The worst of the worst of the worst of the best—picking a single pic from the photostream of Heather Buckley is more challenging than all the other tough cases combined. I could choose any and […]

The worst of the worst of the worst of the best—picking a single pic from the photostream of Heather Buckley is more challenging than all the other tough cases combined. I could choose any and […]
My father-in-law turned 94 this week. He still lives independently, and we help by being close-by (in an apartment on the next block). He doesn’t get around as easily as he used to; cane is […]
Forget science fiction fantasies about suddenly stopping the present, or traveling back to the past. Some street photographers are masters of time. They capture a moment, preserve it, and expose within magnificent drama. Thus describes […]
I heard we are losing—every day on news broadcasts. That’s my reaction to the dramatically composed self-titled “I Bet You Haven’t Heard We’re Winning”, which Brandon Doran captured on Jan. 20, 2012, using Nikon D90 […]
Our selection comes at a time of great turmoil for Muslims and other peoples who interact with them because of terrorist attacks against Western nations and conflict with the Islamic State in Syria. The Day […]
Vivid is how I describe the street photography of Matthias Ripp. His art exudes a rich, contrasty quality that is natural; what the eye sees. Today’s selection, as do many others, feels like film. The Regensburg, […]
Poignant best describes the street photography of Vincent Anderlucci, and today’s selection is typical. The Parisian shot self-titled “L’homme aux Pigeons” (“The Man with Pigeons”) one year ago today, using Canon EOS 70D and EF 70-200mm f/4L […]
Street portraiture can be among the most challenging photographic styles. It often means approaching random folks for permission to take close-in and personal shots. The process can intimidate those behind and in front of the camera. Days 95, 96, and 97 feature three stranger shoots. On our last triple-digit day in the series, we present another.
Peter Grifoni shot self-titled “Emma—Hands” one year ago today, using Olympus E-M1 and M. Zuiko 45mm F1.8 lens. Vitals: f/2, ISO 200, 1/640 sec, 45mm. I picked the pic for the woman’s body art contrast against the plaid skit. There are several others of the same subject: full body, torso, and torso alternate.
Sometimes simple is best: Black and white, single subject, and unambiguous setting. Self-titled “Streets of Italy” takes the Day for what isn’t making what it is. Thomas Renken used Nikon D7000 and 18-200mm f/3.5-5.6 lens […]
Our selection comes from Henk Sijgers, and the first post-production photo of its kind to appear in the series so far—a composite, shot in Times Square and Columbus Circle, New York City. He says: “Both […]
Paris is known by many names, and surely “City of Love” is one of them—hence, today’s self-title. Reiner Girsch captured the sweet moment around April 9, 2015, when the photo uploaded to Flickr (he joined […]
Last month, Alex Holyoake crossed the English Channel to explore Paris. “The sights and views the city has to offer are fantastic”, he says. “I don’t think I’ve ever been to a city that can offer such breathtaking views and shots. Unfortunately the constant travelling that we did and the infernal stairs we had to climb took our breath away too”.
During the exploration, Alex shot self-titled “Photoception” on Oct. 12, 2015, using Canon EOS 600D and EF 50mm f/1.8 II lens. Vitals: f/1.8, ISO 640, 1/50 sec, 50mm. The photo takes the Day for clever composition and beautiful bokeh.