Tag: nature photography

Photo by Joe Wilcox
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Tortoises in Black and White

Yesterday, my wife suggested a walk around San Diego Zoo, which wasn’t nearly as bustling as I would expect it to be on a summer-like-weather Friday afternoon. The place was by no means desolate of people, just not overly crowded. I wonder if increasing paranoia about Coronavirus Disease 2019 (COVID-19) is one reason. People infected or showing symptoms are being treated or quarantined at UCSD Medical Center, which is just 3.7-km drive (2.3 miles) from the zoo. My apartment is even closer: 2 km (1.3 miles) as the crow flies and 3 km (1.9 miles) by road. If—gulp, when—the virus spreads locally, my family will be at the epicenter.

But back to the lovely afternoon spent with the animals—calm before SHTF, as the country’s self-described Preppers call it—I brought along Leica Q2, with the Film Style set to Monochrome. The result wasn’t as anticipated. Importing into Adobe Photoshop Lightroom Classic, after returning home, the RAWs came in as color. I wrongly assumed that the setting would apply to the native files. Nope, only to the JPEGs.

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Photo by Joe Wilcox
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Flickr a Week 4a: ‘The Cow–Aberdeenshire, Scotland’

When curating photos for this series, two criteria matter: Creative Commons copyright and presenting a variety of different subjects and styles. Cuts can be brutal. All choices are subjective, of course, and not everyone will share my taste. I wonder what the reaction will be to self-titled “The Cow—Aberdeenshire, Scotland“, which Giuseppe Milo captured on Sept. 28, 2018, using Fujifilm X-Pro2 and Fujinon XF16-55mmF2.8 R LM WR lens. Vitals: f/9, ISO 400,  1/750 sec, 55mm.

The self-described “travel and street photographer”, who lives in Dublin, Ireland, joined Flickr in September 2012. He also is a programmer and web developer, as he explains on his personal site. His nature shot takes the Sunday spot for composition, color, contrast, use of light, and being interesting.

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Photo by Joe Wilcox
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Bee Friendly

Along the sidewalk outside what was the Butterfly House—and a yard now greatly trimmed back of insect-and-bird-welcoming flowers and plants—a bee drinks nectar on July 19, 2019. I captured the Featured Image and companion using Leica Q, manually focused. Vitals: f/2.8, ISO 100, 1/1600 sec, 28mm; 12:19 p.m. PDT. Other is the same, except for 1/2000 sec.

Neither bug mug is as sharp as would please me, but they’ll have to do as memory markers for a refuge vanished. As Monarchs migrated South this autumn, I wonder where went those accustomed to the Butterfly House as one of their way stations.

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Photo by Joe Wilcox
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Making Monarch Moments

Surely weather is major explanation: Monarchs are uncharacteristically present this summer. I see more around University Heights than any year since moving our family to San Diego in October 2007. I wondered while walking around the neighborhood: How effective a photographic tool could be Fujifilm GFX 50R for capturing butterflies? After all, composing is deliberate rather than quick, and the Fujinon GF63mmF.28 R WR lens isn’t specifically designed for macro (e.g. close-up) work. I have experimentally used the oversized camera as a street shooter—since acquiring it in February 2019 to replace my Leica M10, which a Mexican wedding photographer purchased from me late last year.

The massive medium-format sensor collects heaps of data, which makes shooting with a 50mm-equivalent prime lens surprisingly satisfying. In post-production, I can crop in close, retaining amazing detail—something that the Featured Image and first companion demonstrate. The 50R is able enough, and more. Question answered.

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Photo by Joe Wilcox
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Lively Lilacs

My Nana loved lilacs and roses—and both join an amazing Spring bloom in Southern California, following an unusually wet Winter. The lush greenery and flowering plants won’t last long, but their presence—and amazing aromas tickling my nose while walking—along with the weather, remind of home. Light, constant breezes and temperatures in the high teens to low twenties Celsius beneath puffy Cumulus and Nimbus clouds make San Diego feel so much like Aroostook County during Summer. My wife and I call them “Maine Days”, and they are this Spring’s hallmark but without its Down East annoyance: Mud season.

While Annie and I had seen occasional lilac flourishes, we were surprised to find a wall of the purplish flowers—along Mission, going East from Park Blvd.—on April Fools Day 2019. The Featured Image (warning: 21MB file) is the view from below, looking up at the lilacs. Vitals, aperture manually set: f/5.6, ISO 100, 1/100 sec, 63mm; 5:15 p.m. PDT.

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Photo by Joe Wilcox
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Sanctuary No More

I started more closely watching what the Wilcox clan calls the Butterfly House—a lush Monarch (and other creature) refuge along Maryland Ave., going down the hill from Meade. A major culling of plumage made me wonder if the residents might be leaving. Yep. Last week, I passed by as a moving truck was loaded. Three days ago, I spoke with one of the tenants. They’re Hawaii-bound, and the future of the mini-wildlife habitat is uncertain. Much depends on whomever resides there next. The longstanding caretakers, who contributed much to the neighborhood by way of their overly-committed gardening, bought a house and acre of land on the Big Island. Their tending will be missed by many.

For a small sense of what will likely vanish, please click through to the “Cats of University Heights” profile of Wink, laying low in the middle of the magnificent front yard. Incidentally, two other felines—Flower and Skull—were previously profiled in the adjacent properties on either side of the Butterfly House. 

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Photo by Joe Wilcox
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You’re So Vane

Late afternoon today, I took a purposeful walk around the neighborhood carrying Leica M10 with Macro-Elmar-M 1:4/90 attached. I had hoped to shoot the first portraits from the lens for my “Cats of University Heights” series. I met no felines, sadly, but some of their prey tickled my fancy around the property at Cleveland and Madison.

I captured the Featured Image  and its companion at 5:03 p.m. PDT. Vitals for the first: f/11, ISO 200, 1/180 sec, 90mm. The other is same except for 1/250 sec shutter speed. I cropped both, but only really edited the second—seeking to make the birds more lit than silhouette, so to speak. 

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