Tag: street photography

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Will the Meaning be Lost?

So-o-o, should I presume somebody’s sidewalk message is meant to be sarcastic? According to the good folks at Merriam-Webster, a factory farm is “a large industrialized farm, especially: a farm on which large numbers of livestock are raised indoors in conditions intended to maximize production at minimal cost”. Presumption: Animal cruelty—or so claims fourteen of the first fifteen results to my search query.

Let me ask then: We should eat less food as a means of not supporting factory farming? That starvation will put the entities out of business and thus diminish livestock hardship? Timing is odd, given all the warnings about food shortages.

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The Cats of University Heights: Doodle

Today, while walking with my wife, I spotted a black-and-white kitty looking out a window. But approaching, I discovered two shorthairs. Surprisingly still: Tonight, while examining the Featured Image, I see somebody familiar. The larger furball, with dark face, is Scooch, who I observed outdoors a few houses away with Springer during September 2021. Both are nicknames.

The portrait comes from iPhone 13 Pro. Vitals: f/2.8, ISO 32, 1/469 sec, 77mm; 9:32 a.m. PDT. What shall we call the ninety-fifth feline found behind glass and/or screen? I say Doodle for spots that look like they were drawn on with a marker pen.

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The Cats of University Heights: Defender

The number of dogs living in the neighborhood exploded exponentially during the SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 lockdowns. Northern California is fido-country, and high-techies suddenly able to work from home hightailed south, where lofty salaries ($296,000 median at Google) made buying or renting in San Diego comparably affordable for San Francisco-area escapees. Can we send them back?

How many mutts can one person, or couple, own? Gotta ask because I see fewer people walking one dog and many more leashing two, three, or more—and that’s without tallying the overall increased numbers. Not surprisingly, doggy decorum demands harassing cats; do these NorCal migrants simply not know better because they lack feline finesse or are they merely amused letting their beasts taunt kitties?

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The Fourth on Fifth Avenue

For an errand, this afternoon, I walked from my neighborhood of University Heights to Hillcrest and back. To celebrate Independence Day, the city put out American flags. The Featured Image captures two on Fifth Avenue beside one of the many controversial, and new, bike lanes.

San Diego is in the process of transforming select streets to connect a regional bikeway. The idea is to gain, ah, independence from carbon-emitting vehicles by encouraging more pedal power. Oddly though, hybrid electric or motor bikes are suddenly everywhere, which makes me wonder about the strategy. One reason: Those riders tend to avoid the bike lanes and flow with traffic; the partially powered two-wheelers are too fast-moving.

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The (Honorary) Cats of University Heights: Guapo

Among the four-hundred ninety-three profiles in this series, thirteen, including today’s newcomer, live outside the neighborhood’s official boundaries: BuddiesChill, CoalEnvy, JadeMonaMoophie, Ninja, Promise, QueenieSammy, and Tom and Jerry. Darth Mew initially belonged to the group, until later turning up in University Heights.

This morning, I passed Guapo (yep, real name) leashed by his mom along Adams near Arizona, which is the teensy-bit inside North Park. I met them while walking home from dropping off our car for routine servicing. We greeted, I passed then turned back asking if I could take his portrait.

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The Cats of University Heights: Pan

On the same property where nearly six years ago appeared the series‘ fourth and fifth felines—Skull and Biscuit—another surprised me on June 8, 2022. The Featured Image, taken with iPhone 13 Pro, shows still posture that made me think statue. Vitals: f/2.8, ISO 32, 1/881 sec, 77mm; 4:50 p.m. PDT.

Only later did the animal move and, briefly, turn my way—long enough for a portrait using Leica Q2. Vitals, aperture manually set: f/5.6, ISO 100, 1/500 sec, 28mm; 4:53 p.m.

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Grow Your Own

Along the fence of the house from which grapevines draped over the sidewalk (August 2021), today I saw something unexpected and presumably quite new—as the Featured Image and companions reveal. Little lending libraries with books are all over my San Diego neighborhood of University Heights (Examples: One, Two, Three, Four). But this is the first seen sharing seeds. Small supply there may be but hopefully growing. I know. I know.

Vitals: f/4, ISO 100, 1/125 sec, 28mm; 6:24 p.m. PDT. The trio comes from Leica Q2, and this one is composed as captured. I chose the angled view to diminish glare and reflection off the glass.

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Table Creature

Three minutes before sunset, 7:57 p.m. PDT, I came across a discarded table that piqued my interest, because the thing reminded me of an animal. You disagree? Be a kid for 10 seconds, put on your seeking-creatures-in-the-clouds mind, and take another gander.

The clinical term for finding animals, faces, and the like in clouds or other objects is Pareidolia. I’m not sure that applies to this table, for which no specific beast comes to my mind. Rather, I see something inanimate that could come to movement, when looking at the spacing of the legs and what could be a head sticking from the flat board body.

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The Cats of University Heights: Chocolate

Hey, that’s not Paws. Same window, different kitty. I shot portraits using Leica Q2 and iPhone 13 Pro, but the Featured Image comes from the cellular device; telephoto lens and 95-percent post-production crop wins the day. Vitals: f/2.8, ISO 32, 1/622 sec, 77mm; 1:56 p.m. PDT, May 28, 2022.

The ninety-fourth feline found behind glass and/or screen earns nickname Chocolate for fur colors. She (or he) is a Snowshoe like Willow, yes?

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The Cats of University Heights: Arrow

In the driveway where I met Peohe in December 2017, a tabby appeared on April 25, 2022. He (or she) presumably belongs to the family that purchased the property sometime during the first two years of SARS-CoV-2 (severe acute respiratory syndrome Coronavirus 2)/COVID-19 restrictions.

I used iPhone 13 Pro to capture the Featured Image and companion. f/2.8, ISO 32, 1/1488 sec, 77mm; 9:56 a.m. PDT. The other is same but 1/645 sec. Location: Mississippi Street, some place between El Cajon Blvd and University Avenue (I know where but won’t say).

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Juneteenth is a Terrible Name

The second celebrated Federal Holiday of the oddly-named Juneteenth is nearly over as I write. Oh, remembering the less formally-designated but also wide-celebrated: Happy Father’s Day to all the dads. My fingers are crossed that you’re happy being one and that the kids share the same sentiment.

Back to the other, the name unruly rolls off the tongue, doesn’t at all tell anyone what the celebration is for, and—go ahead and argue—poorly respects what the holiday represents. Quickly: On June 19, 1865, the Union Army rode into Galveston, Texas and announced the end of black slavery. Emancipation deserves better.

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The Pusher and the Biker

Four days ago, I came across Chris Gampat‘s The Phoblographer commentary “Manual Mode Is Overrated: A Popular, Unpopular Opinion“. Conceding that I am amateur at best, my tendency is to shoot semi-automatic by presetting aperture and fiddling with other settings only when necessity arises.

Chris tramps through several examples of missed opportunities. From the lede paragraph: “You raise the camera to shoot, very sure that you’ve got the decisive moment. But when you chimp the LCD screen, you notice the screen is pure white. Because you were in manual mode, your camera couldn’t adapt and you lost the moment. Had the camera been constantly adjusting the exposure itself, you would’ve probably captured the moment”. Okay, I might have some experience with that.