Well, the first reviews of movie “The Da Vinci Code” are in, and they aren’t encouraging. One of today’s best comes from TimeOut London. It’s good, because reviewer Dave Calhoun is perhaps harder on the book than the movie.
The Da Vinci Code is a dreadful novel. I would be ashamed as a writer to have something so bad be so popular. And I say that with no gripes about a married Jesus, as presented by author Dan Brown.
This morning’s MSNBC commentary by Andy Denhart gets right to what’s wrong with Hollywood. Andy pretty much described satirist Jon Stewart’s Oscar officiation as a flop. I agree, but not for lack of being funny. The audience had no tolerance for laughing at itself. Jon made fun of the stars, but they weren’t laughing at themselves.
Writes Andy, in one example: “An admitted and unashamed progressive himself, Stewart later made fun of the film industry’s perceived liberalness, telling viewers the Oscars are a chance to ‘see all your favorite stars without having to donate any money to the Democratic party’. Our favorite stars barely chuckled”. Self-deprecation wasn’t the humor of the evening.
I warned that a Brokeback Mountain loss would lead to a lifestyle accusation. Arthur Spiegelman writes for Reuters: “The victory for Crash suggested Oscar voters were more comfortable with a tale that exploited the seamy underbelly of racial conflict in contemporary Los Angeles than with a heartbreaking tale of love between two married men…
“No overtly gay love story has ever won a best picture award and, as of Monday morning, none has. The big question going into the Oscars was whether Hollywood, often in the forefront of social issues, would break another taboo”.
I won’t pick a winner for tonight’s Academy Awards Best Picture. But I will predict about the aftermath. Win or lose, Brokeback Mountain will be a gay platform. If it wins, gays will say “Yeah, […]
Uh-oh. Netflix throttling is in the news this week, and I’m steamed about the tactic. I am so mad that service cancellation is one option. More likely, I will, eh, throttle down my number of rentals.
Throttling is a strategy whereby heavy users are penalized for using the service. Netflix reasons it loses money on these customers, so they get lower shipping priority.
Last Thursday night, my daughter did a sleepover, and I used the occasion to go out on a date. My wife and I watched “Pride and Prejudice” at the AFI theatre in Silver Spring, Md. Movies in this genre generally appeal to her. I thoroughly enjoyed the film, which I highly recommend.
But the plot moved too slowly for Anne, who found some of the dialogue to be too accented and archaic to follow. She is right on both counts, but, still, I really got into the movie. Strange, because I don’t much espouse to, uh, love stories.
Before movie “It’s a Wonderful Life” became a holiday mainstay in the United States, largely because the film’s copyright had expired, I first saw it in the middle of the night in June 1979. That’s right summer, not Christmas
I worked at a local factory, a summer job for me, doing third shift. I liked the late hours because of better pay and my tendency to rumble around late night like a spectre. This night I had off, but couldn’t sleep (it wasn’t my bedtime until dawn), so I caught the 2 a.m. Night Owl late show on one of the local TV stations.
My 2005 work schedule has been brutal, with too few cultural breaks but DVDs. Catching movies on DVD puts me about six months behind showings, as was typical this weekend when I watched “The Edukators.” I give the the film high recommendation.
I immediately identified with the main characters, but not their captive, even though he and I are close in age. While I make quite a bit more money than the three protagonists, I can’t even relate to the lavish lifestyle of their antagonists. Like the three Edukators, I am highly critical of the truly wealthy, even though I would easily qualify, based on income, as a bourgeois. I live in a humble home (rented) and drive an old Volvo (dented and purchased quite used). My wife shops at thrift stores and we give more than 10 percent of yearly income to church, charity, people in need, or friends.
As I’ve said before, movie choices reflect something about a person’s character. My November movie rentals (not including those for my wife or daughter): 11/28/05, Nina’s Tragedies 11/28/05, March of the Penguins 11/28/05, Friday Night […]
I am not much of a country music fan. My mother predicted that when I grew older, my tastes would grow more country. That simply never happened. Today’s playlist included songs by Arcade Fire, Jack’s Mannequin, Nelly Furtado, Something Corporate, Snow Patrol, Simple Plan, and Sum 41. No country.
But I do like good movies, even about country music singers, particularly when the actors do their own singing (no lip syncing, please). Country singer Johnny Cash did cover songs spanning many genres, even if he put his own twang on them. So I couldn’t resist “Walk the Line“, which I watched this evening. The star performances make the show.
I just returned from the AFI theatre in Silver Spring, Md., where I watched the film “Good Night, And Good Luck“. I can’t speak for George Clooney’s motivation for making the film, but the topic certainly is timely considering the U.S. government’s anti-terrorism stance.
As a writer and former journalist (former in current job only), the topic attracted my interest. I credit the director for creating a real sense of being there, even filming in black and white. Wikipedia and Museum of Broadcast Communications offer excellent bios on the film’s protagonist, Edward R. Murrow.
I feel more comfortable hanging myself out in the wind over here on my personal site than my work blogsite. Normally, that’s where I’d put a post like this one, but there is just too much chance my speculation is wrong. So…regarding Apple’s mystery announcement planned for tomorrow, I’m ready to make a prediction.
For some time, I’ve suspected that Apple might have a an iTunes-like video service in the works. And that’s where I’ll place my bet on tomorrow’s announcement, a video service, perhaps with music videos, TV content, and video podcasts. I’ll go further and predict a video-capable iPod and (if Apple is smart) Mac repositioning around digital entertainment.