Sometimes your body is your costume. This guy sat in front of me while waiting for the Comic-Con Day 2 panel for CW show “The 100” to begin. You can’t tell from this photo just […]
Category: Society
Comic-Con Rapture
Street preachers greeting—and in many cases offending—Thursday Comic-Conners manifested metaphor as Day 1 advanced. It’s as if the Rapture came, taking away a significant minority. Because the crowds felt less to me. I asked several vendors about their perception. One of them agreeing said that earlier he’d had a conversation with other exhibitors about the feeling of fewer.
My experience has been that first full-day crowds are smallest of the four. The big draws in Hall H typically start on Friday, along with other panels with punch. Perhaps I am too accustomed to the crowds, or maybe they were smaller as a whole throughout the Convention Center; fewer gathering places but drawing still significant numbers.
Uh-oh! Red Shirts!
What an Uglydoll way to go. I wonder how long these will last? Star Trek Uglies are this year’s San Diego Comic-Con exclusives. Just beam me up some, would you? But Preview Night wasn’t their time for big sales. Long lines queued elsewhere.
Each day of SDCC has its own distinct character. Preview Night is the big geekfest. It is not the pretty people gathering. The group fulfills a wide range of stereotypes that says nerd. The fewest cosplayers are seen of any day, also. You would think Star Trek would appeal to these types, and perhaps it does. I observed more of a Dr. Who, Orphan Black, and The Walking Dead crowd.
Comic-Con Heroes Enters the Public Domain
Timing is deliberate. As the big pop-culture convention starts here in San Diego, I release my ebook Comic-Con Heroes: The Fans Who Make the Greatest Show on Earth into the public domain. You can grab the PDF here, or click on to Smashwords for more formats, including epub. I relinquish rights, believing the content remains evergreen valuable even if dated. The book published in September 2013.
During SDCC two years ago, I interviewed attendees, choosing one-dozen to profile. My contention about the convention: The fans are the stars, not hollywood, which gets the glory. The concept started from a recollection posted during Comic-Con 2010: “The Roles We Play“. Yesterday, I published a followup that I planned to title “The Roles They Play” but last-minute changed to “The Heroes Are Us“.
The Heroes Are Us
Tomorrow night begins my seventh sojourn to the greatest geekfest and pop-culture event on the planet. Imitator shows are everywhere this Century, but none commands character and class like the original. San Diego Comic-Con is an amazing amalgamation of hopes and aspirations—and the grandest storytelling—where, for four days and a Preview Night, tens of thousands of people can be themselves—fit in, rather than feel oddball—or be whom they would want to be by dressing up as beloved superheroes or villains and by adoring the storytellers and actors behind them.
The first, full three-day event took place from Aug. 1-3, 1970, at the U.S. Grand Hotel, with about 300 attendees and sci-fi luminaries, including Ray Bradbury and A.E. van Vogt. This week, 130,000 attendees will storm San Diego Convention Center to enter an alternate reality, where the social rules binding them everyday no longer apply.
I Should Thank the President
We are solid citizens again, with health insurance in place for the first time since May 1, 2009. Last November, I shared about “My Uninsured Life“. Now that circumstances changed, update is warranted, even if brief. Our coverage started as of Midnight today. We are among those Americans subsidized through Obamacare.
Our monthly family premium is a paltry $101 and some change per month for HMO plan with $500 annual individual deductible. The subsidy rewards the insurer with another $1,100 during the same time period. Someone please explain to me how such a gap doesn’t somehow reflect increased healthcare costs. What the frak?
Why iPhone Matters
Happy Birthday! iPhone is 8 years-old today. Oh my, it seems so much longer because so much has changed. Think back. Eight years ago, there was no Android. YouTube was but 18 months available to the public, and Facebook or Twitter only about a year. There was no market for tablets, or smartwatches.
The iPhone marks everything right about the Steve Jobs era of risk-taking design. More changes: He is gone from this world and some of that other-worldly innovation with him. In 2007, the smartphone was a decade-old slow seller that few people owned. Now it’s everywhere! Apple deserves credit for the transformation, whether or not anyone wants to give it.
Responsible Reporting Section 2 ‘The New Journalisms’: Chapter V
Last Sunday, we interrupted our weekly serialization of my ebook Responsible Reporting: Field Guide for Bloggers, Journalists, and Other Online News Gatherers, because of Father’s Day. Another interruption comes July 12, during San Diego Comic-Con. This week’s return completes the last of five journalisms, and the one that more than any other can lead to irresponsible news reporting.
Timing is interesting in context of the landmark Supreme Court ruling just two days ago that opens way for marriage between people of the same gender in all 50 states. There is a force of collective will washing across the Internet that could cause some journalists to bow before social pressure rather thcan offer probing analyses in second-day stories. For example, I see lots of quick criticism of the dissenting judges that doesn’t delve into the Constitutional concerns they raise, nor negative implications for rights-gainers with respect to taxes or other legal constructs. How much does the mob’s mood influence followups? My concern is process, and I express here no opinion about the ruling—just timing and context with respect to today’s mob journalism excerpt.
Don’t Go There
While sitting with my 93 year-old father-in-law outside the Starbucks in San Diego’s Hillcrest district, I observed a directional sign for two shops, today. Then I read them as a sentence and laughed. Okay, you—think like an imaginative kid and not a stuck-up-the-butt literal adult: Ignore the K. It’s funny, yes?
Strangely, I came to live the sign not long later. As we walked into Trader Joe’s, a neighbor said hello on her way inside. I politely introduced my father-n-law, then she started on about the Neighborhood Watch group that she recently organized. The first meeting went well, but she wasn’t sure how to contact me. That’s when I blew her holy smoke up her arse.
Apple Music backs off ‘play for no-pay’ plan that would withhold artist royalties
Now that Apple plans to compensate artists for the first three months of music streaming, it’s time to ask: Were the whiners grandstanding or sincere? The question mainly is meant for Taylor Swift, whose Father’s Day Tumblr post seems to have brought, eh, swift response to the—what I call—”play for no-pay” plan.
The company unveiled Apple Music during the World Wide Developer Conference on June 8. The streaming service will be free to subscribers for the first three months, with Apple initially choosing not to make royalty payments to artists. I condemned the ridiculous strategy last week. The company sits on a nearly $200 billion cash horde, and content creators are among its most loyal customers. Stiffing them makes no sense from several different perspectives, with good public relations being one and expressing thanks to artist customers being another.
Small Town Living
I couldn’t reach my dad to wish him Happy Father’s Day. Calls kept coming up “User Busy” on my smartphone screen. One of my sisters shared similar problem, and we mutually expressed hope that perhaps […]
Will Taylor Swift’s Apple Admonishment Strike a Chord?
“This is not about me”, singer Taylor Swift writes in a Tumblr post that is viral news everywhere today. She explains why her newest album, “1989”, will not be available on Apple Music when the service starts on June 30.
“This is about the new artist or band that has just released their first single and will not be paid for its success. This is about the young songwriter who just got his or her first cut and thought that the royalties from that would get them out of debt. This is about the producer who works tirelessly to innovate and create, just like the innovators and creators at Apple are pioneering in their field—but will not get paid for a quarter of a year’s worth of plays on his or her songs”.