The Sunday spot goes to self-titled “Exit Point” by Tormod Ulsberg—for color, composition, contrast, and just being interesting. He says of the shot: “About to enter the Mont Blanc Massif from Aiguille du Midi”, which […]
The Sunday spot goes to self-titled “Exit Point” by Tormod Ulsberg—for color, composition, contrast, and just being interesting. He says of the shot: “About to enter the Mont Blanc Massif from Aiguille du Midi”, which […]
The Fujifilm X100F is, conceptually, little different from the original that released in early 2011. Refinements are plenty, reaching the fourth generation (hence the F): focusing is way faster; sensor packs more megapixels (24 vs 12); and controls are more sensibly placed and functional, for example. But largely the same: overall retro-rangefinder styling; shape and size; emphasis on manual dial controls; leaf shutter; ND filter; dual optical and electronic viewfinders; and fixed f/2 lens, among others. Why change what is classic, and clever, from the start?
The Prime lens, matched with the 24.3-megapixel X-Trans CMOS III sensor, delivers fantastic IQ (e.g., image quality). Surprisingly, the X100F is more an action-cam that conceptually is in league with interchangeable siblings X-Pro2 and X-T2. Focus finally is fast enough. I got a good taste of both qualities while shooting surfers from Pacific Beach pier. Some of the best captures are black and white, applying Acros film simulation in camera. The Featured Image and two crops following below the fold demonstrate.
My wife and I hauled off to the closest tourist beach earlier today; one of her favorite bead stores had advertised a sale. While she shopped, I walked down the Pacific Beach boardwalk. At 11:11 a.m. PDT, I came upon a blonde, back turned, tapping on a smartphone. Her shapely thighs, wavy hair, and posture beckoned for a spontaneous, stealth shot (no face). I grabbed the Fujifilm X100F, right-shoulder slung on the ONA Lima strap, and framed the moment—when she shifted position and turned to face me just as I clicked the shutter. Did she psychically feel the camera?
The close-cropped “Accidental Portrait” is the result. That’s the PB pier off to the right, BTW. Vitals, aperture manually set: f/11, ISO 200, +0.33 ev, 1/250 sec, 23mm. All color photos in this post were purposely shot with Classic Chrome film simulation but accidentally with the positive value exposure compensation.
Photojounalism evokes some of the best storytelling. Because what are the pics about other than tales to tell? Alongside his professional business, Zach Frailey works part-time for the Kinston Free Press. “Two Sport Athlete” takes […]
Our two-hundredth selection in the series comes from Steve Corey, who creates interesting art by bleaching out much of the color and drawing detail—and the eye’s attention to it—in shadows. Clever still, self-title “Carry a […]
The photostream of Georgie Pauwels just kills me. Picking a single pic is burdensome because her smartly composed street photography captures character and evokes emotion. I debated between today’s selection and self-titled “Finally Spring“, both […]
Picturesque best describes the photographic style of Antonio Cinotti. Perhaps this explains why: “I am very lucky to live in a natural paradise”, he says—”40 Years from Siena, Tuscany, Italy”. He loves “Crete Senesi, Valdorcia, […]
Sports photography should be more than the shooter with the longest lens capturing one good photo from many taken with continuous shutter. Today’s selection, captured by Terence Kearns on May 9, 2008, is atypical of surfing […]
If you followed this series for the past 52 days, a pattern may be obvious. Not all, in fact not many, of the photographers are professionals. That’s particularly true for Bob Mical, whom I hope won’t be offended by my expressing such. The best pics aren’t those that stand as works of art but which matter most to you and to friends or family; and the story each image tells about these people.
I see in stand-out photography, particularly events, a quality Bob demonstrates: Willingness to get in, and get down if necessary, for the best shot. That quality makes this photo of a racer during the 2014 VA State Cyclocross Championships today’s selection. Sports photography isn’t easy, and should be more than stopping the action with the longest lens.
I really wanted to remove this photo’s distracting border, which likely seemed cool on July 8, 2007. But I believe such alteration would violate the Creative Commons license. Sometimes you just suck it up. Robert […]