Tag: HBO Max

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Return to ‘Game of Thrones’

Over the last couple of weeks, I watched the original “Game of Thrones”, all eight seasons, streamed from HBO Max. My overall impression is much better—with respect to the final, tumultuous episodes that had many fans screaming loud criticism. Continuity is stronger storytelling viewed as a flow from first to the last—stark (no pun intended) difference during the final airing in 2019, when weekly nail-biting waits created so much anxiety and animosity about how the show runners chose to end a story that had advanced beyond the source material (In 2022, George R.R. Martin has yet to catch up the books).

I have two major complaints, though, and both are with the last episode. (Spoilers start here, so stop reading if you haven’t watched the series.) Jon Snow asks Tyrion Lannister about murdering the Dragon Queen: “Was it right? What I did. It doesn’t feel right”. Her death feels wrong. Whoever wrote the dialogue was right to ask the question. Daenerys Targaryen had overcome so many obstacles to reclaim the Iron Throne, only to have everything snatched away so carelessly by a wimpish hand. If Jon Snow had been a fraction of the man that Daenerys was woman, maybe the betrayal would have been better received—or better storytelling, if not at all.

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Make More Movies Like This

Superhero movies don’t really appeal to me, which is major reason I haven’t bothered watching “Justice League” (2017) or any other films in the genre. The so-called “Snyder Cut” debuted on HBO Max, March 18, 2021. Two days ago, the Twitterverse—heck, the universelearned that a black-and-white “Justice is Gray” version is “coming soon” to the streaming service. I love it!

During the early 1990s, I was an editor working for a general-interest magazine based in Washington, DC. I conceived, commissioned, and edited stories for print. Observed trend among successful freelancers: They would take one body of reporting/research and repackage it as different stories for several publications and their respective audiences. It’s a thrifty approach to news gathering that maximizes potential revenue for the writer, improves relationships with print (in this decade online) editors, and expands audience reach. Why shouldn’t filmmaking be something similar?