The definition of frustration is an artist like Göran Johansson, whose Photostream presents too many superb street shots to choose from. Almost any image is worthy, but the Sunday spot goes to self-titled “Truck Bed Friends” […]

The definition of frustration is an artist like Göran Johansson, whose Photostream presents too many superb street shots to choose from. Almost any image is worthy, but the Sunday spot goes to self-titled “Truck Bed Friends” […]
This morning, while we walked along Meade, my wife spotted a grey kitty across the street, nearby a gent whom we had spoken to once many moons ago. Turns out, the slender beauty belongs to him. Meet 13 year-old Lily, who appeared in nearly the same spot as Mittens in October 2017.
I used iPhone XS to capture the Featured Image and its companion. Both portraits are composed as shot. Vitals: f/1.8, ISO 25, 1/1282 sec, 26mm (film equivalent); 9:24 a.m. PDT. The other is same except for 1/1136 sec.
Strange the things you see every day and ignore until the unexpected occurrence draws your attention. Last week, for reasons I won’t bother guessing, YouTube’s algorithm recommended video “I Bought An Airstream! Tiny Home Project” by vlogger Monica Church. Bored, I watched—and, admittedly, intrigued.
Yesterday, while walking along the alley behind Coronavirus-closed LeStat’s, I walked by the Airstream perennially parked there and took fresh notice. With the “shelter-in-place” orders still shuttering most businesses, but restrictions marginally lifting in California, the area was deserted—and I had been looking for something, anything, reasonable to photograph. Out came the Leica Q2.
Times are tough for small businesses that thrive on person-to-person contact, courtesy of stay-at-home orders closing commercial operations and schools. California Governor Gavin Newsom has outlined a four-stage reopening ramp-up to semi-normalcy. Nail salons are relegated to the third phase. Psychics, too, perhaps?
How unfortunate, because reliable fortune-telling should be in big-time demand during the pandemic. If I were this soothsayer, who should be able to see the way without my saying, Zoom would be the remote-conferencing choice rather than FaceTime. Gather together a family and offer a group discount, or employees from a (supposedly) temporarily closed business. They have questions, and you have answers!
The week goes to Steve McClanahan for self-titled “February Super ‘Snow’ Moon“, which is “playing hard to get behind the San Francisco Bay Bridge”, he explains. Ambience, character, composition, and contrasting elements—natural and man-made—make the […]
Happy Mother’s Day, readers. We celebrate with self-titled “Afterbath“, which Gerry Dincher shot on April 4, 2020, using Canon PowerShot SX10 IS. Vitals: f/4, ISO 80, 1/250 sec, 5mm. Released more than 11 years ago, […]
The pandemic almost returned to the series with “Raggedy Ann and Raggedy Andy in Quarantine” by Lorie Shaull. But after reviewing her Photostream, I couldn’t pass by self-titled “A Spring Snow Fall in Prescott, Wisconsin“, which […]
Yesterday, while walking up Monroe Ave. on the west side of San Diego’s University Heights neighborhood, I came upon an unexpected sign of hope—and maybe a little despair—strangely appropriate as Mother’s Day approaches and the […]
Monochrome is an art form popular among street shooters, but the purest excellence takes typical things and makes them monuments to hues of grey and black, of light and shadows. Bernhard Hanakam captured self-titled “Lathering” […]
For this fine first Caturday in May, I present a portrait of our kitties rather than one from my “Cats of University Heights” series. Neko sits atop the Casabelle Mail Center purchased from Pier 1 […]
We end a month mostly dominated by SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—also known as COVID-19—viral pandemic posts and begin fresh focus on lively, or inspiring, storytelling. “Smile“, by Nana B. Agyei, is anecdote to […]
With much of the United States largely still shut down to combat the viral pandemic, cities look more like post-apocalyptic movie sets and little resemble bustling bastions of human habitation. Self-titled “COVID-19“—also known as SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)—captures the loneliness with foreboding colors, punchy contrast, and captivating composition. At any other time, the street shot would beg questions: “Why is he wearing a mask?” “Is that cosplay for the comic book convention?” Here and now, we know—and the dude’s protective gear impresses compared to the bandanas and home-made face coverings many of us wear.
Chris Yarzab captured the moment on March 26, 2020, using Nikon D80 and 18-300mm f/3.5-6.3 lens. Vitals: f/5.6, ISO 100, 1/200 sec, 110mm. There are different street-shooting styles. While many photographers get close to their subjects, such as zone-focus adherents, others reach from afar to produce their art; like Chris. Besides, the long-shot also adheres to strict “social distancing” guidelines. The portrait was taken in Panorama City, which is a Los Angeles neighborhood.