Tag: birds

Photo by Joe Wilcox
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Seagull Shopper

My wife and I drove down to Westfield Mission Valley today to take advantage of an expiring coupon: One free pastry from Panera. She chose the Kitchen Sink Cookie—so large two hands are required to hold it. Walking, while she consumed, we encountered a seagull so squawky that it more or less honked like a goose. The thing prattled about looking for food, presumably, making no attempt to fly off as shoppers passed by. I wondered if he might be wing-injured. Annie wanted to share some cookie but rightly worried that the one sweet thing wouldn’t be good food for the other sweet thing. Yeah, we found the bird endearing as it weaved about shoppers.

I brought Leica Q2 Monochrom to the mall and used the camera to capture the Featured Image. Vitals, aperture manually set: f/5.6, ISO 200, 1/320 sec, 28mm; 2:32 p.m. PDT. We briefly continued, then I stopped and asked Annie if she minded my going back for more photos. Happily munching, she motioned me on. As I approached, a couple with a stroller stopped to gawk at the bird, seemingly unaware that they had cornered the thing between a store’s window and sidewalk sign. The gull’s only escape route was inside the shop, and that is where it briefly fled.

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Photo by Joe Wilcox
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Well, Stone the Crows

And I am so glad this bird isn’t a raven (gulp, unless I misidentified, which easily could be). I’ve been humming Stevie Wonder song “Superstition” since the sighting earlier today and only while writing made the subconscious mental connection: Ravens as forebears of bad luck, or worse. But I’m not really superstitious—or wouldn’t be if not for the odd encounter.

While walking along Madison, approaching the alley between North and Campus in my San Diego neighborhood of University Heights, the flyer landed on a fence beside me. He seemed to want something, and I wondered if perhaps people feed him. Of course, the encounter could have been, uh-hum, an omen. The bird perched long enough for me to step back, pull out Leica Q2, and compose two shots (changing aperture between) before flying off.

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Photo by Joe Wilcox
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Give Peace a Chance to Bring Justice

This morning, while walking from the Point in San Diego’s University Heights neighborhood, I passed by a dove placidly perched on a wooden fence. The bird looked somewhat scrawny, and I wondered if even weakened—for it made no attempt to flee when I turned back with Leica Q2, stopped, manually focused, and captured the Featured Image. Surely there is a metaphor here somewhere.

Racial riots rage across swathes of the country, months after the first ones in late May 2020: Chicago, Ill., Kenosha, Wisc., Minneapolis, Minn., Portland, Ore., and Seattle, Wash. are among the cities stricken by arson and looting. Today, in D.C., on the 57th anniversary of Martin Luther King, Jr.‘s “I Have a Dream” speech, thousands of protesters rallied for racial equality and against violence during The Commitment March. Afternoon stormy weather and heavy rains dampened activities, which, more or less, came to a soggy end by early evening. Mmmm, is there another metaphor there?

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Photo by Joe Wilcox
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Flickr a Week 12: ‘Reincarnated?’

The week goes to Tee Cee and self-titled “Reincarnated?“—for beautiful bokeh, clever caption, ethereal quiescence, grainy texture, and the photographic tool chosen. Late last month, Fujifilm shipped the fifth iteration of its fixed lens compact, the X100V. Tee made this portrait, using the first, which released nine years earlier. Vitals: f/2.8, ISO 4000, 1/28 sec, 28mm.

I owned the original X100, back in 2011. It’s amazing—and yet not—to see someone still shooting one. The camera is a classic. Granted, the duck portrait is nearly two years old (May 2, 2018), but Tee still uses the X100 for street shooting—from looking at more recent posts to the Photostream.

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Photo by Joe Wilcox
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Cock-of-the-Rock

Confession: I conduct a test—to see how search engines or organizational filters might censor this post, or my entire site, because of “cock” in the headline. Or will something quite unexpected happen: Surge in traffic because of indexing that brings porn searchers my way? Now that would be hilarious outcome—and not my purpose.

The title refers to the name of the bird that you see in the Featured Image and its companion: The Andean Cock-of-the-Rock, which is the national bird of Peru. He posed for my wife and I yesterday, during a San Diego Zoo visit. Vitals are the same for both portraits, which were taken using iPhone XS: f/2.4, ISO 400, 1/60 sec, 6mm; 12:50 p.m. PDT. The first is composed as shot; the other is cropped 3:2 and slightly recomposed. Neither is enhanced, or otherwise edited.

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Photo by Joe Wilcox
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The Predator

While walking down Maryland Ave. late this afternoon to the grocery store, what looked like two birds locked together swooped by me. As I turned my gaze across the street, the one dropped the other before perching on a building. There waited the first hawk I ever recognize seeing. Had the Leica Q been with me, I could have manually focused in the moment and close-cropped later during post-production for detail. Instead, I made do with the iPhone 7 Plus second camera, which acts as a 2x optical zoom.

The smartphone poorly addressed the lighting, measuring from the brightly-lit background—something I could have compensated better for if not in a rush. The bird wouldn’t wait around long. The Featured Image, and its companion, are both heavily edited; in the first, I purposely blew out the sky’s highlights to contrast against the urban structure and to brighten bird and building. 

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