Our three-day walk—or is that falling flat face—down fad memory lane concludes with another selection from four summers ago. You remember the craze, right? Or did you forget? (Please do.) Nate Bolt shot self-titled “Road […]

Our three-day walk—or is that falling flat face—down fad memory lane concludes with another selection from four summers ago. You remember the craze, right? Or did you forget? (Please do.) Nate Bolt shot self-titled “Road […]
What better way to have fun underground in Washington, D.C. than, as the self-title describes, “Planking on the Metro”. Today’s selection is the second of three (see Day 204 for the first) of photos recalling […]
The best portrait photography is candid. Better still: Something so natural it looks like a still for advertising. Pabak Sarkar evokes both qualities with self-titled “Smartphone Teen”, which takes the Day for clarity, color, contrast, and […]
Photojounalism evokes some of the best storytelling. Because what are the pics about other than tales to tell? Alongside his professional business, Zach Frailey works part-time for the Kinston Free Press. “Two Sport Athlete” takes […]
Our two-hundredth selection in the series comes from Steve Corey, who creates interesting art by bleaching out much of the color and drawing detail—and the eye’s attention to it—in shadows. Clever still, self-title “Carry a […]
Crowds will be enormous if past SDCC Saturdays are any indication. The 41st annual Masquerade ball commences at 8:30 p.m. More costume wearers will descend on the Convention Center today than any other. Hence, context […]
San Diego Comic-Con’s first full day is the freshest. Excitement and energy fill the air. Attendees are joyous, while exhibitors, eh, exhibit vitality that will be long exhausted by the event’s close. I expect sense of relief for many; last week, the event committed to another two years here—through 2018.
The Con started in San Diego, where it has been since. The first gathering, on March 21, 1970, was the one-day Golden State Comic-Minicon, held at the U.S. Grant Hotel. A three-day fest followed from August 1-3. Guests included science fiction luminaries Ray Bradbury and A.E. van Vogt. One hundred people attended the first and 300 the second conventions.
San Diego-based Nathan Rupert should be among the photographers featured, starting Day 189, for Comic-Con 2015. But his body of work is too grand to be so narrowly defined. That said, choosing one from among […]
As an American, even one who is unusually informed, my understanding of the crisis in Greece is shallow at best. But I grasp enough to know that today’s historic referendum could fundamentally change the country’s role in the Euro zone or even topple the government. Yesterday, I spent several hours looking for the right image to represent the vote, finally giving up.
The Day goes to self-titled “Sitting on a Bench”, which Spyros Papaspyropoulos shot in Crete on March 4, 2013, using the Sony NEX-6 and E 35mm F1.8 OSS lens. Vitals: f/1.8, ISO 100, 1/1250 sec, 35mm. In 2015, he shoots with the Ricoh GR and Fujifilm X-Pro1.
Happy Fourth of July and celebration of what would become the United States some 239 years later. Caroline Castillo captured self-titled “The American” on Aug. 27, 2006, using Canon PowerShot S2 IS. Vitals: f/3.2, 1/60 […]
Yesterday, someone barging into the shot, made it. Today, the interrupter takes away while adding more. Self-titled “Photo Bomber” is more literal, given that’s a plane rising. Risto Kuulasmaa is right to keep this pic, […]
We begin the second half of the year with a treat—two, really; shot and shooter. San Diego, Calif.-based Wayne S. Grazio is a former Navy photographer; post-military career “volunteering for worldwide non-profit imaging assignments”. He explains: “I freelance as a hobby and occasionally take on client’s assignments and imaging projects for volunteer organizations”. His art extends behind the camera: He has a “passion for digital manipulation and learning advanced techniques in Photoshop, Lightroom, and third party plug-ins”.
Wayne shot self-titled “Tongue and Street” on June 12, 2015, using the Canon PowerShot SX50 HS. The compact’s built-in lens packs whopping 4.3-215mm focal range, which benefits he maximizes in his travels. Vitals: f/4, ISO 400, 1/250 sec, 4.3mm. Yes, he shot this one wide.