Tag: Flickr a Week

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Flickr a Week 39: ‘Money and Run’

For this week, we revisit two photographers profiled in my 2015 series—and purely by coincidence. I deliberately don’t look back for good shooters but freshly search for noteworthy images; seems like cheating if I cull from the 365 entries from five years ago. However, before using anything new that tickles my eyes (and hopefully yours), I search my site to make sure there is no accidental duplication; that’s when I occasionally discover some shooter from five years ago.

We start with Raul Lieberwirth, whose “Glowing Mouth” was “Flickr a Day 208”. He returns with self-titled “Money and Run“, which he captured on July 28, 2012, using Canon EOS 5D Mark II and EF 24-105mm f/4L IS USM lens. Vitals: f/18, ISO 100, 25 sec, 24mm.

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Flickr a Week 37b: ‘Window’

Self-titled “Window” isn’t the best street shot in the Photostream of Spyros Papaspyropoulos, but it’s the one that caught my eye and that appropriately defines his style: People, or things, that fit oddly together. His composition technique is brash and intimate—as if he were invisible and thus able to get close in to capture candid, raw, unfiltered moments.

He used Fujifilm X-Pro1 and Fujinon XF18mmF2 R lens for the portrait “snapped in Chania, Crete, Greece” on Aug. 8, 2018. Vitals: f/11, ISO 1600, 1/250 sec, 18mm. The image takes the Sunday spot for candor, character, color, composition, and creamy grain that adds film-like quality. From Athens, but living in Rethymno, Spyros joined Flickr in May 2008. He also is cofounder of Street Hunters—where you should go to see more of his work and that of his companion photographers.

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Flickr a Week 37a: ‘Aerial View of New York City, in which the World Trade Center Twin Towers is Prominent’

About a month before Sept. 11, 2001, when terrorists used hijacked commercial airliners as missiles, Carol M. Highsmith captured self-titled “Aerial View of New York City, in which the World Trade Center Twin Towers is Prominent“. According to the Library of Congress, to which she donated this photo and others from across America, Carol produced a digital image “to represent her original film transparency; some details may differ between the film and the digital images”.

The link from her name goes to the LoC page; that in the credit to Rawpixel Ltd., which posted the public domain cityscape on Dec. 9, 2018. Carol is the photographer but not the Flickr account holder from where she joins the series. Camera and other information is unknown.

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Flickr a Week 34: ‘Mel’s Drive-In’

For the previous 33 weeks, I wondered what photo from Thomas Hawk would make the series—something that was inevitable; more when than if. I figured that the time would come when I’d know the one, and self-titled “Mel’s Drive-In” is it. What a splendid shot by every meaningful measure, but same could be said of anything in his Photostream. Funny, though, the eatery is in Florida and not California, where Thomas lives, and was location for film “American Graffiti” that so prominently made Mel’s an essential element of the story.

He captured the moment on July 14, 2019, using Canon EOS 5D Mark IV and EF 24mm f/1.4L II USM lens. Vitals: f/2.8, ISO 2500, 1/400 sec, 24mm.