This afternoon, I’m walking down University Ave. in San Diego’s Hillcrest district, not far from Bank of America. Before me, a clearly homeless guy carries a white trash bag full of aluminum cans, which are […]
Tag: Culture
Sign for the Times
The alley behind our apartment building exits onto Monroe Ave., which across Maryland rims residences along a canyon. The street becomes Arch before circling back and changing to Meade. Near the turn is a lovely, […]
My Comic-Con Luck Runs Out
I dreaded this day but mentally prepared—or so it seemed. San Diego Comic-Con 2017 Early Registration commenced this morning. Passes sold out in about an hour, and I got none for any of the four days or Preview Night. I attended continuously, starting in 2009—the first six years as registered press. For reasons unknown to me, SDCC did not “verify” my media status for 2015 or 2016, but I was able to register and pay for the entire event.
Open Registration is still to come, and the convention changed the press submission schedule for the July 19 (Preview Night) – 23 event. Past years: December. Now it’s end of April. Before the new week starts, I will resubmit legitimate materials that, if my luck isn’t exhausted, might lead to press certification and attendance.
The Driving Dead
Happy Halloween! The couple may be gone from this world, but they are remembered every October 31st. I shot several portraits of them over several days before overcast skies removed offending glare. This is an […]
Red Shirts Mark My Comic-Con Blues
I won’t attend all, or even most, of San Diego Comic-Con as planned this week. SDCC is the only event I look forward to all year. But an opportunity came to undergo corrective surgery in one of my eyes (the other follows in a few weeks) sooner than expected. I will be at the Con Wednesday night but not Thursday (gonna be under the scalpel—or is it laser—that day) and probably not Friday (when is the post-op exam). Perhaps the surgeon will okay Sunday and hopefully even Saturday.
My eighth year of attendance is a bust, but I am super fortunate to get July 21st for the surgery. I had looked forward to Star Trek’s 50th year, which will get big celebration throughout the four days and Preview Night—starting with the “Star Trek Beyond” premiere. Given my truncated plans combined with my paying to attend (no press pass), I will go as a participant rather than a documentarian for the first time.
The Man on the Street
This afternoon, while walking along Adams Ave. in Normal Heights, I passed what appeared to be a homeless man sitting on a cement step inside an abandoned storefront doorway. He was grizzled but neat, with the leathery-brown skin hue common among people overexposed to the Southwestern Sun. His hair and beard bled gray all over what might have one time been black.
As I passed, he stopped over, arms resting on knees, alongside a small, black luggage bag with wheels and pulled-out handle. About 5 meters beyond him, my pace slowed. I rarely carry cash but today had a 10 dollar bill, which is more money than I usually give—and he had asked for none. I turned around and walked back, finding him up and moving. We passed. I hesitated once more then spun back and spoke.
The ‘Cesarean is Safer’ Lie
So I’m sitting at McDonald’s with my 93 year-old father-in-law, who likes to eat from the all-day breakfast menu for lunch. Behind him, across the aisle, sit three elderly gents who don’t look to be quite as old but nevertheless it’s a 70-plus group. They gather daily apparently.
One man announces that he can’t make lunch tomorrow. “My daughter is having a baby”. When, another geezer asks. “At 9:30 in the morning” is the answer. “How do you know?” I could answer that one, and the reason why. I lean forward and listen with greater focus. “She’s having a Cesarean”, the man answers. What he says next chills my bones and inflames my anger: The doctor says that the procedure is “safer” than natural childbirth.
A Lesson in Perception
So I’m driving down my street behind this white pickup truck going unusually slow before speeding up then hitting the brakes. Repeatedly. My frustration mounts. But at one-cross street, I finally see around. There is a sedan in the lead, driving in obviously taunting manner. The scenario is obvious: Pickup truck tail-gated, and the other drive retaliates. His vehicle moves along, the truck moves in closer, and he slows down. I’ve seen this kind of thing before.
All the while, I can see from arm waving in the cab that the pickup driver grows increasing angry. Road rage in front turns into retaliation rage behind, I trail both vehicles. Finally, after a few more abrupt slowdowns, the sedan comes to a four-way stoplight, where the truck roars left around, cutting in front of the car and making an illegal right on red. When the light turns green, the four-door pulls up behind the white two-door. Now aggressions are reversed.
Bump Art
Sometimes I am shocked to find myself out of touch with popular culture—and that’s a terrible admission living in Southern California, where pronounced body art can be seen everywhere. Yet, not until yesterday’s Flickr Blog post “Belly Paining” and link to small gallery of photos had I ever seen such a thing.
Yeah, my wife and I are middle-aged parents with a daughter in college—removed from immediate contact with expectant-mother lifestyle. Nevertheless, how in the land of tattoos could I miss something so interesting, creative, and personally expressive? What a wonderful way to celebrate the joys (and hardships) of pregnancy.
Where No Values Have Gone Before
For more than two weeks I have kept open in a browser tab essay “How Star Trek Explains the Decline of Liberalism” by Timothy Sandefur. Someone shared the story in one of my social feeds in mid-September—and apologies for not recalling whom. I don’t agree with the title, set against the writing, but I do largely agree with the analysis about Star Trek’s reflection of our society over the course of 50 years.
I loved the original series, which aired in 1966. Much as I liked, and even imitated Spock, Kirk’s bravado and moralism rapt my attention. He acted rather than hesitated. Meanwhile, series creator Gene Roddenberry and his producers, directors, and writers used the storytelling as metaphors and allegories commenting on American society and its values. I aspired to be like James Tiberius Kirk: Do the right thing, for the greater good of all, regardless the risk.
I Am Cusper
Sometimes you just want to claim credit where it’s due. While searching for one thing I came across another related to a word coined by me about two decades ago. I hadn’t realized that the term slowly makes its way into the vernacular, with others credited for the origins. How rude!
I turned 56 nearly a fortnight ago, which makes me a 59er—as in born in 1959. Problem: I never really embraced the values or attitudes of Baby Boomers, even though by the time-span fixture established by social scientists, I belong with that generational group. Much more of my behavior and thinking aligns with Generation Xers. I sought for a word to describe myself—being born on the cusp between generations. I called myself a Cusper, starting in the mid-1990s. In January 2001, I registered the cusper and cuspers dot com, net, and org domains.
Flickr a Day 198: ‘Folklore and Youth’
Nothing produces a portrait like a prime lens in competent hands. Marjan Lazarevski shot today’s selection on May 27, 2013, using Canon EOS 600D and EF 50mm f/1.8 II. Vitals: f/2, ISO 800, 1/500 sec. But self-titled “Folklore and Youth” takes the Day as much for the contextual storytelling around it.
Based in Skopje, Macedonia, Marjan often captures moments that illuminate local culture. “Macedonian national costumes are part of the material culture of the Macedonian people and they are important branch of the Macedonian folk art”, he says.