Tag: movies

Society by Joe WilcoxJun 5, 20249:56 pm

Seven Movies Every Journalist Should See

Periodically, I update my picks for must-see movies about news reporting. More than eight years have passed since the last list, in February 2016—before the tumultuous Presidential election that thrust Donald Trump into the White House and precipitated disastrous changes across American newsrooms.

Editorialization of news, once taboo, is widespread. Many stories are subjective and slanted, pushing progressive—or, to lesser degree, conservative—values over impartial presentation of facts. The changes are evident in headlines or deks but more earnestly descriptive modifiers used for emphasis, where none should be.

Photo by Joe WilcoxMar 3, 202410:07 pm

‘Finding Vivian Maier’

For some reason, last night, YouTube’s algorithm suggested a not-so-interesting video about a street photographer with whom I had limited knowledge. My watching some portion of the vid generated suggestions for others and finally the gem: Documentary “Finding Vivian Maier“, which I watched in its entirety this evening.

Quick backstory: A large portion of her collection of media—including more than 150,000 negatives, hundreds of undeveloped film rolls, audio recordings, and home movies—were auctioned in 2007; she had failed to keep up payments on a storage unit. Vivian Maier was an unknown, unpublished photographer at the time; she died in April 2009, following a fall, unaware that her street shots had started to draw attention after some were published on Flickr.

Photo by Joe WilcoxDec 21, 202310:13 pm

When Did You Last Go to the Movies?

I can’t remember. SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 lockdowns pretty much squashed my movie-going, coupled with too-high ticket pricing. The theatre is pretty much always better than streaming at home, so to be clear: couch-potatoing isn’t my reason for abandoning an afternoon show.

I used Google Pixel 3 XL to capture the Featured Image five years ago today: Dec. 21, 2018. Vitals: f/1.8, ISO 70, 1/50 sec, 28mm (film equivalent); 12:10 p.m. PST; composed as shot. This AMC is located at Westfield Plaza Bonita in National City, Calif.

Photo by Joe WilcoxSep 7, 202310:04 pm

Herbie Wannabe

It’s called popular culture for a reason. I don’t recall ever watching any of “The Love Bug” movies and yet have absorbed enough osmotically over the decades to know the basics: Animated Volkswagen Beetle—with personality, no less. Road race. Clueless adult protagonists. Oh, perhaps most revealing: I am familiar with the vehicle’s number and racing decals.

So unsurprisingly, I immediately recognized the Herbie detailing of the Toyota Scion parked on a street in my San Diego neighborhood of University Heights, today. If I were going to pick a modern, non-VW, that is close enough to the vintage vehicle, this coupe compact would be near top of the list.

Living by Joe WilcoxMay 3, 202210:34 pm

‘Soylent Green’ Warned Us About Twenty-Twenty-Two

My preview of this year came during summer 1973 when one of mom’s drive-in movie adventures ended with showing of “Soylent Green”, starring Charlton Heston and Edward G. Robinson—both pictured, respectively, in the first screenshot. Mama would have been 32 years old, with four kids piled into an overly spacious, blue Chrysler Plymouth that by today’s gas-guzzling standards was more akin to a boat on four wheels.

I got to thinking about the film a few months back, seeing as how its dystopian future is 2022, when there is supposed to be environmental devastation, famine, overpopulation, riots, war, and wide gulf of wealth and poverty separating the elite class from everyone else. Hold on, does that not describe the year to date?

Photo by Joe WilcoxJan 8, 202212:11 am

The Grillers

From the same Greenbelt, Md. church picnic as yesterday’s “Pooh Party“, we present another moment. I used Canon EOS 20D and EF 24-70mm f/2.8L USM lens to capture the Featured Image on Sept. 18, 2005. Vitals: f/6.3, ISO 400, 1/400 sec, 70mm; 12:22 p.m. In Capture One 22 post-production I applied style “Oslo 1”, working from an original JPEG. The portrait is composed as shot.

If the prognosticators of climate doom get their way, grilling events like this will someday soon be but a memory. We will all consume protein-infused plant matter made to look like meat because—so they say—cows and chickens produce deadly global warming gases. Eh, and people don’t?

Pulp Media by Joe WilcoxMar 22, 202110:38 pm

Make More Movies Like This

Superhero movies don’t really appeal to me, which is major reason I haven’t bothered watching “Justice League” (2017) or any other films in the genre. The so-called “Snyder Cut” debuted on HBO Max, March 18, 2021. Two days ago, the Twitterverse—heck, the universe—learned that a black-and-white “Justice is Gray” version is “coming soon” to the streaming service. I love it!

