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Praise Be Citizen Journalists

On this Easter, like others, I think about resurrection—but this day, strangely, how it should apply to the news media. Three years ago, I wrote largely-overlooked ebook Responsible Reporting: Field Guide for Bloggers, Journalists, and Other Online News Gatherers. The concept germinated from my June 2009 essay “Iran and the Internet Democracy“, following protests in the country that citizens documented on social media/self-publishing platforms like Facebook, Twitter, and YouTube, which at the time were little more than three years old (with respect to availability to the public). I predicted that these nascent services would disrupt editorial monopolies on news and other information, which has occurred in varying degrees during the nearly eight years since.

By March 2010, a troubling trend lead me to write what would become the other genesis for the book: “The Difference Between Blogging and Journalism“. Too many news gatherers single-source blog and socially-shared posts, without independently confirming their accuracy. As I have told my reporters over the years, when working as an editor: Write only what you know to be true. If you haven’t communicated directly with the source, then you don’t know what’s true. But I am more disturbed by social media activity that mainstream media presents as news, such as stories that turn trending topics, or simply single tweets, into clickable headlines. Often they’re unconfirmed filler for driving pageviews. 

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The Cats of University Heights: Mellow

On the same block where is the three-legged Bengal, Mini, whom visited with my wife and I yesterday, and where was the hit-and-run tiger-tabby last week, there lives a Calico—or so we learned while walking down Cleveland Ave. this afternoon. She earns nickname Mellow, for letting me shoot so many photos over the course of three minutes. I tried various vantage points, seeking memorable composition, and the closest came in post-production cropping.

Like other recent captures, I used the Fujifilm X100F, with Velvia film simulation—perfect choice for the lingering lush green and red foliage following unusually heavy winter rains. Featured Image vitals, aperture manually set: f/5.6, ISO 200, 1/280 sec, 23mm; 4:10 p.m. PDT. 

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SDCC 2017 Open Registration Failure!

I would like to congratulate all the future San Diego Comic-Con attendees scoring passes today. You are worthyMy luck ran out during Preregistration last month and continued this morning. I had attended the geekfest every year since 2009, and with passes for the full four days and Preview Night.

Feeble chance remains. The deadline for press verification is April 28th, and I will apply. But for reasons unknown to me, without explanation, SDCC stopped validating my media credentials in 2015. Luckily—and gladly—I paid that year and the next. While I now hope to attend in 2017, legitimately, as working press professional, my optimism is faint. 

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Warning: Kids and Cats at Play

This sign, spotted for the first time today, adorns the yard where lives Pepe, whom I featured in the Cats of University Heights series on March 9, 2017. His owners have two preschool children and another feline, and I wonder what prompted the warning because of yesterday’s sad sighting: A dead cat on the side of the road, a block-and-a-half further down Cleveland Ave. towards Washington Street.

My wife and I came upon the short-hair, tiger-tabby while walking to the bank to close out her dad’s account. Annie gasped, seeing the poor creature first. My immediate concern: That he was the three-legged feline that lives two houses away. He appeared in the Cats series on Nov. 13, 2016. Luckily not. Having photographed more than 50 furballs around the neighborhood, I was grieved to stand over the kitty, which someone had mercifully moved to the curb. 

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Surfers in Black and White

The Fujifilm X100F is, conceptually, little different from the original that released in early 2011. Refinements are plenty, reaching the fourth generation (hence the F): focusing is way faster; sensor packs more megapixels (24 vs 12); and controls are more sensibly placed and functional, for example. But largely the same: overall retro-rangefinder styling; shape and size; emphasis on manual dial controls; leaf shutter; ND filter; dual optical and electronic viewfinders; and fixed f/2 lens, among others. Why change what is classic, and clever, from the start?

The Prime lens, matched with the 24.3-megapixel X-Trans CMOS III sensor, delivers fantastic IQ (e.g., image quality). Surprisingly, the X100F is more an action-cam that conceptually is in league with interchangeable siblings X-Pro2 and X-T2. Focus finally is fast enough. I got a good taste of both qualities while shooting surfers from Pacific Beach pier. Some of the best captures are black and white, applying Acros film simulation in camera. The Featured Image and two crops following below the fold demonstrate. 

