Category: Society

Photo by Joe Wilcox
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Flickr a Week 9b: ‘Willing Prisoner’

Strange how foreshadowing metaphor can be a single street shot and its accompanying caption. Quinn Dombrowski captured self-titled “Willing Prisoner” on Sept. 23, 2012, using Canon EOS Rebel T2i and EF 70-300mm f/4-5.6 IS USM lens. Vitals: f/7.1, ISO 400, 1/400 sec, 240mm. The gas mask and woman bound are eerily appropriate illustrations for the SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—also known as COVID-19—pandemic spreading across the Continents from China.

As I write, more than 3,000 people have died globally from the virus, which has infected around 90,000 in at least 60 countries. But those numbers are likely low, because of unreported cases—for numerous reasons: Inadequate testing; influenza confusion; political  coverups; and the extremely long, asymptomatic period when the infected are contagious. In the United States, six people have died from the disease in about 72 hours (four announced today)—mostly in a cluster within Washington State, where experts estimate unobserved transmission occurred for about six weeks. As such, the infection is likely widespread.

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News Media by Joe Wilcox
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News Writing Triage (2011)

How unexpected. While cleaning up old files, I found this list created on June 13, 2011, for tech-sector news reporters that I supervised. I wouldn’t make many changes more than eight years later—qualification: for organizations solely focused on breaking news that primarily is original content. Looking ahead to 2020, in a revised list meant for a broader scope of content creators, I would put considerably more emphasis on mainly generating original content—as you will see in a follow-up post closer to the new year.

The original list was supposed to be 25 items, but dumb-butt me made a mistake and wrote two different items for eighteen. I corrected the numbering, and now the list is twenty-six. I also made a change to the second-to-last. 

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Living by Joe Wilcox
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What’s Behind the Nextdoor?

In classic episodes of game show “Let’s Make a Deal“, Monty Hall lets participants choose from among three doors, with the expectation that something prize-worthy waits behind one. But what if there are disappointing gag-gifts behind all of them? The answer kind of explains my abandoning social network Nextdoor for the second—and surely—last time.

I quit Nextdoor in mid-October last year after joining in August 2017. Primary reason: Interaction turned negative my relatively positive attitudes about the neighborhood. But, about five months ago, I reactivated my account after kitties Laramie and Lupe were abandoned; I worked with other concerned residents and a real estate agent seeking to get the animals safely removed before the property was sold. Nextdoor facilitated communication. Rescue House put the bonded pair into a foster home, and as I write they’re still waiting to be adopted.

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Photo by Joe Wilcox
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Audience Matters

While walking along Panorama Drive, in San Diego’s University Heights neighborhood today, a bumper sticker caused me to chuckle. The message seemed so appropriately placed on a vehicle parked in what locals might call a well-to-do, liberal enclave. Above the one proclamation another exclaimed: “Keep the Mexicans. Deport Trump”. So surely the driver’s meaning is unequivocally plain: Fewer weapons saves lives. In other words, disarm Americans.

I laughed when passing, because interpretation could be far removed from intention, or purpose. There are anarchists, terrorists, and other people—such as those wanting to rid the country of haughty liberals—who might see something quite good and affirming about “More Guns, More Death”, reading the same sentiment with a divergent meaning that is justified by a different, or even opposing, ethical worldview. For one audience, the slogan is an admonition. For another, it’s an invitation—a call to arms, so to speak.

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Apple by Joe Wilcox
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A Purely Personal Purge

Today ends tight-integration between Google Drive and Photos, which when working on Chromebooks I earnestly depended for the fluidity of my imaging workflow. As expressed about three weeks ago, the change contributed to my decision to abandon all things Google. I have lost trust in the company’s commitment to treating users as customers; they are instead beta testers for products and commodities to be profited from. That’s the price paid for free.

I have waffled about Alphabet for more than a decade—delighting in beneficial innovation and ignoring even my own analysis about Google’s profiting from—no, exploiting—content created by others. As I have written before: “Google is a leech that feeds off the intellectual property of legitimate content producers. The search giant profits from your good work, reducing its value in the process. Stated differently, ‘You create it, we sell it, and you must give it away for free’. How convenient that Google assigns such value, free, to someone else’s good work, while producing little content of its own”.

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Photo by Joe Wilcox
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Such a Waste

Last month, on a whim, my wife and I took an excursion down memory lane: the narrow, out-of-the-way street leading to San Diego Hospice, where twice weekly my father-in-law played flute for residents before the facility closed. He passed away in January 2017—and unbelievably—the buildings have followed him, as can be seen from the Featured Image.

