Tag: Comic-Con 2015

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Uglydoll to the Stars

For no particular reason, we spend another day looking back on San Diego Comic-Con 2015, where Star Trek-themed Uglydolls went where no plushie has gone before—sold out, if I rightly recall, before the convention ended.

In the Featured Image, Power Ice-Bat rises above a sea of OX. The companion capture presents Ice-Bat as Scotty—and the Red Shirt who defied the odds episode after episode during the three seasons. Red Shirt has become a euphemism for a pulp-media character who is killed soon after his or her introduction. On Star Trek the Original Series, they dressed in a specific color.

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When Comic-Con was Fun

San Diego Comic-Con is still six months away (July 25-28). Late last year, I missed the first chance for a 2024 pass and skipped the second opportunity. My attendance days long ago ended when the convention chose not to renew my press credentials (and when I was still a working journalist). Subsequently, I wasn’t (supposedly) randomly chosen to purchase a pass.

On this fine Thursday evening, for no particular reason, let’s peek at what was SDCC before the culturally woke put to sleep my interests in participating. The Con is gone, or at least as I remember it.

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Comic-Con House of Worship

I lied, but didn’t mean to. Turns out that my “Final SDCC 2015 Reflection” isn’t. I have another. Whether or not you believe in the existence of God, or some kind of deliberate creator, ponder this observation: Comic-Con, more than any other gathering, reveals how much human beings need to worship. Some evolutionist might argue that such innate genetic trait leads us to manufacture deities and religion. God believers could point to the fallen human condition and idolatry replacing pure faith.

Whether you accept either, neither, or something else, nevertheless ponder what San Diego Comic-Con and events like it represents: People gather to worship what or whom they see as being greater than themselves—fictional superheroes, artists who create them, writers who tell their stories, actors who portray them, and directors, producers, showrunners and others who bring them to film and to video. 

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Final SDCC 2015 Reflection

I offer hanks to Comic-Con International and to everyone participating in and attending this year’s funfest. As a participant, I must say, and hope other attendees share similar experience: Something about the organization and flow of things during the Con felt different this year. I got into more panels than ever, and people in and around the Convention Center appeared more able to relax rather than be asked to move along. These little things shape the overall experience.

Unlike other years, I focused almost exclusively on shooting photos (when not attending panels). My initial Flickr set, which for now is organized by day, is live. I will add more captions over time and perhaps edit the flow. I posted more pics than the previous four years combined.

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Attack of the Cosplayers

I spent most of Comic-Con Day 3 shooting photos with the Fuji X-T1. With the Masquerade Ball in the evening, cosplayers descended on San Diego Convention Center in large numbers. As expected, July 11th was by far the busiest—bustling crowds were everywhere, Even at my trolley stop, there were more Conners waiting than the two previous days.

Riding in, I chatted with a Twentysomething, wearing an Apple Watch. I commented how much nicer is his wristband than mine. He asked how I like the timepiece, as he only had his for four days. Turns out, the former Marine who served for 5 years after joining at seventeen works at one of the local Apple Stores. I love go-to people. He had submitted a résumé online, but didn’t get a fast-enough response. So he hauled down to the mall and waited a half-hour to see the manager. Now that is how you get hired. 

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Comic-Con Rapture

Street preachers greeting—and in many cases offending—Thursday Comic-Conners manifested metaphor as Day 1 advanced. It’s as if the Rapture came, taking away a significant minority. Because the crowds felt less to me. I asked several vendors about their perception. One of them agreeing said that earlier he’d had a conversation with other exhibitors about the feeling of fewer.

My experience has been that first full-day crowds are smallest of the four. The big draws in Hall H  typically start on Friday, along with other panels with punch. Perhaps I am too accustomed to the crowds, or maybe they were smaller as a whole throughout the Convention Center; fewer gathering places but drawing still significant numbers. 

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Flickr a Day 190: Waiting for What?

San Diego Comic-Con’s first full day is the freshest. Excitement and energy fill the air. Attendees are joyous, while exhibitors, eh, exhibit vitality that will be long exhausted by the event’s close. I expect sense of relief for many; last week, the event committed to another two years here—through 2018.

The Con started in San Diego, where it has been since. The first gathering, on March 21, 1970, was the one-day Golden State Comic-Minicon, held at the U.S. Grant Hotel. A three-day fest followed from August 1-3. Guests included science fiction luminaries Ray Bradbury and A.E. van Vogt. One hundred people attended the first and 300 the second conventions.