Where Madison Avenue ends, an expansive view begins—across Mission Valley below to the Pacific Ocean on the horizon. In the Featured Image, left of center, on the coastal area before the water, some of the rides at Sea World are visible.
The 95-percent crop won’t win awards for clarity; the task is beyond Leica Q2‘s reach. Vitals, aperture manually set: f/11, ISO 100, 1/80 sec, 28mm; 10:21 a.m. PST, Dec. 11, 2021. Location: San Diego Community of University Heights.
The Featured Image demonstrates some of iPhone 13 Pro‘s photographic limitations. I used the telephoto lens for this pic of surfers and the San Diego coastline from Ocean Beach Pier, today. The small sensor simply can’t capture crisp detail the way a real camera can. For comparison, consider this surfer shot, which I took using Fujifilm X100F on April 1, 2017; see post “A Day at the (Pacific) Beach“.
The X100F packs an APC-S sensor and my Leica Q2 a full-frame, which capture greater detail, more light, and superior dynamic range. Apple promotes “Shot on iPhone”, which is a clever marketing campaign. Unquestionably, capable hands can produce some stunning photography from the smartphone. But the physics favor the cameras. Biology is analogy enough. Someone 2 meters (6 feet, 6 inches) tall could easily outplay someone my height—1.7 meters (5 feet, 6 inches)—on the basketball court. Height and reach are advantages, like larger electronic sensors.
Where does four years go? By my recollection, before yesterday’s expedition, my wife and I hadn’t visited the Spruce Street Suspension Bridge since late-May 2017. The Featured Image (warning: 33MB file), captured using Leica Q2, […]
Serene shots like self-titled “Golden Autumn Hour of Washington DC“, by Nicolas Raymond, may be memories until Election 2020 turmoil eases into historical oblivion. “Early morning autumn scene featuring the Washington Monument as seen from […]
Here’s some Leprechaun lore to celebrate the second Friday the 13th of the year: Should you ever get to the end of the rainbow, the pot of gold will be at the other end. So much for the luck of the Irish—or anyone else. We commemorate the day with self-titled “Rainbow“, which Alexander Kozik captured on Feb. 21, 2017, using handy compact Panasonic Lumix DMC-LX7. Vitals: f/2.8, ISO 80, 1/640 sec, 4.7mm. Composition and perspective make the moment a keeper.
He says about the shot: “Rainbow break at the lab meeting. We were lucky to be at the 5th floor, probably, with the best available viewing point. My excitement was doubled when I discovered that the rainbow ends fitted into the camera frame. Windows were washed and cleaned by recent rains and showers. Right place and the right time. It would be different from the ground level”.
Soon summer will end in the Northern Hemisphere—cooler weather some places than others; perhaps Hjärup, Sweden, where Maria Eklind captured self-titled “Yellow Field” on May 13, 2020, using Nikon D5500 and 18-200mm f/3.5-6.3 lens. Vitals: […]
About a month before Sept. 11, 2001, when terrorists used hijacked commercial airliners as missiles, Carol M. Highsmith captured self-titled “Aerial View of New York City, in which the World Trade Center Twin Towers is Prominent“. According to the Library of Congress, to which she donated this photo and others from across America, Carol produced a digital image “to represent her original film transparency; some details may differ between the film and the digital images”.
The link from her name goes to the LoC page; that in the credit to Rawpixel Ltd., which posted the public domain cityscape on Dec. 9, 2018. Carol is the photographer but not the Flickr account holder from where she joins the series. Camera and other information is unknown.
Some people are genuinely too modest. Peter Kurdulija describes himself as an “amateur photographer”. I could say the same about myself, but the measure of my talents are minuscule compared to his. The man is an artisan, with an astute eye for composition. Any selection from his Photostream would be more than worthy of this humble series.
I chose self-titled “A Life Worth Living” for composition, serenity, and storytelling. “A picnic at the end of the jetty by Lake Mahinapua, just south of Hokitika, epitomises New Zealand way of life—slower pace of the West Coast, a connection to nature and to each other”, he explains of the landscape portrait captured on March 31, 2019, using Nikon D7100 and 18-200mm f/3.5-5.6 lens. Vitals: f/9, ISO 125, 1/320 sec, 44mm.
We celebrate the last Sunday in July with self-titled “Hatfield Forest Lake“, which Jason Boldero captured on Nov. 16, 2018, using Canon EOS 5D and EF 17-40mm f/4L USM lens. Vitals: f/11, ISO 50, 78 […]
The new series starts with a gorgeous, prairie landscape taken by Jim Choate on May 13, 2017. He explains about capturing the moment: “What a lucky evening. I had spent several hours on backroads south of The Dalles, Oregon, unsuccessfully looking for photo opportunities, when I turned a corner and unexpectedly came across the lovely and often-photographed abandoned Fairfield house. The day had been dreary, gray, and drizzly, but the clouds in the West cleared for about 15 minutes while I took this photo”.
Jim’s perseverance preserves something that no one else can ever see. “This homestead burned to the ground in July [2018] in a huge prairie fire that devastated 78,000 acres”, he explains, referring to the Substation Fire. “Oregon lost one its most famous and loved abandoned places”.
While walking home from UltraStar Cinema in Mission Valley, after watching “Ad Astra” on opening day, I crossed over San Diego River along Mission Center Road. Ripples upon the water delighted my eyes, which demanded capturing the moment, and I did using iPhone XS.
The film, starring Brad Pitt and directed by James Gray, is in essence about the consequences of solitary living—astronaut Roy McBride, his hero father Clifford McBride (Tommy Lee Jones), or all the living creatures (including humans) of Planet Earth. Somehow, looking down the river—even with the roar of Friday afternoon rush hour behind me—I experienced a moment of welcome solitude, ennobled by having just seen “Ad Astra”. Hence, the Featured Image and its companion.
That’s the Pacific on the horizon; as seen from New Hampshire Avenue, off of Madison, in San Diego’s University Heights neighborhood. I captured the Featured Image (warning: 29MB file) using Fujifilm GFX 50R and Fujinon […]