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Big Book Bounty

When I was in high school, my cousin piqued my interested in a Dutch novel published in 1968 that debuted in 1973 translated into English. Every few months, over the past three years or so, I looked for a copy to buy, but prices are generally exorbitant; the book is out of print.

Where Were You Last Pluterday? by Paul Van Herck is satirical science fiction at its comically cringiest. The absolute absurdity of American politics and cultural currents triggered my curiosity about how-true-to-life had the hilariously nonsensical story become. Something about our reality of the absurd was once science fiction. I had to know: How prescient is the 50-year-old-plus novel?

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The Player

This afternoon, my wife and I happened to walk down Madison, in our San Diego neighborhood of University Heights. As we moved East, in the direction of Texas, near the corner of Alabama, I regarded identical statutes of youngsters playing a musical instrument. Someone had put them out between sidewalk and street, on the grassy strip where grow plants.

I escorted Annie home and returned with Leica Q2 Monochrom, which produced the Featured Image. Vitals, aperture manually set: f/2.8, ISO 200, 1/1250 sec, 28mm; 4:41 p.m. PDT.

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Seven Movies Every Journalist Should See

Periodically, I update my picks for must-see movies about news reporting. More than eight years have passed since the last list, in February 2016—before the tumultuous Presidential election that thrust Donald Trump into the White House and precipitated disastrous changes across American newsrooms.

Editorialization of news, once taboo, is widespread. Many stories are subjective and slanted, pushing progressive—or, to lesser degree, conservative—values over impartial presentation of facts. The changes are evident in headlines or deks but more earnestly descriptive modifiers used for emphasis, where none should be.

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What Real Camping Looks Like

Welcome back to the North Maine Woods, circa mid-1970s. I am the skinny, short kid to the far left; my father, in the red hat, is to the far right. Next to me, my cousin Dan looks at something; my guess is an insect.

His sister Debbie, sitting up, came along with two obnoxious friends. I spent several weeks as object of their abusive taunts and teasing. Wicked women, they were.

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The (Honorary) Cats of University Heights: Tag and Tig

We shamelessly jump the backlog of unpublished putty-tats to add a pair spotted today in a backyard along the Arizona-Hamilton alley in North Park, which is about one-and-a-half blocks beyond the neighborhood’s boundary. Hence, the honorary designation.

The kittens romped and chased like kids playing tag might. That explains the nickname for the black and Tig for the tabby. The Featured Image comes from Samsung Galaxy S24 Ultra, which I had to raise high to clear a fence; the obstruction determined composition. Vitals: f/3.4, ISO 32, 1/340 sec, (synthetic) 230mm (digital and optical zoom); 1:56 p.m. PDT.

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After the Pond

My father was a controlling, jealous, and quick-tempered man. The distance between Andromeda and Milky Way galaxies separated our personalities. He and I shared little in common, so much that if not for some physical resemblance my only conclusion must be illegitimacy. But Mom was faithful; he was the one who slept around, which precipitated her divorcing him.

Ah, the day she confided in me was joyous. I was relieved that he would be gone and me freed from his anger, curses, and putdowns. My sisters suffered loss at his departure. I thrived in his absence. Even during the lean teen years, when we had no Christmas presents and often were hungry, I wouldn’t want him around. Mom was a single mother with four children; he contributed nothing. She suffered for her brood; he looked after himself and his new family.

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My Cat Wants to Know: Why Use a Digital Camera?

I ask the question, too. I love my Leica Q2, but—increasingly leave it at home. Samsung Galaxy S24 Ultra is good enough shooter for more than 90 percent of any of the photographic opportunities.

The smartphone is always present, quick to use,  and immensely versatile. Consider, for example, the three optical focal lengths—23mm, 70mm, and 115mm—plus the hybrid digital-optical 230mm. Colors are accurate across all four focal lengths; 50– and 200-megapixel options are available; manual controls are outstanding alternative to the excellent auto mode; and RAW shooting is available. Then there are the ever-useful AI-editing capabilities.

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Grampy and Grandsons

We aren’t finished with the family photos. The Featured Image is another, provided by my cousin Dan, who sits playing checkers with our mutual granddad. I am the kid with the dorky grin. The photo was taken sometime in 1970, making me either 10 or 11, depending on when.

My Uncle Glenn made the portrait; camera unknown. Where: The Wilcox Family Farm—the majority of which my father unexpectedly deeded to the co-pastors of his church. A long-time family friend sent me a copy of the Quickclaim Deed, dated March 27, 2024. He died almost exactly three weeks later.

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My Uncle and His Camera

Now a blast from the past: 54-years-ago this month, meaning May 1970. My Uncle Glenn holds his gorgeous Yashica Mat-124. The newer G model released that year; I don’t know how long he owned the medium-format twin-lens reflex camera.

Wow, what a beauty she is (oh, and my uncle is handsome, too). The Mat-124 packed two—count `em—lenses at one of my three favorite Prime focal lengths: 80mm (28mm and 135mm are the others).

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Midday Mourning Cloak

While Annie and I walked yesterday, she delighted about a butterfly fluttering by. It stopped long enough for me to get off a couple quick shots using Samsung Galaxy S24 Ultra. The Featured Image is best of the set.

I grew up collecting and studying insects and quickly recognized the Mourning Cloak. Certainly, I know the butterfly from Northern Maine and assumed that, like many other Lepidoptera, Mourning Cloak was limited to the East. Wow, my big mistake: The range is broadest among the block of 11 continuous Western states.

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What Happened Here?

My wife and I walked around Mission Valley Mall—no longer a Westfield property—today. More stores are local small businesses, although some big brands are present—like Target.

The big surprise: The apparently permanently closed Temple Custom Jewelers and the mysterious signs you see in the Featured Image and companion. I knew that the establishment was black-owned but have no idea what were the circumstances leading to the signs. Googling gave no answers, tonight.