What’s missing makes the photographic art of John Meadows so commanding. Color for one. Digital for another. The modern is absent, too. If you look at portraits from one-hundred years ago and earlier, the subjects often don’t smile; typically there’s a seriousness to their facial expressions and bodily postures. The look, feel, and mood is similar; most any of his captures could easily be mistaken for a picture from the 1910s.

But John is a modern shooter blending past and present techniques. “As time goes on, I find myself moving more and more drawn back to film-based photography and historic processes such as Cyanotype and Van Dyke Brown”, he says. “However, I will take advantage of certain digital technology, so even when stating with a film negative my workflow tends to be hybrid”.