Journalists and the organizations they work for need to know when to stand their ground against entities about which they write and when to give in. IMAX wants Ars Technica to retract mentioning the company […]

Journalists and the organizations they work for need to know when to stand their ground against entities about which they write and when to give in. IMAX wants Ars Technica to retract mentioning the company […]
Dramatic is my reaction to this protest shot from Freedom II Andres, in Makati City, Philippines, on Oct. 4, 2013. The second “Million People March” rallied against the country’s so-called pork-barrel scam that a Philippine Daily Inquirer investigative series exposed about two months earlier.
The photographer’s name is appropriate for a protest shot like this one, and spotlights his family heritage. The second of four sons, “we are all named Freedom“, he explains, “simply because our father was one of the student-activists of his time in the 1970s, when Filipinos fought against the dictatorship of then president Ferdinand Marcos”.
The symbolism is recognizable, but as what depends on the eventual outcome. Dateline April 5, 2015, Easter Sunday, “Rolling Stone and UVA: The Columbia University Graduate School of Journalism Report” posted to the magazine’s website. The holiday celebrates Jesus Christ’s resurrection, following crucifixion. The Washington Post and several other organizations crucified Rolling Stone in December 2014 for long-form news story “A Rape on Campus”. The exhaustive autopsy of the story’s reporting and publication is another another crucifixion, arriving on a day that celebrates resurrection, salvation. Will RS have the one by voluntarily inviting the other?
“A Rape on Campus” spotlights the alleged sexual assault of a University of Virginia student identified as Jackie. The investigative report paints a campus culture of acceptable assault without reproach or reprisal. But the veracity of Jackie’s account later collapsed. Rolling Stone sought outside examination, which by itself demonstrates just how strongly the magazine strives to report responsibly.
Three months ago, I commanded: “Writers, Own Your Content!“. Some of my best tech-industry news and analysis is gone from the Web—six years of posts—because of corporation changes; one employer was acquired, while the other restructured. The sites I managed vanished. Now I defy good SEO practice and double post content to my work website and to my personal one. Art typically is different, and headlines are never the same.
Reader reaction to one recent headline just shocks me, and makes me chuckle.
My colleague Mark Wilson takes on the task I failed to (but should have) in commentary: “Apple’s Tim Cook is gay—the fact it needs to be announced shows what’s wrong in tech“. The CEO’s admission, in a Bloomberg-Businessweek opinion piece, isn’t surprising. The news media’s overglowing reaction is the shocker, as Mark observes: “Websites have practically fallen over themselves to heap their praise on the announcement”.
What? Are bloggers or reporters afraid they might appear to be homophobic if neglecting to add their voice to the echo chamber? Many news writers called Tim Cook’s announcement courageous. This morning, in chat, I told Mark: “Your response to it is hugely courageous”. He chose not to join the echo chamber and even to risk recriminations for rightly questioning why so much news space was given to Apple’s CEO.
Today, over at BetaNews, my colleague Mark Wilson asks:
“Twitter may be within its rights to block ISIS beheading content, but is it right?” The social service did more—suspending accounts for some users who shared the gruesome video depicting the slaughter of front-line journalist James Foley, who was held in captivity for about two years. Mark writes:
Twitter has a responsibility to allow events to unfold without intervention. The sheer number of people using the site means that it is possible to get a fairly balanced view of what is going on in the world—do a little research and you should be able to find supporters of every side of just about any story or argument. But for this to work, censorship just cannot happen.
I agree but see far darker implications with respect to news reporting.
I love Twitter, all the more since Eric Snowden’s revelations about the U.S. government’s secret spying program. The company largely stands apart from other techs’ positions, but not completely. In December, I scolded Twitter, along with Apple, Facebook, Google, and a smattering of others for their “disingenuous and self-serving” call for global government surveillance reform.
Today, Twitter tweaks the government regarding an agreement that expands disclosure of information requests, including those that fall under the Foreign Intelligence Surveillance Act. In a startling act of defiance, Twitter chooses not to disclose the number of FISA and other national security-related requests, contending they’re scope is an “overly broad range”.
My wife and I just returned home from watching “The Fifth Estate“. My problem isn’t the film but the trailer, which makes the movie look more like a political thriller. The film is nothing like […]
“The foundation of Groklaw is over. I can’t do Groklaw without your input”, Pamela Jones writes today. “It really was a collaborative effort, and there is now no private way, evidently, to collaborate”.
She responds to recent revelations that the U.S. government reads your email: “The owner of Lavabit tells us that he’s stopped using email and if we knew what he knew, we’d stop too. There is no way to do Groklaw without email”.
Today, in the Guardian, former CIA analyst John Kiriakou accuses the Obama Administration of abusing the 1917 Espionage Act, claiming that “only 10 people in American history have been charged with espionage for leaking classified information, seven of them under Barack Obama”.
From Day One, the Obama Administration sought to plug any leaks. What’s said in the Oval Office stays in the Oval Office. That’s context for understanding the aggressive approach to whistleblowers. It’s philosophical. The current White House sees leaks as betrayals, so why not view whistleblowing as treason?
Punk rock roared across the globe as I started college in the late 1970s. Punkers protested their disco-loving, Baby Boomer siblings as much as “The Man”. UK punkers tapped into deep frustration among a younger population struggling for identity and future in face of global economic uncertainty.
Punk music then is much different than now. Then it was a lifestyle choice rooted in rebellion. Today, for bands like Green Day, punk, and all its garnishments, is fashionable. Mascara, colored hair, and tattoos are about fitting in to a larger, accepted social group. The real energy behind bands like the Sex Pistols is gone.
On Friday, I wrote a review of “The Social Network“. Harvard law professor Lawrence Lessig did one better for The New Republic: “Sorkin vs. Zuckerberg—‘The Social Network’ is wonderful entertainment, but its message is actually kind of evil“. Lawrence is insightful as always, although he expects too much of the film’s writer and director. Nevertheless, he makes spot-on observations about what Facebook represents for future entrepreneurs like co-founder Mark Zuckerberg. The film is seemingly a morality tale about moral ambiguity. What’s lost is Zuckerberg’s ingenuity and the network that allowed it to flourish.