96: ‘Stranger 2/100 – The Constant Gardener’

The second of three random street portraits comes from the photographer simply known as ταηjεεr. The image is among his contributions to the 100 Strangers Flickr Group, which we met yesterday. The project’s challenge: To become a better shooter and improve social skills. Subject storytelling is part of the process.

Self-titled “Stranger 2/100 – The Constant Gardener” refers to Mohammad Nurul Huq, who “works as a Site Caretaker for the historic Lalbagh Fort in Dhaka, Bangladesh”,  ταηjεεr explains. “What intrigued me most was how extremely proud he was for his work. His eyes lit up as he proudly announced that every taka he ever earned was absolutely honest”. The government employee is from Shariyatpur. 

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Flickr a Day 95: ‘Stranger 51/100 | Easter Parade in New York’

We celebrate the second major Christian holiday with the first of three random street portraits. Michael Tapp captured the photo for the 100 Strangers Flickr Group, which ethos states: “Take at least 100 photographs of 100 people you don’t know. Approach anyone or a group of people, ask for permission to both take a photo of them and to post it to this group. Get to know your stranger/s. Who are they? What is their life like?”

The 100 Strangers project challenges a photographer to “step out of your comfort zone and into a new level of portrait photography”. As I write, there are 10,500 group members. From my experience as a working journalist, approaching random people for comment, photo, or video is a learning process that’s difficulty increases as you age. Youth and appearance are assets that can put anyone at ease. 

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Comic-Con Heroes: The Departure

They say the end is only the beginning. Today’s installment ends serialization of my ebook Comic-Con Heroes: The Fans Who Make the Greatest Show on Earth. On July 8, 2015, after my current commitment with Amazon KDP Select ends, the tome’s release into the public domain begins—as promised. I plan to make copies available here, from Bunny Bows Press, and most likely Smashwords. I am still working out final logistics. Free also means removing the book from Amazon, which doesn’t permit the option. I am exploring a one-cent alternative.

A week ago, I posted the last of the dozen profiles, in order of appearance: The Dark Knight, The Fighter, The Collectors, The AcademicThe Nerd Culturist, The Writer,The Bicyclists, The Heroine, The Time Lord, The Volunteer, The Vendor, and The Millennial

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My Goddamn Problem

Three months ago, I commanded: “Writers, Own Your Content!“. Some of my best tech-industry news and analysis is gone from the Web—six years of posts—because of corporation changes; one employer was acquired, while the other restructured. The sites I managed vanished. Now I defy good SEO practice and double post content to my work website and to my personal one. Art typically is different, and headlines are never the same.

Reader reaction to one recent headline just shocks me, and makes me chuckle. 

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A Tidal Wave Approaches

Fraking fantastic is my reaction to Tidal’s high-def audio.. I spent much of April Fools’ Day testing, and quite enjoying, the music service, although I am skeptical that most streaming subsctibers will care—not for $19.95 per month. Still, I see hope for the 10-buck standard quality other option if Tidal delivers enough artist exclusives and superior curation. The iTunes hegemony, and Apple’s rapidly evolving Beats Music acquisition, is all about content, much of it available nowhere else, better presented, and more easily discovered. With musicians” support, and unique content with it, maybe, just maybe, a Tidal wave approaches.

The service essentially relaunched on March 31, 2015, with a gala event hosted by Jay Z and other music superstars. He acquired Tidal, for $56 million two months earlier, but the lossless streaming service launched in October 2014. Architecture, audio quality, two-tier pricing, and streaming are essentially unchanged. New owners’ commitment, that of other artists, big marketing push, and 30-day trial distinguish Tidal today. 

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‘The Last Link You Will Ever Click’

Google got me. Not because I didn’t get the joke but for how far it actually goes. Perhaps you saw the April 1st post, “Re-rethinking computing“, which introduces the project from a “rogue team of engineers…Today, we’re excited to announce a way to make your Chromebook self-browsing”. Of course, it’s an April Fools gag.

I first saw the post on my Nexus 9 tablet while exercising on the stationary bike. Later, thinking to post a quickie to Google+, I pulled up the URL from synced History on Chromebook Pixel LS. On the N9, I had clicked the post’s last link, which did nothing special but when opened on the Pixel took me to the Chrome Web Store with option to install the self-browsing extension. Now that was unexpected. What to do, what to do? 

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It’s No Joke: $149 Chromebook

If Google made its big Chromebook announcement today instead of March 31st, I would think it’s an April Fools prank. Seriously? One-hundred-and-forty-nine dollar models, from Haier and Hisense, with one available from Walmart? I know some of these laptops sell for $199. But this is a new low.

Meanwhile, ASUS will, in summer, start selling something for even less: Chromebit, a $100 candy-bar size carry-all computer. Plug it into a HDMI display (say, the TV), and your Chromie lifestyle is even-more mobile. The company also will release Chromebook Flip, a tablet-convertible wannabe, sooner. Someone tell me: This isn’t a Foolie prank?