Sigh, Dani Alvarez makes choosing one pic nearly impossible. But as the series approaches its ninth month, I must also consider what has come before; nothing is quite like our winner. He shot self-titled “Grande […]

Sigh, Dani Alvarez makes choosing one pic nearly impossible. But as the series approaches its ninth month, I must also consider what has come before; nothing is quite like our winner. He shot self-titled “Grande […]
It’s funny the people you see, and also recognize, in movies. I am watching “Wild”, starring Reese Witherspoon and see the guy with the glasses. He looks like Art Alexakis, lead singer for Everclear. I […]
Few photostreams are as barren as that of Dianmas Jaya; fourteen lonely photos. He shot self-titled “Pure Happiness” on Feb. 17, 2013, the month after joining Flickr., using Nikon D90. Vitals: f/2.8, ISO 200, 1/640 […]
This series favors street photography over any other style, which unfairly reflects my preferences. Some shooters favor something else. Stuart Anthony is “no use at all, at all, at photographing people. I much prefer to […]
My mind is divided about Google, or is that Alphabet now? On one hand, I see the company as among the most innovative ever. I highly value many of Google’s products and they enable me to work more efficiently and to accomplish much more in far less time. On another hand, the search and services operation’s business model is hugely disruptive to people like me that generate content that is primarily consumed online. My profession is in shambles, with the “Google free economy” as the primary wrecking ball.
Overnight, I started an investigative report that will, in the early stages, primarily focus on how the information giant’s business disrupts the news media and some other content producers. “What Does the ‘Google Free Economy’ Cost You?” is crowdfunding through Byline. Should I achieve my modest milestone goal—$250 over 40 days—another milestone would follow with larger goal, and the reporting will expand into additional areas of concern, such as privacy or even how Google could influence the outcome of the U.S. 2016 Presidential election.
Take pictures of your kids that look like the photostream of Amanda Tipton and you will make a memory book they will cherish as adults. Her art delights so much that picking one pick is misery. I could choose a dozen breathlessly. Self-titled “Free Ride” takes the Day for composition, perspective, candor, and as demonstration the importance of having the camera with you and using it!
“No he has never done this before and no I didn’t ask him to; lol”, she says. “But because I didn’t want my camera to melt in the hot car I happened to have it in the store with me. Of course, I probably looked like the worst mom ever snapping pictures before I told him to get up; haha”. I say best mom ever. Amanda captured the moment on July 18, 2012, using Nikon D700. Vitals: f/2.2, ISO 720, 1/250, 35mm.
Following up yesterday’s HDR-shooter, we present another, Wendelin Jacober. Self-titled “Feel free” takes the Day for composition and timelessness. There is something iconic about the photo—and that ignoring the dog standing as interesting element. He […]
I generally don’t bother with HDR, and my post-processing is limited as possible. Main reason: I don’t have time. Another: I prefer to set the camera to capture what my eyes see. That said, this […]
All good reporting begins with one question, which is topic of today’s excerpt from my ebook Responsible Reporting: Field Guide for Bloggers, Journalists, and Other Online News Gatherers. Among the five chapters from Section III, two—this and the previous one—primarily focus on the importance of sound sourcing. Chapter IV explains the importance of original sourcing at a time when so many blogs or news sites cite one another as primary source; that’s terrible form. Today’s installment is all about assessing sources’ motivations for giving you information.
The two views on sourcing are related because bad practice of either leads to the same outcome: Propagation of misinformation. The first is easily fixed: You make the contacts and get first-hand sources rather cite blog, forum, tweet, etc., without vetting who is behind them, while corroborating with sources with whom you personally interact. The second, and topic today, is more complicated. You need to understand what the other party gains, particularly when leaking something directly to you.
Sometimes simple says more by being less—as is the case with our Day taker. Lauren Hammond shot self-titled “And They Lived Happily Ever After” on Sep. 14, 2011, using Nikon D3000. Vitals: f/4.2, ISO 250, […]
Serialization of my ebook Responsible Reporting: Field Guide for Bloggers, Journalists, and Other Online News Gathers is off-schedule ahead of its release into the public domain. So, as an effort to catch up, I present installments today and Sunday, for your weekend reading.
Today’s chapter is among the most important from the book. I discuss the reporter’s responsibility to be accurate. Simply stated: Write what you know to be true in the moment, and expect what you know to change. The chapter is another where establishing and maintaining trust with the audience, and also sources, is foundational to reporting responsibly.
There is raw energy—emotional charge—behind the street photography of Ryan Raz. His style is unmistakably intimate and brazen. Composition often hides, at first glance, something intriguing on closer examination.
Self-titled “Squint Eyed At Casa Coffee” is unremarkable on quick inspection. But there is something about the motion of life—the women in and outside the shop—and the subject’s all-but-closed eyes that is immediate and unpretentious.