We begin, more by coincidence, two day’s study in black-and-white street photography. First up: Martin Mutch, who is founder of IT consultancy Rocela and self-described “street and social photographer”. His candid captures using Leica Camera AG M Monochrom […]
Today, Rachel Whetstone, Google’s senior vice president of communications and policy, asks what has been on my mind since a stunning scoop set the Wall Street Journal against the Federal Trade Commission and the search and information giant. As I explained in an analysis of the news reporting, the story is flush with insinuation and veiled accusation, bereft of context.
Among my more serious concerns: Journal-parent News Corp’s ongoing tug-a-war with Google’s business model and its impact on paid content. Both entities likely would benefit by any means that trustbusters could crimp Google. The scoop’s timing and tone look like they intend to influence European Union public policy. Rachel’s response is brilliant, because it gets to the point: Conflict of interest taints the Journal’s credibility and impartiality. She rightly observes: “We understand you have a new found love of the regulatory process, especially in Europe”.
Among the best Angus Stewart photos are those this series cannot feature, because they are All Rights Reserved. “Double Dubious“, “Sneaky“, and “Three’s a Crowd” are examples. He shot today’s selection, self-titled “Broken Glasses”, on March 6, 2008, using the Leica D-LUX 3 compact. Vitals: f.4, ISO 100, 1/30 sec, 15.6mm.
More recently, Angus uses the Fujifilm X100S, although his newest, 2015 photo was shot with the Leica M rangefinder. That’s a big step up from the D-LUX seven years ago. He joined Flickr in April 2007. His hometown is Tumbleweed, Suffolk, United Kingdom, but Angus lives in London, where he works “with a range of performers including circus acrobats, clowns, burlesque, tumblers, this remains an ongoing personal project”.
Defining the photographic style of Davide Gabino is easy. Imitating it requires a discerning eye for composition with perspective. He presents point of view that draws the eye, often from foreground to background—or visa versa. […]
How often do you see such a fine shot of a classic camera, and with X-Files mystery mixed in? Is that a UFO in the Polaroid snapshot? I surely can’t identify the thing. Beautiful bokeh, sharp detail at the focus point, and instacam subject, compelled me to choose today’s selection shot by Wen Zeng, who studies mechanical engineering at Massachusetts Institute of Technology in Cambridge. Her hometown is Los Angeles suburb South Pasadena.
“I generally shoot with a Fuji X100, my cell phone (Moto X), or a Canon 6D”, she says. “On occasion I will shoot with an Olympus XA, Olympus Xa3, Pentax ME, Rolleicord, Olympus Trip 35, or a Polaroid OneStep. Did I mention I have a bit of a problem with film cameras?” Does she ever have a problem, which you can see at her photo website, Instagram, or blog. She develops any film she shoots.
‘This stream tells the recent story of my life”, the Italian going by moniker depinniped says. “Things that happen to me, but mostly people that I happen to know, that I love, that I live […]
Macro photography can be hugely satisfying and express something about the shooter’s inner self. Yesterday we saw how Kristina Alexanderson stages stormtrooper figurines to create familiar parent-child poses. Mark Seton uses the same camera and lens, Nikon D800 and 105mm prime, to shoot closeups. The two photographers’ styles and subjects couldn’t be more different.
Mark, who joined Flickr in December 2006, generally shoots things, which include landscapes and nature. I flip-flopped between choosing self-titled “Portrait of a Snail” and its companion, both captured on May 1, 2014. He is from Leeds, United Kingdom, but lives in Great Dunmow. I picked this pic because the colors are so vivid that they evoke rain forest more than an English homestead.
Mac apologist Daniel Eran Dilger posted one of his lopsided-advocacy stories around 8:30 p.m. PDT last night; I saw the ridiculous headline, “Google News buries news of Google’s FTC investigation under Daniel Lyons fluff”, about two hours later, when scanning my RSS feeds. The story within is even worse. Don’t bother rewarding the author with pageviews. Notice I don’t link to the story. (Since we have two Daniels here and out of friendliness I use first names, I choose for this story to refer to Mr. Dilger as DED.)
Here’s the quick recap: DED refers to a Daniel Lyons opinion that ran in an ongoing Washington Post series. I happened to see it last night: “Five myths about Google“. I could have picked better myths, but these aren’t bad. The Post story is dateline March 20, 2015. The previous night, the Wall Street Journal blew out a big scoop regarding the Federal Trade Commission antitrust investigation into Google that closed in January 2013, finding no case. The Journal asserts cause championed by staff but ignored by Commissioners. Blech! The WSJ report is suspicious as all bloody hell, as I explain in March 19 analysis: “What is Behind the Journal’s Big Google-FTC Scoop?”
Star Wars fans, have I got a treat for you. The stormtrooper collection from Kristina Alexanderson is to die for. She presents more than 1,300 photo poses in her main album of them, but I am partial […]
Earth, Moon, and Sun ushered in the Spring Equinox with a real treat yesterday: A solar eclipse—total off the coasts of Greenland and Scotland, cutting a broad partial path across Northern Europe to areas of Asia and Africa. The Guardian’s primer is must-read, for a quick study of the science and explanation about this specific, rare astronomical event.
Today’s selection, showing near-totality as seen from Bodø, Norway, is bit of a compromise. The image doesn’t demonstrate the best work of photographer Trond Kristiansen, whose Northern landscapes are stark but magnificent. There’s an other-worldliness to them. The posted pic’s resolution is lower than typically appears in this series, which is another compromise.
Mirror shots aren’t unique, but this one presents fresh and clever composition and perspective—once again demonstrating the utility of iPhone 4, like Day 41 “Snow in Rome“, in competent hands. Ariel Dovas shot self-titled “A Warped View of the SFPD” on Sept. 30, 2012, using the smart mobile. Vitals: f/2.8, ISO 80. 1/612 sec, 3.9mm.
I discovered Ariel’s photostream on the Ides of March 2015 when searching for art to top “At launch, HBO NOW is No GO“. I initially regarded his photography as being primarily object-oriented but on further inspection understand that it is more about San Francisco living—presented with frankness too uncommon.
Technology industry news scoops rarely offer as much intrigue as Wall Street Journal story “Inside the U.S. Antitrust Probe of Google“. According to reporters Brent Kendall, Brody Mullins, and Rolfe Winkler, the newspaper obtained a years-old Federal Trade Commission staff document, “after the agency inadvertently disclosed it as part of a Freedom of Information Act request”.
Seriously? Is that accidentally, or accidentally on purpose? Applying the question every journalist should ask about anything—Who benefits?—raises reasonable suspicion the release was deliberate. I say that because FTC staff recommended filing antitrust charges against Google, while Commissioners cleared the search and information in a unanimous vote, according to the Journal. The answer to the “Who benefits?” question likely lies in circumstances obvious and not: Intrigue in and around the agency, including staff dissatisfied with the outcome; timing with respect to Google; and competitor lobbying, manipulation, or interference.