During the early 1990s, I was an editor working for a general-interest magazine based in Washington, DC. I conceived, commissioned, and edited stories for print. Observed trend among successful freelancers: They would take one body of reporting/research and repackage it as different stories for several publications and their respective audiences. It’s a thrifty approach to news gathering that maximizes potential revenue for the writer, improves relationships with print (in this decade online) editors, and expands audience reach. Why shouldn’t filmmaking be something similar?

Photo by Joe WilcoxMar 5, 202110:40 pm

Why is Hollywood Obsessed with Viral Armageddon?

I really want to know. That sentence, the title, and a short list of TV Shows about viral epidemics is as far as this post proceeded when I started it on April 26, 2016. I meant to come back many times over the nearly five years since and really regret the failure following the World Health Organization’s declaration of SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 as a pandemic on March 11, 2020.

Still contemplating writing this essay, but not getting to it, I shot and edited the Featured Image on June 11, 2017. San Diego’s Museum of Man (since then renamed to “Us”) featured exhibit “Cannibals: Myth & Reality”. With so many of the virus movies or TV series focused on Zombie apocalypses, the exhibit artwork seemed so perfect illustration. Vitals, aperture manually set: f/5.6, ISO 100, 1/1000 sec, 28mm; 2:07 p.m. PDT, Leica Q.

Half a decade later, I wonder: How much did pandemic feature films and TV shows create soil for COVID-19 to grow into a state of global fear—and, as I will opine in six days, far exceeds the real risk posed to the majority of people; whether or not they are infected? Surely, you can guess my answer.

Photo by Joe WilcoxSep 20, 201911:08 pm

San Diego River, Mission Valley

While walking home from UltraStar Cinema in Mission Valley, after watching “Ad Astra” on opening day, I crossed over San Diego River along Mission Center Road. Ripples upon the water delighted my eyes, which demanded capturing the moment, and I did using iPhone XS.

The film, starring Brad Pitt and directed by James Gray, is in essence about the consequences of solitary living—astronaut Roy McBride, his hero father Clifford McBride (Tommy Lee Jones), or all the living creatures (including humans) of Planet Earth. Somehow, looking down the river—even with the roar of Friday afternoon rush hour behind me—I experienced a moment of welcome solitude, ennobled by having just seen “Ad Astra”. Hence, the Featured Image and its companion.

Web by Joe WilcoxNov 29, 20189:57 pm

AT&T sinks FilmStruck

For two years, I have been an annual subscriber to FilmStruck. Tonight the relationship ends, as AT&T shutters the service. Go back a few months, when making promises about consumer benefits, AT&T merged with Time Warner. Since, services like Direct TV Now cost more, while others are going or have gone. There is, or was, nothing like FilmStruck on the Internet—well, for content obtainable legally. Not that AT&T brass care.

The service was a cinephile’s dream. Where else do you see movies cataloged by director, or are there fascinating extras available almost nowhere else? I chose “Night to Remember” as Featured Image because it is one of my favorite classic films and for the accompanying interview with the last living Titanic survivor (before she died). Her recollection is rare footage that punctuates the movie’s storytelling.

News Media by Joe WilcoxFeb 29, 201610:53 am

Six Films Every Journalist Should See

Yesterday afternoon, I started watching movie “Spotlight”, which later won Best Picure during the 88th Academy Awards. Following the Oscars, I finished the film, which warrants inclusion in my list of movies that every news gatherer should watch. If there are others worthy, please prompt me. I previously posted, on Dec. 30, 2014: “You Could Study Journalism, or Learn as Much Watching These Five Films“.

All six movies offer valuable lessons about responsible news reporting and ethical boundaries that matter in the real world—beyond the ideals that J Schools teach, regardless the kind of journalism you practice. My ebook Responsible Reporting: Field Guide for Bloggers, Journalists, and Other Online News Gatherers identifies five types (and really should count seven): Advocacy, contextual. conversational, mob, and process.

Journalism by Joe WilcoxDec 27, 20158:32 pm

Responsible Reporting Section 3 ‘What You Must Do’: Chapter IX

I owe you an apology. Months ago I promised to finish serializing my ebook Responsible Reporting: Field Guide for Bloggers, Journalists, and Other Online News Gatherers, before releasing it into the public domain. The last installment was in mid-October, with one chapter and the Afterword remaining. As I prepare for the New Year, not leaving loose ends is top of mind. Thus, with a huge sorry, this evening I present the closing chapter (but exclude the outdated March 2014 Afterward), The book will release into the public domain to start 2016.

I have posted from Chapter IX before, on Dec. 30, 2014: “You Could Study Journalism, or Learn as Much Watching These Five Films“. Each movie teaches lessons about responsible reporting—some by illuminating irresponsible and/or unethical behavior. The last in the list expresses in an exchange between characters something that should be embedded into the synapses of every 21st Century news gatherer: