We celebrate Groundhog Day with a surprise: real porkers—and you don’t want to be close enough to see their shadows. Brad Sims shot the irresistible, self-titled “Camera Hogs“, on March 2, 2019, using iPhone X. […]
The Louisiana parade follows Huck with another: Ash (yep, real name). The grey and white lives on the next block, where he plays territorial tippy-toe with Bandit and buddies up to Nelson; the two are street mates, not house companions, which makes their getting-along a surprising relationship.
My quest to photograph Ash has been challenging—so much that my failure over several days to snag even a single focused shot greatly contributed to the decision to abandon Sigma fp and return for refund. Even Leica Q2, which produced the Featured Image and companions, missed the mark. The best composed portrait puts the focus point somewhere else, and the cat is completely blurred. Finally, on Jan. 23, 2020, when Ash made his best appearance yet, patience and manual focusing got good enough photos. They’re not as sharp as I would want, being close crops, but the banter with Nelson makes them keepers—and I would have been monumentally miffed if they hadn’t been.
This first day of February 2020 brings Brexit to its inevitable, real beginning. At 11 p.m. GMT, yesterday, the United Kingdom officially severed its 47-year membership with the European Union. The turbulent exodus started with a June 2016 referendum and ended with a December 2019 Parliamentary election that brought to power a UK government capable of ratifying an agreement with the EU.
I mark the occasion with an additional entry this week—self-titled “Union Jack Flag and Rollercoaster” by Nick Page—that is most appropriate. Surely the nearly (estimated) 68 million peoples begin a roller-coaster ride that will last, at the least, through the eleven-month, EU separation-transition period that concludes on the last day of this year.
We close January with dreamy, summer-like sunny self-titled “Charleston Streets“, which Kyle Tsui captured on Sept. 22, 2019 using Leica Q2. Vitals: f/8, ISO 100, 1/800 sec, 28mm. The photo takes the week predominantly for […]
Is that a neighborhood newcomer I see—but not yet a yearling? As my wife and I walked along Louisiana today, Huck (real name) appeared from behind a car, at the same property where Princess Leia and I first met about 19 months earlier. Last year, the Wilcoxes considered renting an affordable apartment in the same building. But the two bedrooms received no meaningful direct sunlight, making them too cold and dim for our liking.
Anne and I may not be Huck’s neighbors, but he has plenty—some of which may hissy-fit over territory. Among the other profiled, feisty felines seen on the street—along the four blocks between Adams and Meade—or known to live there: Amazon, Bandit, Boss, Daniel Tiger, Darth Mew, Donuts, Fluffy, Ginger, Gracie (deceased), Jedi, Nelson, Patriot, Royal, Snow, Stripe, and Topper.
When curating photos for this series, two criteria matter: Creative Commons copyright and presenting a variety of different subjects and styles. Cuts can be brutal. All choices are subjective, of course, and not everyone will share my taste. I wonder what the reaction will be to self-titled “The Cow—Aberdeenshire, Scotland“, which Giuseppe Milo captured on Sept. 28, 2018, using Fujifilm X-Pro2 and Fujinon XF16-55mmF2.8 R LM WR lens. Vitals: f/9, ISO 400, 1/750 sec, 55mm.
The self-described “travel and street photographer”, who lives in Dublin, Ireland, joined Flickr in September 2012. He also is a programmer and web developer, as he explains on his personal site. His nature shot takes the Sunday spot for composition, color, contrast, use of light, and being interesting.
Along most sidewalks in the neighborhood, trees—the majority palms—line the streets. Telephone poles, and their accompanying tangle of above (or below) ground wires, are relegated to alleys behind. The fifty-forth feline found behind door or window illustrates just how ugly and knotted the high-wires can be. There’s a metaphor here somewhere about California culture’s obsession with all things pretty and manicured being a facade for frightful chaos within.
On Jan. 17, 2020, using Leica Q2, I captured the Featured Image of this sleeping, sunning beauty in the alley between Georgia and Park Blvd. First sighting was weeks earlier, however. I waited for the kitty to nap during a time of day that provided maximum illumination with minimal shadows. Vitals, aperture manually set: f/5.6, ISO 100, 1/640 sec, 28mm; 3:15 p.m. PST.
I do wish that Anne Marthe Widvey was still active on Flickr, which she joined in May 2010. Her last contribution was 5 years ago. The self-described “freelance photographer and social media influencer living in […]
On Oct. 3, 2019, I got a far-from-the-sidewalk view of a blackie, while walking along Campus between Tyler and Van Buren. Three-and-a-half months later, and no second-sighting, time is come to add the shorthair, whom I nickname Autumn, to the series.
The Featured Image comes from iPhone XS, as I had hoofed it to the grocery store—expecting to carry back several bulky bags—and left at home my camera. Vitals: f/2.4, ISO 16, 1/390 sec, 52mm (film equivalent; EXIF records 6mm); 2:27 p.m. PDT. The portrait is a 90-percent crop.
We sneak in a third photo for the week to commemorate the Federally-designated Martin Luther King, Jr. Day. Washington, D.C.-based professional photographer Geoff Livingston marks the occasion with self-titled “MLK Memorial“, which he shot on […]
Look who has a new neighbor: Lily and Maxie. I have seen Storm, once on the same block, while Giotto and Striker have moved away. But we count them anyway when introducing the forty-sixth sighted Alabama Street kitty. I met 12 year-old Petri and his delightful owner on Jan. 17, 2020. They moved to the neighborhood around Thanksgiving, after driving across America: Three days on the road, and the feline behaved bravely all the way.
The Featured Image, captured using Leica Q2, deserves some context. Petri’s mom and I talked for many minutes while he hung back by the front door. Later, when he ventured out, she asked if he would like some supper. Surely she has posed the question previously, if his reaction indicates anything. Vitals, aperture manually set: f/3.5, ISO 125, 1/50 sec, 28mm; 4:02 p.m. PST.
Our Sunday spot goes to Mihai Lucîț, from Baia Mare, Romania. On April 7, 2018, he used Nikon D750 and Nikon AF-S NIKKOR 70-200mm f/4G ED VR lens to capture self-titled “Wild Tulip“. Pristine detail […]