Oh happy day. Today’s selection is courtesy of search “smile”. Shumona Sharna snapped the photo on March 20, 2010—and it’s popular, with more than 13,000 views. She explains about the context: “Two boys were actually […]
Category: Photo
Flickr a Day 34: ‘Into the Light’
Objects and animals, particularly cats, define the photographic style of Beverley Goodwin, who joined Flickr in April 2009. She volunteers for an animal rescue organization and, additionally, tries “to help by featuring cats on my photostream, […]
Flickr a Day 33: ‘A Fast Car’
Perhaps you’ve heard of concept “six degrees of separation”, which during the Internet era often is applied to social media connections. But its origin is much older. Hungarian writer Frigyes Karinthy proposed the idea in 1929 short story “Chains”—that no two people are separated by more than five intermediaries, which works out to six degrees of separation. Sometimes, online, the connections surprise for being so seemingly far removed, yet close. That’s how I see today’s photo selection.
Searching Flickr for “Groundhog Day”—and it’s today—summoned everything but the oversized rodent. Self-titled “A Fast Car” caught my attention for perspective and panning. In scanning the Flickr profile for the photographer, Takashi Hososhima, a familiar picture greeted me. Turns out Takashi and I are previously acquainted. I must apologize for forgetting. My return to him and his photostream is roundabout.
Flickr a Day 32: ‘British News’
You don’t select a Javi Sánchez de la viña image, it chooses you. His street photography is immersive—each picture pulls you into perspective, motion, and time stopped. I came to his photostream by way of […]
Flickr a Day 31: ‘Couple’
Today’s selection comes from Flickr searches for the Leica X1 and X2 digicams. Photographer Andrew Xu uses the latter, and I once owned the former. Originally from China, and living in New Zealand, the VFX artist is true to his profession, by posting photos that punch you with their terrific visual style.
I could easily fill the remaining 324 Flickrs a Day with Andrew’s images, which is comment about the challenge choosing one. I left the decision to fate, picking the pic from my initial search. Andrew’s style is so strong because, in part, he has a photographic philosophy that merges art and science. I recommend reading the full explanation on his Flickr profile page.
Flickr a Day 30: ‘Try’
Where is Fe Ilya? He joined Flickr in July 2008, but his last posted pic was taken Dec. 11, 2011. I see him on Tumblr, where his last posted photo was June 7, 2014; despite bleeding-edge presentation, […]
Flickr a Day 29: ‘Tiny Houses’
Vantage point best describes the photography of Jessica P., better known as jjesskalee around the social networks. Perspective works just as well. She sets very defined viewpoints, often getting in close to subjects. Like me, she uses the Fujifilm X100T, which shoots surprisingly great Macros; the f/2 lens gives shallow depth-of-field that produces fantastic bokeh.
Jessica shot self-titled “Tiny Houses” on Dec. 31, 2014. The houses belong to board game The Settlers of Catan, which was unknown to me before seeing this pic and a companion my wife prefers. As someone who fanatically role-played Dungeons and Dragons and Empire of the Petal Throne in high school, I’m surprised to somehow have missed Catan, which Klaus Teuber developed and released to the German market 20 years ago.
Flickr a Day 28: Licensing Lesson
All photos in this series are authenticated for copyright. Sometimes the process for the photographer is more difficult, particularly when language and location are factors. Luigi Alesi shot today’s selection, licensed Creative Commons noncommercial, on […]
Flickr a Day 27: London Rain
Can’t you just feel the chill? Duncan Harris shot this photo, in front of Harrods in Knightsbridge, on Dec. 19, 2011. For those people obsessed with the fanciest camera, the photographer matters more. He used the Nikon Coolpix S2500 to capture this atmospheric moment. Duncan says the 12-megapixel compact “is almost as good as a dSLR”. Perhaps in the right hands, as his are.
The image captivates for so many reasons: Motion of the pedestrians set against the crisp still cars; raindrops on the vehicles and reflections from fallen water; shimmering lights escaping the wet mist. I found this photo around Flick a Day 8 and reluctantly waited to post, as this isn’t the first wet street pic featured. See days 7 and 13.
Flickr a Day 26: ‘Walking to Glacier Isobel’
I originally planned to end this series’ first month with a photo from Trey Ratcliff—and a different selection than the one chosen. But yesterday, he blogged about returning from Antarctica, which compelled me to change up. I suppose waiting for a fresh batch of pics would be sensible, but I want to alert you as they start coming. Consider self-titled “Walking to Glacier Isobel”, shot on May 3, 2014, as a preview of what to expect. Trey will totally delight you if you give him opportunity.
His website, “Stuck in Customs” is a bit adventure photography blog and part learning lab. Trey teaches visitors about shooting—with words and pictures. Knowledge is the greatest gift, and this American relocated to New Zealand gives much. He is a HDR (High Dynamic Range) guru.
Flickr a Day 25: ‘Decisions, Decisions’
What’s not to like about this fantastic photo? Someone tell me. Bokeh, silhouette, and story told in the caption shorter than a Tweet: “Do you think this ice is thick?” We want to know. Step out and show us!
Freelance photographer Rick Harrison snapped this mesmerizer on March 4, 2006, using the Konica Minolta DiMAGE A2. Nine years later you’ll find him behind the Nikon D800. From Wakefield, United Kingdom, he is based in Leeds. Rick is the first Flickr-a-Day photographer who specializes in landscapes. Most of the others shoot on the street and/or focus on people.
Flickr a Day 24: ‘Defilé’
Lines define the photographic style of Stefano Bertolotti, who prefers to shoot building interiors and exteriors—and autos, too. Today’s selection captures his style applied to people. This image really appeals me, and I hope to you. […]