Category: Living

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Flickr a Day 190: Waiting for What?

San Diego Comic-Con’s first full day is the freshest. Excitement and energy fill the air. Attendees are joyous, while exhibitors, eh, exhibit vitality that will be long exhausted by the event’s close. I expect sense of relief for many; last week, the event committed to another two years here—through 2018.

The Con started in San Diego, where it has been since. The first gathering, on March 21, 1970, was the one-day Golden State Comic-Minicon, held at the U.S. Grant Hotel. A three-day fest followed from August 1-3. Guests included science fiction luminaries Ray Bradbury and A.E. van Vogt. One hundred people attended the first and 300 the second conventions. 

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Uh-oh! Red Shirts!

What an Uglydoll way to go. I wonder how long these will last? Star Trek Uglies are this year’s San Diego Comic-Con exclusives. Just beam me up some, would you? But Preview Night wasn’t their time for big sales. Long lines queued elsewhere.

Each day of SDCC has its own distinct character. Preview Night is the big geekfest. It is not the pretty people gathering. The group fulfills a wide range of stereotypes that says nerd. The fewest cosplayers are seen of any day, also. You would think Star Trek would appeal to these types, and perhaps it does. I observed more of a Dr. Who, Orphan Black, and The Walking Dead crowd. 

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Flickr a Day 189: ‘Comic-Con’

San Diego Comic-Con officially begins at 6 p.m. with Preview Night. I will be there. and at the Convention Center for the next four days. Two-thousand Fifteen marks my seventh attendance and first as paying participant. For reasons unknown to me, my press pass wasn’t renewed this year. The circumstance is in some respects a relief, as I will be there more for me and less the task of reporting.

Today, and the next four, this series will feature cosplayers and Conners, along with some information and history about SDCC. We begin with the appropriately self-titled “Comic-Con”, which Eric Neitzel shot on July 23, 2011, using Nikon D200 and the fantastic 50mm f/1.8 prime. Vitals: f/2.5, ISO 100, 1/320 sec. You can see more in his Comic-Con 2011 album/set. The dispatcher by profession is a local—from Rancho Penasquitos but lives in Escondido. He joined Flickr in August 2009. 

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Comic-Con Heroes Enters the Public Domain

Timing is deliberate. As the big pop-culture convention starts here in San Diego, I release my ebook Comic-Con Heroes: The Fans Who Make the Greatest Show on Earth into the public domain. You can grab the PDF here, or click on to Smashwords for more formats, including epub. I relinquish rights, believing the content remains evergreen valuable even if dated. The book published in September 2013.

During SDCC two years ago, I interviewed attendees, choosing one-dozen to profile. My contention about the convention: The fans are the stars, not hollywood, which gets the glory. The concept started from a recollection posted during Comic-Con 2010: “The Roles We Play“. Yesterday, I published a followup that I planned to title “The Roles They Play” but last-minute changed to “The Heroes Are Us“. 

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The Heroes Are Us

Tomorrow night begins my seventh sojourn to the greatest geekfest and pop-culture event on the planet. Imitator shows are everywhere this Century, but none commands character and class like the original. San Diego Comic-Con is an amazing amalgamation of hopes and aspirations—and the grandest storytelling—where, for four days and a Preview Night, tens of thousands of people can be themselves—fit in, rather than feel oddball—or be whom they would want to be by dressing up as beloved superheroes or villains and by adoring the storytellers and actors behind them.

The first, full three-day event took place from Aug. 1-3, 1970, at the U.S. Grand Hotel, with about 300 attendees and sci-fi luminaries, including Ray Bradbury and A.E. van Vogt. This week, 130,000 attendees will storm San Diego Convention Center to enter an alternate reality, where the social rules binding them everyday no longer apply. 

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I Should Thank the President

We are solid citizens again, with health insurance in place for the first time since May 1, 2009. Last November, I shared about “My Uninsured Life“. Now that circumstances changed, update is warranted, even if brief. Our coverage started as of Midnight today. We are among those Americans subsidized through Obamacare.

Our monthly family premium is a paltry $101 and some change per month for HMO plan with $500 annual individual deductible. The subsidy rewards the insurer with another $1,100 during the same time period. Someone please explain to me how such a gap doesn’t somehow reflect increased healthcare costs. What the frak? 

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Flickr a Day 178: ‘Taking Cover’

Glastonbury Festival 2015 wraps up tomorrow, which is reason enough to feature a photo from last year’s musical and arts brouhaha today. Rain is the forecast, again, making self-titled “Taking Cover” timely selection. Americans doing fests like Coachella are more accustomed to sandals, sneaks, or bare soles rather than the rubber boots Glastonbury-goers wear.

I originally chose “Glastonmudbury” from the photostream of Paul Townsend. He explains the history of the event, and his storytelling is worthy of taking the Day. But I couldn’t authenticate the image, which in context of others on his Flickr is unlikely his to share. This series respects copyrights. So Tom O`Malley wins with a photo shot using iPhone 5 on June 28, 2014. Vitals: f/2.4, ISO 80, 1/120 sec, 41mm. The Glastonbury Weather Twitter feed promises brighter skies today than yesterday’s bleak rain. 

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Don’t Go There

While sitting with my 93 year-old father-in-law outside the Starbucks in San Diego’s Hillcrest district, I observed a directional sign for two shops, today. Then I read them as a sentence and laughed. Okay, you—think like an imaginative kid and not a stuck-up-the-butt literal adult: Ignore the K. It’s funny, yes?

Strangely, I came to live the sign not long later. As we walked into Trader Joe’s, a neighbor said hello on her way inside. I politely introduced my father-n-law, then she started on about the Neighborhood Watch group that she recently organized. The first meeting went well, but she wasn’t sure how to contact me. That’s when I blew her holy smoke up her arse. 

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Apple Music backs off ‘play for no-pay’ plan that would withhold artist royalties

Now that Apple plans to compensate artists for the first three months of music streaming, it’s time to ask: Were the whiners grandstanding or sincere? The question mainly is meant for Taylor Swift, whose Father’s Day Tumblr post seems to have brought, eh, swift response to the—what I call—”play for no-pay” plan.

The company unveiled Apple Music during the World Wide Developer Conference on June 8. The streaming service will be free to subscribers for the first three months, with Apple initially choosing not to make royalty payments to artists. I condemned the ridiculous strategy last week. The company sits on a nearly $200 billion cash horde, and content creators are among its most loyal customers. Stiffing them makes no sense from several different perspectives, with good public relations being one and expressing thanks to artist customers being another.