The week gets an extra entry, and surely self-titled “Happy Midsummer” reveals why. “Just after two o’clock, in wilderness”, on June 19, 2019, yrjö jyske captured the moment, using Canon EOS 700D and EF 70-300mm […]

The week gets an extra entry, and surely self-titled “Happy Midsummer” reveals why. “Just after two o’clock, in wilderness”, on June 19, 2019, yrjö jyske captured the moment, using Canon EOS 700D and EF 70-300mm […]
Sunflower season returns to San Diego, and splashes of yellow reach upward everywhere. The Featured Image is unremarkably composed—and that’s being polite—but the moment means something to me nevertheless. I tried to contrast one thing […]
What could be better to celebrate my dad’s 79th birthday than something he might see loose on the family farm? Stephanie Young Merzel delivers, with self-titled “Intimacy“, which is a keeper for clarity, color, and […]
The week goes to Steve McClanahan for self-titled “February Super ‘Snow’ Moon“, which is “playing hard to get behind the San Francisco Bay Bridge”, he explains. Ambience, character, composition, and contrasting elements—natural and man-made—make the […]
Self-titled “Happy Easter“, which Tobias Nordhausen made on April 18, 2015, is serene and simple—making something small seem so much bigger, and more important, before the bokeh building background. Vitals: f/8, ISO 100, 1/125 sec, […]
For Palm Sunday, we present something calm—and it’s needed remedy with, in response to the Novel Coronavirus pandemic, so many people confined to their homes and with most businesses closed country after country. Today won’t be a day of celebration, as Christians must stay apart rather than gather together. Surely, the pangs of many parishioners will be greater come Easter Sunday in a week.
Bo Nielsen captured self-titled “A Beautiful Morning in Dyrehaven-3” on Sept. 30, 2015, using Olympus E-M1 and LUMIX G VARIO 100-300/F4-5.6 lens. The portrait is a keeper for composition, light, and serenity.
During my Aroostook County, Maine youth, the night sky treated me and other residents to expansive Milky Way—on many evenings filled with Aurora Borealis. Sanshiro Kubota captured their stunning spectacle from Jökulsárlón, Iceland, on Oct. […]
I came to the Photostream of Alexandre Gallier by way of “Simple Portrait“, which charms for its texture and natural effervescence. But the Sunday spot instead goes to self-titled “Essaimage“, not because the other isn’t worthy but to keep a varied flow of the series‘ selections.
The closeup, from Nikon D610 with 90mm Tamron Macro lens, is a keeper for beautiful bokeh, contrasty colors, and delicious detail. Vitals: f/11, ISO 400, 1/40 sec, 90mm; April 16, 2019.
Yesterday, my wife suggested a walk around San Diego Zoo, which wasn’t nearly as bustling as I would expect it to be on a summer-like-weather Friday afternoon. The place was by no means desolate of people, just not overly crowded. I wonder if increasing paranoia about Coronavirus Disease 2019 (COVID-19) is one reason. People infected or showing symptoms are being treated or quarantined at UCSD Medical Center, which is just 3.7-km drive (2.3 miles) from the zoo. My apartment is even closer: 2 km (1.3 miles) as the crow flies and 3 km (1.9 miles) by road. If—gulp, when—the virus spreads locally, my family will be at the epicenter.
But back to the lovely afternoon spent with the animals—calm before SHTF, as the country’s self-described Preppers call it—I brought along Leica Q2, with the Film Style set to Monochrome. The result wasn’t as anticipated. Importing into Adobe Photoshop Lightroom Classic, after returning home, the RAWs came in as color. I wrongly assumed that the setting would apply to the native files. Nope, only to the JPEGs.
When curating photos for this series, two criteria matter: Creative Commons copyright and presenting a variety of different subjects and styles. Cuts can be brutal. All choices are subjective, of course, and not everyone will share my taste. I wonder what the reaction will be to self-titled “The Cow—Aberdeenshire, Scotland“, which Giuseppe Milo captured on Sept. 28, 2018, using Fujifilm X-Pro2 and Fujinon XF16-55mmF2.8 R LM WR lens. Vitals: f/9, ISO 400, 1/750 sec, 55mm.
The self-described “travel and street photographer”, who lives in Dublin, Ireland, joined Flickr in September 2012. He also is a programmer and web developer, as he explains on his personal site. His nature shot takes the Sunday spot for composition, color, contrast, use of light, and being interesting.
Our Sunday spot goes to Mihai Lucîț, from Baia Mare, Romania. On April 7, 2018, he used Nikon D750 and Nikon AF-S NIKKOR 70-200mm f/4G ED VR lens to capture self-titled “Wild Tulip“. Pristine detail […]
Rain is the forecast for this San Diego Christmas, but brief sunshine summoned my wife and I to take a morning walk. As we approached our apartment, rain returned about a block away, catching me […]