In December 2012, administrators told him that his playing would end at the start of the new year. Months later, the healthcare operation declared bankruptcy before closing for good. My experience going inside any kind of extended-stay care facility is bad. But San Diego Hospice was good, with clean, wide hallways and walls decorated with art—some of it for sale, if I remember rightly. There was warmth, in a place that could otherwise have born the chill of death.  After all, most of the residents received care before their lives ended.

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Apple by Joe Wilcox
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Sorry, Google

The laptop that led me back to the Google digital lifestyle is gone. Two days ago, a preschool teacher—who happens to be the same age as my daughter—bought the Pixelbook that I purchased in June 2018 during a Father’s Day sale. Subsequently, my wife and I swapped iPhones for Pixel phones and each a MacBook Pro for Google Chromebook. I added the Pixel Slate five months later. Funny thing: While I sold her MBP, I kept mine and iPad 10.5 for software testing. That decision was wise, although sticking to the Apple Way would have been wiser.

I love the Google lifestyle, but it doesn’t love me. Too many workarounds impede my workflow, which makes me more likely to consume content rather than to create it. Google’s Material Design visually appeals, and the UX (user experience) is more consistent than Apple user interfaces, where too many motifs compete and distract. That said, Android and Chrome OS crumple where I need them to be solid. Half-baked is the Android-integration with Chrome OS—not ready for commercial release is Chrome OS tablet. The tools I need most either aren’t available, or they don’t work well. Or worse, Google takes them away.

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Critters by Joe Wilcox
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Lupe’s Last Day

This afternoon, a real estate agent trapped Lupe, who was featured—along with companion Laramie—in my “Cats of University Heights” series (December 2017). Two weeks ago today, the animals’ owner left the pair behind, when he moved out of state. The gent rented the property that the three shared, along with two dogs, for 17 years. To her credit, the agent selling the place stepped up to assure the outdoor kitties would find a new home. (The guy also left behind goldfish, which a fourth grade school teacher adopted for her class.)

My feelings are deeply mixed about trapping and removing Laramie and Lupe. While walking down Alabama Street this morning, I spoke with neighbors worried about the abandons. One asked about adopting them. Another and I discussed the realistic possibility about caring for the pair as community cats—fed and kept in familiar territory. That would be my preference, although it is likely unrealistic. In my conversations with the realtor, who has been in contact with rescue groups, the animals’ future is tenuous if deemed to be unadoptable. They might not be put down, so to speak, but they could be put away in a feral colony. Neither belongs there, and I don’t believe Lupe would fare well.

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Photo by Joe Wilcox
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Candy Crush

If you believe the Wall Street Journal (and some other news outlets), “No One’s Making Sweethearts This Year, Crushing Lovers of Valentine’s Day Candy“. NECCO (New England Confectionery Company), the manufacturer behind the confection, closed its doors in 2018. Sweethearts’ new brand owner, Spangler Candy Company, hopes to have production lines ramped up for Valentine’s Day 2020, but existing supplies are limited for this year. Hehe, good thing this stuff has long shelf life.

Given the Sweethearts shortages, I was surprised to see a bowl of the candies strategically placed between the cosmetic and jewelry sections inside Macy’s Fashion Valley. Shouldn’t there be a security guard to protect these precious commodities from smash-and-grab robbers rushing the bowl? I imagine a sitcom plot where an attempted jewelry case robbery is merely a distraction for stealing Sweethearts instead. 

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Photo by Joe Wilcox
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The Joy Ride

Classify this story in the category of surprising Sunday dramas. Painters have been working on our apartment building and parking their lift truck along the street. Around 11:45 a.m. PST, I saw some stranger climb onto the lift and start it up. While he wore yellow utility belts that gave the aura of authority, his presence was suspicious, because: Neither he nor his buddy was one of the three painters; his companion drove a nondescript white utility truck, while the painters’ vehicle is branded and red; and he initially fumbled around like someone unfamiliar with the controls.

When the dude unparked the lift, I wondered: Is he stealing it? Off he drove down the street, with his companion following behind in the white truck. This is my neighborhood, it’s a sleepy Sunday, and I am more curious than a cat. I had to follow, first on foot and then by car. The pair drove about 1.8 km (1.1 miles) through University Heights to Rhode Island Ave., which is nearby an area called The Point and overlooks a canyon leading into commercial area Mission Valley below. 

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