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A Day at the (Pacific) Beach

My wife and I hauled off to the closest tourist beach earlier today; one of her favorite bead stores had advertised a sale. While she shopped, I walked down the Pacific Beach boardwalk. At 11:11 a.m. PDT, I came upon a blonde, back turned, tapping on a smartphone. Her shapely thighs, wavy hair, and posture beckoned for a spontaneous, stealth shot (no face). I grabbed the Fujifilm X100F, right-shoulder slung on the ONA Lima strap, and framed the moment—when she shifted position and turned to face me just as I clicked the shutter. Did she psychically feel the camera?

The close-cropped “Accidental Portrait” is the result. That’s the PB pier off to the right, BTW. Vitals, aperture manually set: f/11, ISO 200, +0.33 ev, 1/250 sec, 23mm. All color photos in this post were purposely shot with Classic Chrome film simulation but accidentally with the positive value exposure compensation. 

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Knick-Knacks Paddywack

My mom was in the hospital earlier this week—and not for the first time in recent months. On March 29, 2017, I walked about the neighborhood while chatting with her on iPhone 7 Plus; left hand to left ear. Over my right shoulder, from the ONA Lima strap hung the Fujifilm X100F, which I am loving for its convenience, easy-carrying, and one-handed operation.

While ambling up a steep street, I spotted a cute arrangement of child collectibles nestled under a tree. Without interrupting the conversation, I pulled off the lens cap, spun the aperture ring from f/11 to Auto, turned on the camera, and clicked the shutter with my right hand—crouching down for better perspective as I looked through the optical viewfinder. 

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The Cats of University Heights: Riley

About 18 hours ago, my wife and I walked to the mailbox on Park Blvd., then down from Monroe towards Meade. A few doors before the pie shop on the corner, Annie spotted an orange-and-white furball in an apartment courtyard. There we met Riley and owner Kim, who occasionally takes him out for supervised romps. He is a San Diego shelter cat, who was an estimated four years-old when she adopted him nine years ago. He wasn’t neutered beforehand, and Kim remarked on the animal’s street-savvy ways and rippling muscles. Accustomed to foraging, Riley would burrow into garbage bags scrounging for food if left unattended. Every once and awhile, the old habit returns.

I shot 14 pics of the male marauder, choosing Featured Image in part for the unexpected companion—calico Woo, who I hadn’t seen in the courtyard for nearly six months. This capture comes from the apartment complex’s back area—somewhere I wouldn’t otherwise go if not invited by a resident. You see a crop from the Fujifilm X100F, set to Classic Chrome film simulation. Vitals: f/5.6, ISO 200, 1/250 sec, 23mm; 12:23 p.m. PDT. 

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Flamingos, Giraffes, and Koala Bears

Today, the Wilcox couple visited San Diego Zoo for the first time in nearly 10 years living in Southern California, after signing up for a year’s membership. Annie had been to the animal habitat once before, in 1987, with her dad.

His passing, two months ago, is mixed blessing. We have time to be tourists, and in ways we wouldn’t have chanced previously. One, or both, of us stayed close by—particularly during the last 18 months of Bob’s life. We relocated from the Washington, DC area in October 2007 to enable him to live independently in his own apartment. Needs grew more demanding during the last two years, as his energy and mobility, but not mental acuity, diminished. 

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The Cats of University Heights: Veruca

Last night, a calico that I had been looking for since Oct. 29, 2016 finally appeared—about the same time of day and different location on her owner’s porch. I shot the Featured Image at 6:52 p.m. PDT; 10 minutes before sunset. The portrait is straight from the Fujifilm X100F; no post-processing (and big file at 13MB). Vitals, with Velvia film simulation: f/2, ISO 200, 1/90 sec, 23mm.

I met the couple who owns “Veruca”—or “Rukie”; the name will mean something to anyone who is familiar with Charlie and the Chocolate Factory. She is five years old and not a big eater, despite from some vantage points appearing to be overstuffed. One of the caretakers calls her voluptuous.