Category: Media

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Journalist’s Trust is Inviolate

This week, I saw the movie “Shattered Glass” on cable for the second time in a week. The film unravels the deceptions of Stephen Glass, the former New Republic writer who made up quotes and even whole stories. If I correctly recall, the magazine found problems with 27 of the 41 stories he wrote while working there.

The film got me to thinking a whole lot about ethics, the temptations journalists sometime encounter and dangerous deceptions. When a reporter for CNET News.com I worked out of a home office for four years, which meant only modest supervision. If I had ever wanted to fabricate anything, probably no one would have noticed. I never did, of course, or else you wouldn’t be reading this post.

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The Director’s Effect

Last night, I watched “The Butterfly Effect: The Director’s Cut” on DVD. Wow. I had seen the theatrical release, which I regarded as an A-class B movie. But, still, a B movie. The Director’s Cut adds seven minutes and a new ending that work quite well. The movie still operates outside believable reality, but I’m not sure it’s meant to be believable. The movie—well, the Director’s Cut, anyway—works well as pure fantasy.

I often wonder at the forces that shape movies during final production, as the influence of studio chiefs and test audiences come to bear. In this case, their impact was negative. The Director’s Cut adds more depth to the main characters, appropriately drawing out the mother-son relationship before the wicked alternate—and I assume original—ending. And I found the new ending to be much more satisfying and poetic. Were the previous two still births the same fate as Evan’s? 

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Small-minded American News

I am in one of my ticked-off moods at the U.S. news media. This morning’s seaquake off the coast of Indonesia has wreaked untold devastation, not that you would know anything from U.S. news outlets. Kudos to BBC for taking charge in delivering painstaking, breathtaking coverage.

My fear is that sometime during the next 12 hours that someone will figure out there are probably a bunch of U.S. tourists missing or found dead. Then, suddenly the story will tick off some headlines, but I’m sure nothing like the 24-7 coverage that followed 9/11. Right now, the estimated death toll—in six countries!—is more than 10,000, or more than three times the horrific loss from the attack on the twin towers. But, of course, America the small-minded country pays no mind. 

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The SpongeBob Movie

I took my 10 year-old and her friend to see the “SpongeBob SquarePants Movie” the other night. My daughter didn’t think much of the cartoon feature, nor did I. Disappointing more, because we’re both big SpongeBob fans, and we saw the movie with a big crowd of kids quick to laugh. Sigh.

The problem: Timing. What’s the saying about comedy and timing being everything? SpongeBob episodes have good timing, and they have to. Episodes can’t be much more than 10 or 12 minutes long. Pace is fast moving and the laughs going rat-tat-tat. For 90 minutes there has to be a script capable of sustaining nine times the typical SpongeBob segment. Instead, the movie felt like one episode stretched and stretched and stretched. 

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Small Superman in ‘Smallville’

The school year opened with my booting our TV and accompanying entertainment center—unaffectionally called “the shrine”—from the living room. In its place, there is a Windows XP Media Center 2005 PC. The dual TV tuner offers more recording capability than TiVo, which I put to good use. The timing meant I could start recording “Smallville,” which, for the new TV season, started running from episode one on the ABC Family channel.

Before I diss “Smallville,” I should say that I generally really like the show. It’s not exceptional TV the way, say, “Alias” or “Sopranos” might be. But “Smallville” moves along, even if watching requires some serious reality suspension. 

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Why Offensive ‘Team America’ Rocks

Without question, movie “Team America: World Police” is one of the most offensive pieces of filmmaking to be released in a couple of decades—and what a delightful offense, too. The movie had me crying to tears within the first 30 seconds, and laughing and crying and laughing for the next hour and a half. I’m waiting for the news story that some poor movie goer either laughed or was offended to death. Either is likely.

I could see the aftermath audience reaction as the lights lifted in the theatre. A group of young black men whopped, “America, Fuck Yeah!”; from the movie’s theme song. About 10 rows behind them, several older, black and white couples sat immobile. Stunned I think, because they were so offended by the movie’s philosophical conclusion. 

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If It Looks Like Bias, Walks Like Bias, Is It Bias?

Oh PLEASE! What is the New York Times doing? This morning, I clicked on a story by reporter Todd Purdum headlined, “Best Defense: More Offense”; I had been reading different stories around the Web about the second presidential debate. Before I could get to the story, a banner ad touting John Kerry’s success in the debate filled a separate page; the Democratic National Committee had paid for the ad.

Now as a former journalist, I do know something about boundaries between editorial and advertising content. In print, placement of an ad next to a related news story is a big no-no. Reputable newspapers or magazines would never place, say, an ad about Microsoft Windows in the same spread—or two-page layout—as a positive review of the product. In politics, this rule is typically more strictly followed in the United States. In broadcast journalism, the now defunct “Fairness Doctrine” helped ensure political fair play. 

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Law and Disorder

Good thing I was interested in live TV last night rather than using the DVR. Disappointing would have been the recording. I turned off the TV about half way through the first of two “Law and Order” episodes, disgusted how one-sidedly political the show has become. Naively, I had hoped for respite with the cast change. No such luck.

Episode one sought to put alleged Iraqi prisoner abuses on trial. The timing and context had to be deliberate given the election year. As if we hadn’t watched or read enough already about the prisoners’ treatment for it to be repackaged as entertainment. Geez. I tuned into episode two during the last 20 minutes, which made nonsense out of people devastated by the 9-11 attacks on the Twin Towers. 

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Must Be: Familiar, Approachable, Extending and Better Enough

My prevailing thinking on why high-tech products succeed or fail boils down to four criteria. Editor’s Note 2/8/2014: I expanded the number to eight and wrote book about them: The Principles of Disruptive Design.

A product must:

  1. Build on the familiar
  2. Do what it’s supposed to do really well
  3. Allow people to do something they wished they could do
  4. When displacing something else, offer significantly better experience