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A Few Bad Apples Shouldn’t Spoil the Whole Bunch, Mr. Cook

Listening to Apple’s fiscal second quarter 2016 earnings conference call yesterday was like attending a funeral—where the eulogy is for someone whom you know has gone to Hell. There’s no way to sugarcoat that the good days are over and an eternity of burning flesh awaits. I kid you not. Haul over to iTunes and download the replay. You’ll feel the grim reaper looking over your shoulder while CEO Tim Cook talks as joyfully about Apple’s performance as a man granted last words before the gallows.

And I wonder why? So what that Apple reported its first revenue decline in 13 years, or that iPhone sales fell for the first time ever, or that Q3 guidance is a few billion short of Wall Street consensus? This friggin’ company still mints money, and that ain’t changing anytime soon. Revenue reached $50.6 billion—more than Alphabet, Facebook, Microsoft, and PayPal combined. Apple’s $10.5 billion net income exceeds that of Alphabet and Microsoft together. Oh, and iPhone generated more revenue ($32.86 billion) than either competitor’s total sales. Apple ended the quarter with a $232 billion cash horde. And we get a wake, not a celebration? 

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The End of the iPhone Empire Begins

The spotlight shines on the world’s most-valuable company this fine Tuesday, as Apple revealed results for fiscal second quarter 2016. Wall Street expected the first revenue growth decline in more than a decade and iPhone’s first-ever sales retraction . Is the sky finally falling? Eh, not yet. But the sun slowly sets over the vast smartphone empire.

Ahead of today’s earnings announcement, Wall Street consensus put revenue down 10.4 percent year over year to $51.97 billion, with earnings per share down 14.2 percent to $2. Apple actual: $50.557 billion sales, $10.5 billion net income, and $1.90 EPS. Three months ago, the company told the Street to expect between $50 billion and $53 billion in sales. You read the numbers correctly: Apple uncharacteristically missed the Street’s targets and came in on the low end of its own guidance. 

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The Four Bad Habits of News Sourcing

The most notable news media event of the week goes to New York Daily News, which basked in the illumination of social media’s ire over accusations that writer Shaun King had plagiarized text verbatim from a story that appeared on the Daily Beast. But like so much that rises to the top of Twittersphere. the backstory is more complicated. Turns out that an editor removed attribution, accidentally, he says. The tabloid subsequently fired him.

Unless there was deliberate and chronic attribution removal, editor Jotham Sederstrom’s  dismissal after seven years service stinks of face-saving. He made a mistake, two admittedly, and takes full responsibility. In a Medium post worthy of inclusion in J-School ethics classes, he writes: “This was my fault and I accept 100 percent of the blame”. That’s an editor you want on staff. He stands behind his writer, and rightly protects the only commodity any journalist can truly offer an audience: Trustworthiness. 

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A Taste of Maine in San Diego

My wife and I walk around Liberty Station, in San Diego’s Point Loma neighborhood during some weekends, because the open pavilion with dirt paths around grassy center reminds us of the National Mall, Washington, D.C. The arts, entertainment, and shopping facility feels oddly constructed, for it is. The destination was once the Naval Training Center San Diego, and the architecture and vastness between buildings is homage to the heritage.

The military base closed with many others, as part of vast downsizing two decades ago, during Bill Clinton’s presidency (I wonder if his wife won’t wield the closure hatchet yet again, should she be elected later this year). The complex shuttered in 1997, and like many others underwent redevelopment. Something similar happened to Loring Air Force Base, located about 16 km (10 miles) from my hometown in Northern Maine. Loring’s redevelopment was nowhere nearly as successful as the San Diego training center. Location. Location. Location. 

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MacBook is a Great Carry-along That leaves Something Behind

Earlier this week, Apple finally updated its svelte laptop that launched 13-months ago. I am awe-struck by the company’s design-audacity—not for brash innovation but bumbling compromises that make me wonder who needs this thing. The 12-inch MacBook offers much, wth respect to thinness, lightness, and typing experience (the keyboard is clever tech). But baffling is the decision to keep the crappy 480p webcam. These days, not late-1990s state-of-art, 720p is the least a pricey computer should come with, and is it too much to ask for 1080p or 4K when modern smartphones can shoot just that?

This shortcoming, and two others, glares because the little laptop otherwise offers so much, for its size. Thickness is 13.1mm, while weight is 2.03 pounds (.92 kilograms). The 12-inch IPS display delvers 2304 x 1440 resolution at 226 pixels per inch. This thing is tiny: 28.05 by 19.65 centimeters (11.04 by 7.74 inches). Apple’s redesigned keyboard provides surprising travel, given the keys’ shallowness. By these measures, MacBook is a great carry-along. 

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European Trustbusters fight the Android Army’s Advances

Once again, as it has done in the past, Google makes the classic monopolist defense for its competitive—or anticompetitive, depending on perspective—behavior with respect to Android. Yesterday, the European Union’s Competition Commission formerly charged Alphabet and its major subsidiary, which has 12 weeks to provide satisfactory legal response before the Commission issues corrective sanctions.

Simply stated, the EC finds that the company abused its dominant position, in part by contracts compelling Android licensees to preload Google apps and related services, including search. Microsoft ran into similar bundling headaches starting in the late 1990s with respect to Windows. Responding, Kent Walker, Google general counsel, claims that licensees and consumers can choose to install third-party apps. Microsoft made like-claims during its antitrust defense here and in Europe; they fell flat. 

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Google Celebrates Chrome 50

Dog years is too slow a measurement when it comes to the Internet, which pace maturing makes Moore’s Law look like a skeleton sitting at a feast (it’s too feeble a metric). Case in point: Google Chrome turns 50 this fine Wednesday, which is a long way from its beta release in autumn 2008. Whew, where did the years go?

Dog years is too slow a measurement when it comes to the Internet, which pace maturing makes Moore’s Law look like a skeleton sitting at a feast (it’s too feeble a metric). Case in point: Google Chrome 50 officially releases this fine Wednesday, which is a long way from its autumn-2008 beta. Whew, where did the years go

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9.7-inch iPad Pro First Take

The more I use Apple’s smaller Pro tablet, the less likely I am to reach for the larger one. I have tested the 9.7-inch and 12.9-inch tabs side-by-side since March 31st—and the bigger one is my primary PC (most days). Unquestionably, the behemoth is capable of replacing a laptop, as Apple CEO Tim Cook asserts. The smaller-size model is a fine notebook companion, and certainly can substitute sometimes. But more than two weeks using this surprisingly satisfying kit, I can’t yet (and may never) recommend it as your next PC.

The 9.7-inch iPad Pro, which screen measures like all its forebears, falls into a category I griped about in September 2015: Apple products without purpose—or none that’s easily obvious to majority of shoppers. Don’t misunderstand. The technology under the hood is quite innovative, and I really, really, really  enjoy using this tablet. But I’m not most people, and looking at the broader consumer marketplace, I see the device as being more for the few than appealing to the many; that is until the next release cycle, when current prices decrease. Now, putting aside these caveats, 9.7-inch iPad Pro is the device I most often grab first. Many of the benefits have purpose that is subtle. The question: Are they good enough for you? 

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Momma Hummer

This hummingbird is better entertainment for our cats than TV is for humans. She faithfully sits in her nest, on a tree in the middle of our apartment building’s courtyard, with clear view from a window we leave open year around for Cali and Neko. The felines are mesmerized during the night.

The featured photo is the original, shot using Fujifilm X-T1 and Fujinon XF35mmF2 R WR lens. The image is converted JPEG from Adobe Photoshop Lightroom. The second is an edited crop. Vitals: f/4, ISO 200, 1/60 sec, 50mm. 

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On The Road Again

I took my Guerciotti bicycle out on the road today—perhaps the first time in over a year. That’s a bad habit I must cure.

I bought the roadster from a shop in San Diego’s North Park municipality that sells older road warriors. Near as my limited research reveals, and please someone correct me, this is a mid-1980s Sprint built around an Alan-made Aluminum frame (Corsa 487 tubing). She’s light—I’d guess not much more than 9 kilos (20 pounds) as rigged. Major components are Campagnolo-made, including the rims. 

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MH40 Exhibitionism Edition

If you’re headed to London, or live there, the Rolling Stones have a new exhibit (opened last week) at the Saatchi Gallery. Exhibitionism will be there until early September. After which, the gala moves on to 11 other cities, including New York and Paris. Adults can expect to pay £22 (more than US $30, depending on exchange rate that day). VIP tix are £60.

The memorabilia-filled exhibit is meant to be a nostalgic look at the iconic, aging rock band, which youngest member is (cough, cough) 66. But Exhibitionism is as much about selling collectibles, one of which I can’t resist calling attention to: “special edition” MH40 headphones. I reviewed the standard set, which sound exactly the same, on March 29th. 

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Tidal Teen Angst

Hashtag “perfect playlist” is my new thing—whenever I find a worthy collection. Today’s #perfectplaylist is “Sick of Myself: Teen Angst“, created by Tidal. The mix of alternative and pop punk ballads punctuates one of the reasons I stick with the music streaming service, despite the $19.99 monthly fee (that’s twice Apple Music and Google Music): Fantastic fidelity.

I am familiar with most of the 40 songs in the collection—from before subscribing to Tidal 12 months ago. The majority of the tracks sound so much better, I feel like a partially blind man gaining eyesight. (Apologies for mixing metaphor with real sense, but hey.) Some instruments I hear for the first time, booming sense of virgin listening to something thought to be known and familiar.