Three days ago, my wife and I spotted a meeting of Ofo bikes, at the medium triangle where Alabama, Mission, and Monroe intersect in San Diego’s University Heights neighborhood. Today, walking past, we saw them […]
The Fujifilm X100F is, conceptually, little different from the original that released in early 2011. Refinements are plenty, reaching the fourth generation (hence the F): focusing is way faster; sensor packs more megapixels (24 vs 12); and controls are more sensibly placed and functional, for example. But largely the same: overall retro-rangefinder styling; shape and size; emphasis on manual dial controls; leaf shutter; ND filter; dual optical and electronic viewfinders; and fixed f/2 lens, among others. Why change what is classic, and clever, from the start?
The Prime lens, matched with the 24.3-megapixel X-Trans CMOS III sensor, delivers fantastic IQ (e.g., image quality). Surprisingly, the X100F is more an action-cam that conceptually is in league with interchangeable siblings X-Pro2 and X-T2. Focus finally is fast enough. I got a good taste of both qualities while shooting surfers from Pacific Beach pier. Some of the best captures are black and white, applying Acros film simulation in camera. The Featured Image and two crops following below the fold demonstrate.
My wife and I hauled off to the closest tourist beach earlier today; one of her favorite bead stores had advertised a sale. While she shopped, I walked down the Pacific Beach boardwalk. At 11:11 a.m. PDT, I came upon a blonde, back turned, tapping on a smartphone. Her shapely thighs, wavy hair, and posture beckoned for a spontaneous, stealth shot (no face). I grabbed the Fujifilm X100F, right-shoulder slung on the ONA Lima strap, and framed the moment—when she shifted position and turned to face me just as I clicked the shutter. Did she psychically feel the camera?
The close-cropped “Accidental Portrait” is the result. That’s the PB pier off to the right, BTW. Vitals, aperture manually set: f/11, ISO 200, +0.33 ev, 1/250 sec, 23mm. All color photos in this post were purposely shot with Classic Chrome film simulation but accidentally with the positive value exposure compensation.
Maybe I’m just pissed that Sunday night’s NFC play-off game between the Carolina Panthers and Arizona Cardinals and follow-up nauseating sports anchorism went over the scheduled time by 25 minutes, so that The X-Files’ return started late and my DVR stopped on time but the program went overtime. Just as Fox Maulder came to disbelieve everything about the alien invasion, the recording stopped. Or maybe I’m a native New Englander who cheers for the Patriots and must blame the two-point loss on someone or something else!
I have cause.
Action and sports shots often require prep and finesse, as Paul Scott demonstrates with our Day taker. He shot self-titled “Adam Keys—Ollie Over Rail” using Canon EOS 60D, one year ago today. Vitals: f/3.5, ISO 250, […]
Well, Hell, I just spotted an email sent by REI three hours ago, and I am having a “Miracle on 34th Street” moment. It’s like Macy’s Santa sending customers to Gimbels. The outdoor clothier and gear retailer will close for the biggest shopping day of the year. While other sellers countdown to sales, REI ticks time until doors closed.
Marketing tagline: #OptOutside. And there is a website, to socially share and join the community going outdoors rather than inside the concrete jungle of rabid, frothing sales seekers. You know the breed. They’ll attack anyone and anything—no prey is too large—to save two bits on a dollar. They roam in vast herds of destruction across the retail prairies the day after Thanksgiving. They are vicious, vindictive creatures. REI is right to free employees from serving them, or customers encountering these beasts drawn to discounts like they were pheromones of heat.
Photojounalism evokes some of the best storytelling. Because what are the pics about other than tales to tell? Alongside his professional business, Zach Frailey works part-time for the Kinston Free Press. “Two Sport Athlete” takes […]
Our two-hundredth selection in the series comes from Steve Corey, who creates interesting art by bleaching out much of the color and drawing detail—and the eye’s attention to it—in shadows. Clever still, self-title “Carry a […]
Picturesque best describes the photographic style of Antonio Cinotti. Perhaps this explains why: “I am very lucky to live in a natural paradise”, he says—”40 Years from Siena, Tuscany, Italy”. He loves “Crete Senesi, Valdorcia, […]
If you followed this series for the past 52 days, a pattern may be obvious. Not all, in fact not many, of the photographers are professionals. That’s particularly true for Bob Mical, whom I hope won’t be offended by my expressing such. The best pics aren’t those that stand as works of art but which matter most to you and to friends or family; and the story each image tells about these people.
I see in stand-out photography, particularly events, a quality Bob demonstrates: Willingness to get in, and get down if necessary, for the best shot. That quality makes this photo of a racer during the 2014 VA State Cyclocross Championships today’s selection. Sports photography isn’t easy, and should be more than stopping the action with the longest lens.
I am quite reflective about San Diego Comic-Con on this fine Saturday. An hour from now, thousands of people will begin the registration process that, from 9 a.m. PST, will let them into the online waiting room where they might be chosen to purchase tickets. I will be among them, for the first time since moving to San Diego in October 2007. My attendance was always guaranteed, for being a news reporter.
But SDCC has yet to re-certify my press status, and as time drags on the likelihood diminishes. Earlier this week, I received email indicating eligibility to participate in Open Registration, for which I am hugely appreciative. I worried about my uncertain status locking me out from purchasing tickets. Press get free admission, which is a benefit I can take or leave; paying is no problem. It is the assured admission that matters to me.
I really wanted to remove this photo’s distracting border, which likely seemed cool on July 8, 2007. But I believe such alteration would violate the Creative Commons license. Sometimes you just suck it up. Robert […]