Tag: street photography

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Another Stand Off!

What’s up with my passing by feline territorial skirmishes? There was Ash and Bandit in late May 2021 and now Goose (left) and Jasmine, which respective yards are separated by an apartment building parking lot. All four animals are profiled in my “Cats of University Heights” series.

My wife and I came upon the pair, yowling and tensing forward or retreating, outside Goose’s home. That’s right, Jasmine was the aggressor. But sometime later, after I used Leica Q2 to capture the Featured Image, she backed through the fence and he pursued. Somebody pulled up and parked a car, which broke the territorial tension.

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Pumpkin Patch

Remember the neighbor’s house with the towering sunflower? Their luscious garden spills onto the sidewalk. Looks at the pumpkins! I used Leica Q2 to capture the Featured Image on  July 13, 2021. Vitals, aperture manually […]

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The Cats of University Heights: Loki

A few weeks ago, my wife made acquaintance with one of two black putty-tats that live in the same house. I started looking for him and twice saw a shorthair cross the street and jump a fence into a neighbor’s yard. Based on that behavior, he was most likely Loki (I don’t know the other’s name). But on neither instance did I see him upon reaching the location.

Three days ago, as Annie and I approached site of the previous sightings, Loki cautiously crept into the street with nose to the asphalt. There he stopped and sniffed a dead squirrel. Annie stayed on the opposite side of the street, which I crossed bringing me close to the fence. About that time a car came along and the cat fled to safety between two parked vehicles. Then he saw me and surprisingly visited.

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The Cats of University Heights: Honcho

When first approaching this kitty, I thought he might be Ginger, who was profiled in the series three years ago. Both appeared along Louisiana Street on either side of Meade—towards El Cajon for the newcomer and closer to Monroe for the other. While the faces bear some similarity, fur markings and tails differ enough for separate identification.

The feline walked uncharacteristically slow—sign of older age—but with sure-footed commanding charisma and presence. That’s why I chose nickname Honcho. I used iPhone XS to capture the Featured Image, today, at 10:57 a.m. PDT. After he swaggered past, Honcho ducked between a hedge and cottage exterior wall. I returned just after six this evening, when many cats would be out and about as sunset approached. He surprised by being still huddled up in the same safe spot. I wouldn’t have seen him if not knowing to look.

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The Cats of University Heights: Posy

The sixty-eighth Alabama Street kitty—this one between Howard and Polk—is also the seventy-second seen behind door or window. The Featured Image and companion won’t win awards for composition, but, hey, you work with what you got—and I had seconds to shoot both portraits because of parking cars. Vitals, same for both, aperture manually set: f/4.5, ISO 100, 1/640 sec, 28mm; 9:50 a.m. PDT, June 30, 2021. I captured a photo of Noir, hours later, along the parallel Florida.

This fine feline earns nickname Posy for the natural bouquet of flowers running up the side of the apartment building. The first crop shows off them more, while the other gives greater attention to Posy. Both come from Leica Q2.

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The Cats of University Heights: Noir

Perhaps on some future day, when I walk down Florida between Meade and Mission, this black shorthair will present for better portrait than the Featured Image. None of the four shots, taken at different approaching distances, is truly sharp. Besides, all the clutter distracts from the subject so much that this edit is 100-percent desaturated.

The portrait disappointingly comes from Leica Q2, which I shouldn’t expect to make up for my shooter shortcomings every time. Vitals, aperture manually set: f/8, ISO 500, 1/125 sec, 28mm; 4:38 p.m. PDT, June 30, 2021. This fine feline earns nickname Noir because of its classic posture (befitting monochrome) and for fur color; the word is French for black.

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The Cats of University Heights: Romper

Happy Caturday! On June 27, 2021, my wife joined me walking by where I had seen Husky nine days earlier. Annie would enjoy visiting the ginger, and I hoped for daylight, rather than twilight, portrait. Instead, a lively kitten, wearing a bell collar, frolicked from under a parked car. He was most energetic and, as such, proved to be a photographic challenge.

The rascal divided his attention between us and two bags of food garbage that somebody left on the sidewalk beside a nearby dumpster. He played, rather than rummaged, about them—upon which he rolled about marking his scent. But he also appeared interested in something, which could have been bugs lured to the refuse. Cats hunt.

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‘Not Politically Correct’

Yesterday, as my wife and I walked along the alley separating Louisiana and Mississippi, between Meade and Monroe, she stopped, then said: it’s “not politically correct”, referring to a framed poster that I hadn’t seen. People put out giveaways all the time, and art ranks low on my interest meter; hence my blind disregard for an object worth inspection. Not only is her statement accurate, it could explain why someone discarded the thing. With all the hubbub about systemic racism, the caricatures could offend someone. Perhaps raised awareness led the owner to let go the wall hanging. Click through to the Featured Image, and you tell me.

I used Leica Q2 to make the moment, choosing to leave the framed poster leaning as we found it, rather than repositioning for the shot. Composition intentionally reveals some of the alley, for context. Vitals, aperture manually set: f/4.5, ISO 100, 1/500 sec, 28mm; 9:29 a.m PDT.

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The Cats of University Heights: Sweetie

On the same block where live (self-relocated) Reddy and his (self-adopted) mate Zero, my wife and I spied a striking Tortoiseshell today. The kitty unsuccessfully tried to come over a wooden gate for pats, which would have allowed me to read her name tag, as well. The tortie returned to a door step, where I got an acceptable portrait by peeking around a fence from an adjacent apartment building parking lot.

I used iPhone XS to capture the Featured Image, which is nearly a 100-percent crop. Vitals: f/2.4, ISO 16, 1/156 sec, 52mm (film equivalent); 4:16 p.m. PDT. While seemingly a contrite choice, this beauty earns nickname Sweetie for colors that remind me of a chocolate-covered peanut butter cup (e.g. Reese’s).

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The Patriotic Palm

The menacing palm is suddenly sort of cheerful—and patriotic. He’s dressed as Uncle Sam for forthcoming Fourth of July; and early about it (I love the bowtie). But there’s still some ghastly about his face—and the outstretched arms are grabby. Considering that Sammy is a symbol representing the Federal Government, the decorative grimly tree is something of an appropriate metaphor for gruesome, grubby Washington, D.C. bureaucracy (insert your choice of branch(es) or agency here).

I used Leica Q2 to capture the Featured Image, which is composed as shot. Vitals, aperture manually set: f/2.8, ISO 100, 1/1600 sec, 28mm; 11:38 a.m. PDT, today. I debated about going back for full sunlit illumination but in the end decided that the shadow cast creates illusion of a ghostly body. Hehe. Uncle Sam rises from the grave!